An interview with Durham-based artist, Kate Van Suddese. Kate describes how she is inspired by the North East coast and the different artists who have influenced her work and passion. Part of a continuing series exploring the work of artists, photographers and other creative people in the North East.
‘Sea Kiss’ by Kate Van Suddese. Depicts the rocks at Marsden Bay.
How would you describe your work?
It’s hard to define my work as I have changed so much over the years both in style and subject. I have sold my work professionally for over 30 years and in such a timescale things change drastically in every way or I feel they should do! Always learning, always growing, always changing, always new things to see and paint.!
To give a recent point of focus I would say I have been a seascape artist for the longest time. Back when I was younger I painted portraits and then went on to large abstract paintings that were purely involved with colour and form. I loved Cezanne and Rothko at the time and they influenced me a great deal.
‘City Life’ Kate Van Suddese, the Gateshead Millennium Bridge.
Tell us how you first started out as an artist.
I first started out after Uni in my early 20s painting portraits. I worked lots of part time jobs to keep funds going so I could paint. I dropped in and out of Art degrees and courses as the mood took me, travelled around a few places. Always painting and always trying to get my work into galleries etc. and always working if I ran out of cash. Eventually I built up a selection of galleries who exhibited my work nationally including the Biscuit Factory, Red Rag Gallery, the Leith gallery. And things went on from there.
Kate Van Suddese
What influence if any does North East England have in inspiring your work?
In 1993 my mother died and it had a profound effect on my painting world. I began to paint the coastal world around me. It was a place where I found peace and the raw energy and sense of limitless space was comforting. A bridge to another world.
Mum loved the North East coast and I found myself wandering around in her footsteps, reliving the childhood memories I had of days at the beach with my family. I ended up painting a whole series of seascapes featuring huge crashing waves and local landmarks all with a link in my mind to my mother and my family.
From then on I have been painting my beloved Northern coastline in all its glory as a tribute to both my mum and the whole Northern ethos.
Warmth, family, roots, history: who cannot but be inspired by our beautiful coast? The variety and breadth of the coast from Redcar up to Amble etc and beyond is amazing. The beauty and wide expanse of beach and white light of Bamburgh is just breathtaking. Both Lindisfarne and Dunstanburgh with their history and isolation are magnets for people seeking open space and a sense of belonging.
When you see the regeneration of the coal coast it just astounds with the changes that have happened over recent years. There are still the scars of the mining industry within its folds but the beaches and coastal paths are now well on their way to their own form of well-hewn beauty. Its good to keep a sign of past times too, to remember life as it was. I spend a fair bit of time at Blast Beach , Seaham, looking for glass from the old glass works and painting the crashing waves at Noses Point.
I spend every weekend at Tynemouth Market with my paintings and prints and have come to love the coast in the area. I set off early to watch the early sun from different vantage points before I go to work at the market. Sitting watching the early waves come in at North Shields fish quay and the Groyne is One of the most peaceful and happy things I like to do. It never fails to make me want to paint it.
Kate Van Suddese’s ‘Treasures Hunters’ depicts the fabulous market at Tynemouth.
All the way along, St Edwards Bay, Longsands and our magnificent St Mary’s Lighthouse is a treasure trove of inspiration, both through memories of times past and present day happiness. In rain or shine, calm or storm.
I paint in lots of different styles, it depends on how I feel at the time and what the image needs. But mainly I am an oil painter, using canvases both tiny and large.
I adore Turner and Atkinson Grimshaw and much of my work has a feel to it of both. Its not deliberate, I just feel that my love of light and beauty is so ingrained that is just comes out as it does because that seems to be the only way I can try to capture what I want. Turner’s use of light and colour and almost abstract form was far advanced for the time and seems to me to just capture the essence of another world with its sense of beauty and translucence.
‘In The Soft Light of Morning’ St Mary’s Lighthouse near Whitley Bay. Kate Van Suddese.
In painting local landmarks and local seas I also wanted to find a way to paint beauty, as to me the sense of place and belonging is a link to love and life.
I try to find the beauty in whatever it is that has inspired me to pick up my brush and paint it.
As I said the focus of my work is mainly as a seascape artist but recently I have enjoyed creating small series of fantasy works. All have to be beautiful in one way or another though. Story telling is something I like to do and to tell a story with a painting is a satisfying way of making magic from nothing.
‘Night Life’. The Tyne Bridge, Kate Van Suddese.
What inspires you?
Everything inspires me. The world around me, words , poems, colours, stories, memories, sadness,happiness, my family, my love of the sea and my love of the North and its history and encompassing nature.
Which other artists or photographers do you admire?
Turner for his love of light. The Pre-Raphaelites for their love of romance and magic. Monet for his colour and expression. Charles Napier Hemy for the sea and motion. Norman Cornish for my Grandad who was a miner. Vuillard because everything he does is so beautiful. Jeremy Mann breathtaking. Berthelsen for his warmth like being wrapped in a blanket. Dame Laura Knight for memories and sunlight
‘The Sunshine Bay’, Cullercoats. Kate Van Suddese.
Do you have any tips for up and coming artists?
Be yourself, paint what you want and keep experimenting and changing.
Decide which way you want your career to go, what is the most important thing and go for it . find which side of the fine line between Art and Commerce it is that motivates you and make your choices accordingly. Its hard being an artist for the love of it if you cant make enough money to buy paint and pay your bills. Just keep going and don’t let the knock s set you back, there will always be someone who loves your work and someone who doesn’t.
Roker Lighthouse. Kate Van Suddese.
What has been your most challenging creation?
My most challenging creation hasn’t happened yet. Everything is hard, I call it a bitter sweet occupation, the love and pain involved in creating anything is all encompassing whether it is 2D or 3D, for yourself or a commission.
What are your ambitions for the future?
As far as ambitions for the future goes: I just want to paint!
Why is the Wear an appendage of the Tyne? Why is the ‘North Humber Land’ of Northumberland so far north of the Humber? Why is so much of the River Tees not even part of the ‘Tees Valley’?
In this blog, historian DAVID SIMPSON laments the loss of the straightforward, traditional, easy to understand historic counties of the North East and Yorkshire.
The flags of Northumberland, Durham and Yorkshire
Yorkshire, Durham and Northumberland are ancient counties with roots going back a thousand years or more but something changed in the 1970s that left communities confused and disembodied in a legacy that continues to this day. It was during that decade that those long-lived county regions were broken into little pieces, redefined for economic or political purposes and given artificial names that were in some cases little more than marketing brands.
Take Yorkshire for instance. It was recorded as ‘Eoferwicscire’ as far back as 1055, though its roots are much older than that. It developed from the Viking Kingdom of York and its three ancient ‘Ridings’. Indeed it was the Vikings who divided Yorkshire into the three parts called ‘Ridings’ (North, West and East) from the Norse word ‘thrithing’ or ‘þriðjungr’ meaning ‘third part’.
Despite this ancient division, the Vikings didn’t re-brand the three individual bits with cumbersome names. They kept things clear. Yorkshire or even just ‘York’ as it was often simply known remained intact and the ‘Ridings’ stayed in place right up until 1974.
It was in 1974 that London’s brutal battle-axe of bureaucratic boundary changes hit Yorkshire as it did many other places in Britain. A new county called ‘Humberside’ was hacked out of Yorkshire’s south eastern corner and it annexed rather a lot of Lincolnshire too. People from Hull, wherever they might venture, now had to justify that they were still in fact Yorkshiremen, maintaining their centuries old right.
In 1996 Humberside was of course ultimately abolished and quite rightly too. It was then that the East Riding of Yorkshire re-merged (now the only ‘official’ Riding) and although Hull’s separate city status was acknowledged, its place in Yorkshire is clear.
It was in 1974 that Cleveland was created too.
Now, as a name Cleveland was not without precedent. Even the Vikings knew of it, calling it ‘Cliffland’ in their sagas. As an ancient district it was part of Yorkshire and exclusively part of Yorkshire, that is to say a part of that giant historic county south of the Tees. This Cleveland – the real Cleveland – stretched as far west as the little town of Yarm, encompassed Middlesbrough (a monastic cell in medieval times) and stretched right down to the River Esk at Whitby taking in the Cleveland Hills and the beautiful Cleveland coast.
However, the new 1974 County of Cleveland was something quite different to the old Cleveland district of Yorkshire. The new Cleveland still included Middlesbrough and Yarm and some of the Cleveland coastal towns but this county of Cleveland was, in historic terms, an awful inaccuracy.
For a start, Hartlepool, the ancient sea port of County Durham was annexed to Cleveland’s expanded realm along with the historic Durham towns of Stockton and Billingham and pretty villages like Egglescliffe and Norton. Yet south of the Tees much of the real, historic Cleveland was not included in the new county. So, bizarrely, most of the Cleveland Hills and the village of Carlton-in-Cleveland were not included in the new County of Cleveland. Hilariously, to add to this confusion a County Durham village called Carlton near Stockton did become part of the new county, so that we now had a Carlton in Cleveland county (but not ‘in-Cleveland’) and a ‘Carlton-in-Cleveland’ that was not in Cleveland County!
The nonsense of ‘Cleveland the county’ eventually ended (as it did with Humberside) in 1996 after an existence of only 22 years but it was only to be replaced by a new kind of nonsense some twenty years later.
The so-called ‘Tees Valley Combined Authority’ (an awful mouthful it has to be said) began life as a ‘local enterprise partnership’ in 2011 but then became a combined authority in 2016. The new authority was more or less identical to the county of Cleveland, but now also included the historic County Durham town of Darlington which had long been the focal point for South Durham.
There was apparently much support for this new combined authority across that region with 65 per cent of people voting in its favour. In fact, on closer examination (according to Wikipedia) there were only over 1,900 responses to this question – that’s not very many when we consider the Tees Valley region has a population of 700,000.
What makes the term ‘Tees Valley’ really confusing is its geographical scope. For example, you can walk along the south bank of the River Tees opposite Darlington Borough and you are firmly in Yorkshire but for some reason you’re definitely not in the ‘Tees Valley’. Similarly up in the Dales you find that Barnard Castle and the surrounding countryside of Teesdale isn’t part of the ‘Tees Valley’ either.*
‘Barney’ as it is known to locals is the capital of Teesdale, on the north bank of the river and still in County Durham as it has been for many centuries.
Then we have Hartlepool, an historic town with an extraordinary history that was once one of Britain’s major sea ports. Old Hartlepool is situated on a coastal headland on the North Sea coast. Hartlepool was never a port on the River Tees but today it is included as part of the Tees Valley.
The reality is of course that Tees Valley is an economic partnership and a rather nice marketing term for Teesside with Hartlepool and Darlington thrown in for good measure. It has no real historic meaning beyond that. If you think about it though, ‘Tees Valley’ has quite a nice ring to it and it is a much more pleasing name than the now deeply ingrained and for some reason widely accepted term ‘Tyne and Wear’ which the American writer Paul Theroux compared to ‘Time and Wear’ (as in sadly worn by time) but we’ll come to that ‘county’ in a moment.
North of the Tees (and yes we do mean the Tees) the name Northumberland (or in Latin style ‘Northumbria’) survived the Viking annexation of Yorkshire. It is a reminder that ‘Northumberland’ or ‘Northumbria’ was once the name for the whole of the North being the term for the ancient kingdom that encompassed everything English north of the Humber. During the Viking era the remaining Northumbrian rump north of the Tees split into two parts with the land between the Tyne and Tees ultimately becoming County Durham, while the term ‘Northumberland’ continued in use north of the Tyne and Derwent.
Durham developed as a kind of buffer state between Viking Yorkshire and the rest of Northumberland. Centred initially on Chester-le-Street (Conecaster) and then later Durham City it was focused on the revered shrine of St Cuthbert. ‘St Cuthbert’s Land’, the fledgling County of Durham was also called the ‘Haliwerfolc’ meaning land of the ‘Holy-man-people’. The ‘wer’ of this name means ‘man’ – the same word we find in ‘werewolf’ but in Durham’s case was perhaps a play on words because its heartland was focused on the Wear. The ‘Haliwerfolc’ were far more northern than those ‘North Folc’ of Norfolk. County Durham was also recorded as ‘Dunelmensisschira’ meaning Durham-Shire, around 1100, but ‘shire’ or ‘folk’ never caught on as part of Durham’s name.
The ‘County Palatine of Durham’ ruled by political Prince Bishops, came to be County Durham as the Prince Bishops’ powers depleted. We should not forget that the influence of the bishops was extensive across the whole region. There were even remote exclaves of their Palatine in what is now Northumberland, namely: ‘Norhamshire’ on the Tweed, sharing a border with Scotland; ‘Bedlingtonshire’ between the Rivers Wansbeck and Blyth; and Islandshire encompassing Lindisfarne and the Farnes. Along with the parish and castle of Crayke near Thirsk in North Yorkshire, they were all part of County Durham until 1844. Similarly the Yorkshire districts of ‘Allertonshire’ around Northallerton and ‘Howdenshire’ near Selby were part of the Durham bishops’ ecclesiastical – though not political – realm.
However, the Durham heartland was always that bordered by the Tyne and Derwent to the north and the Tees to the south. I’m always amused by road signs telling you that you’re entering the ‘Land of the Prince Bishops’ on the A19 near Sheraton just north of Hartlepool or on the A1(M) south of Washington. The ‘Land of the Prince Bishops’ in fact begins at the Tees and ends at the Tyne not according to some modern make-shift administrative boundary. In fact it officially ended about a quarter of the way across the Tyne on the Gateshead side.
The boroughs of Sunderland and Gateshead were founded by the Prince Bishops, marking the very beginning of these places as towns. Hartlepool was the Prince Bishop’s port, Stockton the site of one of their major castles. The Priors of Durham founded the port of South Shields. And of course the links between Washington (Washingon CD for County Durham) and the beginnings of the esteemed family of that name are also directly linked to the Prince Bishops. Agreed that all of these events are a very long time ago but these places are still linked to the unique history of County Durham. It’s part of what makes them special and interesting and different and part of their historic identity.
The seal of Prince Bishop Hugh Pudsey who established the boroughs of Sunderland and Gateshead
Durham continued to act as a kind of buffer state in post Conquest times with its defensive focus now, like that of Northumberland, directed towards the constant inroads of invading Scots. In later times Durham’s rich medieval roots were eclipsed by a new era of industrialisation. It became an industrial powerhouse of shipbuilding and engineering and above all coal mining. County Durham’s population nestled along the banks of the three great industrialised rivers of the North East and the Durham coalfield itself stretched north to the banks of the Tyne.
County Durham of course shared the lower Tyne with the neighbouring county of Northumberland (and with Newcastle too) and shared the Tees with Yorkshire. It’s true that some of the strongest regional identities developed in the riverside communities where the allegiance can be more to the river rather than the county but this isn’t adequately reflected in terms like ‘Tees Valley’ or ‘Tyne and Wear’.
Tynesiders, Teessiders and Wearsiders all identify most closely with their riverside communities which unite each of the three groups of people in each of the three areas. I think it’s unlikely you’ll ever hear anyone identify themselves with Tyne and Wear or Tees Valley – unless they’re a politician.
The Wear is odd man out as far as the three great rivers go as it was never a shared river in terms of county allegiance. It was and undoubtedly still is the County Durham river, rising in the Durham fells before flowing through Weardale, and then through historic Bishop Auckland; the City of Durham and then Chester-le-Street.
Today, the River Wear makes an administrative exit from County Durham, for no apparent natural geographical reason, just beyond Chester-le-Street. Here it enters ‘Tyne and Wear’ and the political jurisdiction of the City of Sunderland, eventually entering the sea at Sunderland itself in what is or once was the largest and perhaps proudest of all the Durham towns – now of course a proud city. It is to Sunderland to which the County Durham river is now most closely linked yet for the entire course of County Durham’s history up until 1974 it was entirely a County Durham river.
Historic view of Sunderland harbour at the mouth of the Wear in County Durham
Today Sunderland is no longer in County Durham and while some Sunderland folk may proudly cherish this independence any glance of the map shows that the city has become an appendage or afterthought in the so-called ‘Tyne and Wear’.
Like Cleveland and Humberside ‘Tyne and Wear’ was established as a county in 1974 and despite its now let’s be honest, ugly name, is still somehow going strong today, now as a unified partnership of individual boroughs and cities linked by economic interests and an admittedly excellent integrated transport system.
Like ‘Tees Valley’, Tyne and Wear makes some sense on an economic and business level but culturally and geographically there is something highly contrived about the term ‘Tyne and Wear’. In my view, a label given to a geographical entity that includes the doubtfully qualifying word ‘and’ in its title must clearly have some kind of inherent disunity at some level. It might work for a business partnership but for political geography the term ‘and’ in Tyne ‘and’ Wear never really convinces.
Wearside, the City of Sunderland has a population of around 270,000 that includes several large, neighbouring towns and villages, but in reality places like Washington and Houghton-le-Spring which may well have close relationships with Sunderland are still separate entities.
Tyneside by comparison is mostly a continuous almost homogeneous urban region (perhaps not an endearing description) that straddles two sides of the Tyne. Tyneside has a much larger population than Wearside with around one million people – a point, incidentally, rarely taken into account when comparing the relative size of support for the rival Tyne-Wear football teams.
It would be interesting to know what people think of the old counties and if people still feel an affiliation to them within the Tyne and Wear and Tees Valley regions. I suspect older people, particularly in outlying towns and villages in boroughs and cities like Gateshead, Sunderland and Newcastle may still have a closer affiliation to traditional counties rather than the modern ones and those in the larger towns may connect more closely with the terms Tynesider (or ‘Geordie’); Wearsider (‘Mackem’) and Teessider.
On my travels I have certainly found there’s affinity amongst older people to the traditional counties such as County Durham in places like Houghton-le-Spring and Hetton-le-Hole. North of the Tyne, Newcastle, Gosforth and particularly North Tyneside – Whitley Bay, Tynemouth and North Shields in particular – certainly seem to me to have something particularly Northumbrian in their nature and personality as much as they are ‘Geordie’ when compared to say Gateshead or South Shields to the south of the river.
Of course the Tyne (like the Tees) despite its different communities unites as much as it divides, whether it be in the form of the wider ‘Geordie’ culture or in sporting terms where Tyneside is mostly ‘United’ in Newcastle as its focal centre.
Yet in 2016 a vote on a region-wide North East devolution deal suggested that in another sense the traditional county divisions may still be strong. Durham County, Sunderland, Gateshead and South Tyneside all voted against the devolution plan for a North East combined authority. In other words all the places in the old County of Durham. **
However places north of the Tyne: Newcastle, North Tyneside and Northumberland all voted in favour. Subsequently a new deal was formulated solely focused on the region north of the Tyne – the Northumberland of old.
Historic identities dating back thousands of years are perhaps harder to shift than we realise despite the brutal machinations and manoeuvrings of London bureaucrats and local marketing men.
*Note, confusingly, 1974 also saw the annexation of that part of Teesdale south of the River Tees from Yorkshire into County Durham, moving places such as Romaldkirk and Mickleton into Durham. The administration of Teesdale is of course focused on Barnard Castle, historically a County Durham town on the north side of the river.
** The ‘Tees Valley’ counties were not included in the North East combined authority vote as they already had their own version of this.
DAVID SIMPSON reflects on finding a balance between looking back and looking forward in defining the future of North East England
The Wearmouth Bridge, Sunderland
I love history and especially northern history and I love nostalgia too. Old Photos and memories are wonderful to share and enjoy but I’m not one of those “everything was so much better in the past” types. The past is simply part of a journey, an eventful journey that brought us where we are today. It teaches us what we may achieve and features important lessons too, but that does not mean we should be limited by our past. In fact for me, the present is everything.
Some may say the ‘past is not important’. Now, I don’t hold with that view either. Just try going for a job interview or writing a CV without saying anything about your past. It would be hard to do because to some extent your past defines you and what you can do, or at least it defines you as you are now. You will almost certainly fail if you have nothing to say about your past but you will also fail if you have no vision of your future.
The same goes for regions, cities and towns that are marketing and presenting their best attributes to the world. An ability to look back to the past with pride but build with a vision towards the future was one of the most impressive aspects of Sunderland’s recent City of Culture bid. It was one of the great reasons why, despite missing out on that title, it has been such a massive success for the city and for the region too.
That past is simply part of a never ending journey of often surprising events and opportunities. The past is merely the early chapter or chapters in an exciting book that is being continuously written. There will be wonderful twists and turns and new highlights as the story grows with each new event and opportunity.
I still love the past though, and like thousands upon thousands of people up and down the land I love to reminisce and look back, occasionally. Being from Durham I often visit a Facebook group called ‘Old Photographs and Memories of Durham’ one of many such groups that feature compelling black and white snaps of towns and cities up and down the land that are passionately followed by locals and exiles.
It does frustrate me though sometimes, when I hear people who want everything to stay the way it was, those who wish to go back or who wish for things to remain unchanged forever, like Miss Havisham in her wedding gown. Now even if it was possible for everything to stay exactly the same as it always was, where would the joy be in that?