Tag Archives: Millennium Bridge

Gateshead : Still in Newcastle’s shadow?

Gateshead is a town that is arguably growing slowly in confidence and status. Could it one day even challenge the city status of its historic neighbour across the Tyne? DAVID SIMPSON explores Gateshead’s transition from an apparent ‘backwater’ to a major centre of northern culture.

Angel of the North
Angel of the North Photo copyright © 2009 David Simpson

In times past Gateshead was once unflatteringly described in parliament as a ‘dirty lane leading to Newcastle’. It has also been described in more chauvinistic times as ‘Newcastle’s wife’ and then there’s that oft-told story of a stranger asking a native Geordie for directions to Gateshead. The reply is something along the lines of “gan ower the bridge and ye’ will say ‘this canna’ be Gyetsid’, but it is”.

Things are a lot different today of course, at least for those parts of Gateshead that face the Newcastle waterside. Gateshead has been a town and borough in the shadow of Newcastle since medieval times and often willingly or unwillingly under its neighbour’s direct control. Since 1882 Newcastle has held the status of a city, reinforcing Gateshead’s role as a ‘suburb’ despite the two places belonging to two quite different counties for so many centuries.

Gateshead Millennium Bridge
Gateshead Millennium Bridge : Photo © David Simpson

There is, almost, dare I say it, a sense that modern developments and future plans could, in decades to come, bring about a turnaround in this status. Gateshead, as it grows and develops might well become the sparkling modern city of glass and steel while Newcastle might come to serve the splendid role of ‘the old toon’, a kind of beautiful historic quarter with charming old buildings, streets and bars so typically found in many of the most frequently visited continental cities.

I regularly listen to Radio 2 these days – I’m showing my age here – and I often hear them announce forthcoming tours of prominent performers to major cities. Through the splendid work and fabulous event programme of the wonderful venue that is Sage Gateshead it is often Gateshead that you hear listed amongst those cities, rather than Newcastle. It’s quite an astonishing thing, when you think about it, given the almost ‘backwater’ status that Gateshead once held.

Sage Gateshead
Sage Gateshead. Photo © David Simpson 2018

And there’s more. What is the most iconic symbol of the region today? The Tyne Bridge? Well maybe, but if it is so then Gateshead can certainly claim its share of this wonderful eminence of solid steel.

However, arguably the most internationally recognised symbol of the whole region, let alone Tyneside today, is Gateshead’s own Angel of the North. In fact it might even be described as the symbol of the entire North of England and it’s right here in Gateshead. Well, where else?

St Mary Gateshead Tyne Bridge
Church of St Mary, Gateshead and Tyne Bridge : Photo © David Simpson

Even down on the river, the Tyne Bridge is now somewhat challenged in the admiration stakes by the Gateshead Millennium Bridge which tellingly includes Gateshead in its name. Its modern elegant gleaming white arch certainly seems to connect with the companion buildings of Sage and BALTIC on the south shore a little more so than perhaps it does with even the most modern quayside buildings on the Newcastle side.

Being a pedestrian bridge it is also, in human terms, the most effective link between the two ‘toons’ if we are to insist on that humbling dialect term for a community’s civic status. By comparison the magnificent Tyne Bridge, though undoubtedly the greatest symbol of ‘home’ for many a Tynesider, seems designed, despite its symbolism, to carry traffic through and away from the two places as much as it serves in bringing the two communities together.

BALTIC viewed from the Gateshead Millennium Bridge
BALTIC viewed from the Gateshead Millennium Bridge : Photo © David Simpson

Of course it is the central business districts or retail centres that are often most identified as the heart of any city. Northumberland Street and Eldon Square, which though both pleasing, could, let’s be honest, be located almost anywhere, as much-loved as they are. They are as seemingly as popular as ever but it is reasonable to ask what they might look like in fifty years time considering the new era of online commerce which we are, in generational terms, still only just entering.

In fairness, retail seems to be one area where central Gateshead is unlikely to challenge Newcastle. The modern Trinity Square in Gateshead town centre is certainly not on a scale intended to do so, although Gateshead’s out-of-town MetroCentre has given Newcastle town centre more than a run for its money for some decades now.

Trinity Square, Gateshead
Trinity Square, Gateshead town centre : Photo © David Simpson

We often hear the two places now described under one name ‘Newcastle-Gateshead’ and the initiative to market and develop the two as one seems to have been broadly accepted, at least for now, but might there come a day when the modern ‘city’ of Gateshead demands recognition and perhaps even a senior status in its own right, distinct from its grand, handsome but ageing partner across the water?

Well, maybe not, but who would have thought thirty years ago that Gateshead could have developed into what it has become today?

 

SOME FACTS ABOUT GATESHEAD

  • Gateshead Borough is home to around 200,000 people.
  • It stretches from Whickham and Blaydon in the west to Pelaw and Felling in the east and south to Birtley.
  • Sage Gateshead stands close to the site of Gateshead’s medieval streets including Hillgate.
  • Hillgate or ‘Hellgate’ was where the Great fire of Newcastle and Gateshead began in 1854.
  • Gateshead Millennium Bridge can tilt to 40 degrees.
  • BALTIC gallery occupies a former flour mill established in the 1930s but was not opened until the 1950s.
  • Rank who owned the mill often named mills after foreign seas.
  • BALTIC stands on the site of the Hawks’Iron works (1858-1890). One Hawks’ employee was Geordie Ridley who wrote ‘Blaydon Races’.
  • A painting of the Blaydon Races can be seen in Shipley Art Gallery.
  • Underhill, the first private house in the world to be lit by electricity is now a care home in Kells Lane, Low Fell.

Read more about the story behind these facts at https://englandsnortheast.co.uk/gateshead/

Gateshead in early times

  • According to the Venerable Bede, ‘Gateshead’ was ‘Goat’s head’.
  • A family called the Gategangs dominated Gateshead in the 1300s
  • Gateshead was the site of a medieval hospital.
  • For centuries in medieval times Newcastle tried to take control of Gateshead. It finally succeeded in 1582 in the reign of Elizabeth I in a grand lease that lasted 99 years.
  • There was a Roman-British settlement at Gateshead roughly where the Gateshead Hilton hotel is now located.

Read more about Gateshead in more distant times here https://englandsnortheast.co.uk/medieval-gateshead/

Treasure troves of the coast an inspiration for Kate

An interview with Durham-based artist, Kate Van Suddese. Kate describes how she is inspired by the North East coast and the different artists who have influenced her work and passion. Part of a continuing series exploring the work of artists, photographers and other creative people in the North East.

'Sea Kiss' by Kate Van Suddese. Depicts the rocks at Marsden Bay.
‘Sea Kiss’ by Kate Van Suddese. Depicts the rocks at Marsden Bay.

How would you describe your work?

It’s hard to define my work as I have changed so much over the years both in style and subject. I have sold my work professionally for over 30 years and in such a timescale things change drastically in every way or I feel they should do!  Always learning, always growing, always changing, always new things to see and paint.!

To give a recent point of focus I would say I have been a seascape artist for the longest time. Back when I was younger I painted portraits and then went on to large abstract paintings that were purely involved with colour and form. I loved Cezanne and Rothko at the time and they influenced me a great deal.

'City Life' Kate Van Suddese, the Gateshead Millennium Bridge.
‘City Life’ Kate Van Suddese, the Gateshead Millennium Bridge.

Tell us how you first started out as an artist.

I first started out after Uni in my early 20s painting portraits. I worked lots of part time jobs to keep funds going so I could paint. I dropped in and out of Art degrees and courses as the mood took me, travelled around a few places. Always painting and always trying to get my work into galleries etc. and always working if I ran out of cash. Eventually I built up a selection of galleries who exhibited my work nationally including the Biscuit Factory, Red Rag Gallery, the Leith gallery. And things went on from there.

Kate Van Suddese
Kate Van Suddese

What influence if any does North East England have in inspiring your work?

In 1993 my mother died and it had a profound effect on my painting world. I began to paint the coastal world around me. It was a place where I found peace and the raw energy and sense of limitless space was comforting. A bridge to another world.

Mum loved the North East coast and I found myself wandering around in her footsteps, reliving the childhood memories I had of days at the beach with my family. I ended up painting a whole series of seascapes featuring huge crashing waves and local landmarks all with a link in my mind to my mother and my family.

From then on I have been painting my beloved Northern coastline in all its glory as a tribute to both my mum and the whole Northern ethos.

Warmth, family, roots, history: who cannot but be inspired by our beautiful coast? The variety and breadth of the coast from Redcar up to Amble etc and beyond is amazing.  The beauty and wide expanse of beach and white light of Bamburgh is just breathtaking. Both Lindisfarne and Dunstanburgh with their history and isolation are magnets for people seeking open space and a sense of belonging.

When you see the regeneration of the coal coast it just astounds with the changes that have happened over recent years. There are still the scars of the mining industry within its folds but the beaches and coastal paths are now well on their way to their own form of well-hewn beauty. Its good to keep a sign of past times too, to remember life as it was. I spend a fair bit of time at Blast Beach , Seaham, looking for glass from the old glass works and painting the crashing waves at Noses Point.

I spend every weekend at Tynemouth Market with my paintings and prints and have come to love the coast in the area. I set off early to watch the early sun from different vantage points before I go to work at the market.  Sitting watching the early waves come in at North Shields fish quay and the Groyne is One of the most peaceful and happy things I like to do. It never fails to make me want to paint it.

Kate Van Suddese's 'Treasures Hunters' depicts the fabulous market at Tynemouth.
Kate Van Suddese’s ‘Treasures Hunters’ depicts the fabulous market at Tynemouth.

All the way along, St Edwards Bay, Longsands and our magnificent St Mary’s Lighthouse is a treasure trove of inspiration, both through memories of times past and present day happiness. In rain or shine, calm or storm.

I paint in lots of different styles, it depends on how I feel at the time and what the image needs. But mainly I am an oil painter, using canvases both tiny and large.

I adore Turner and Atkinson Grimshaw and much of my work has a feel to it of both. Its not deliberate, I just feel that my love of light and beauty is so ingrained that is just comes out as it does because that seems to be the only way I can try to capture what I want. Turner’s use of light and colour and almost abstract form was far advanced for the time and seems to me to just capture the essence of another world with its sense of beauty and translucence.

'In The Soft Light of Morning' St Mary's Lighthouse near Whitley Bay. Kate Van Suddese.
‘In The Soft Light of Morning’ St Mary’s Lighthouse near Whitley Bay. Kate Van Suddese.

In painting local landmarks and local seas I also wanted to find a way to paint beauty, as to me the sense of place and belonging is a link to love and life.

I try to find the beauty in whatever it is that has inspired me to pick up my brush and paint it.

As I said the focus of my work is mainly as a seascape artist but recently I have enjoyed creating small series of fantasy works. All have to be beautiful in one way or another though. Story telling is something I like to do and to tell a story with a painting is a satisfying way of making magic from nothing.

'Night Life'. The Tyne Bridge, Kate Van Suddese.
‘Night Life’. The Tyne Bridge, Kate Van Suddese.

What inspires you?

Everything inspires me. The world around me, words , poems, colours, stories, memories, sadness,happiness, my family, my love of the sea and my love of the North and its history and encompassing nature.

Which other artists or photographers do you admire?

Turner for his love of light. The Pre-Raphaelites for their love of romance and magic. Monet for his colour and expression. Charles Napier Hemy for the sea and motion. Norman Cornish for my Grandad who was a miner. Vuillard because everything he does is so beautiful. Jeremy Mann breathtaking. Berthelsen for his warmth like being wrapped in a blanket. Dame Laura Knight for memories and sunlight

'The Sunshine Bay', Cullercoats. Kate Van Suddese.
‘The Sunshine Bay’, Cullercoats. Kate Van Suddese.

Do you have any tips for up and coming artists?

Be yourself, paint what you want  and keep experimenting and changing.

Decide which way you want your career to go, what is the most important thing and go for it . find which side of the fine line between Art and Commerce it is that motivates you and make your choices accordingly. Its hard being an artist for the love of it if you cant make enough money to buy paint and pay your bills.  Just keep going and don’t let the knock s set you back, there will always be someone who loves your work  and someone who doesn’t.

Roker Lighthouse. Kate Van Suddese.
Roker Lighthouse. Kate Van Suddese.

What has been your most challenging creation?

My most challenging creation hasn’t happened yet. Everything is hard, I call it a bitter sweet occupation, the love and pain involved in creating anything is all encompassing whether it is 2D or 3D, for yourself or a commission.

What are your ambitions for the future?

As far as ambitions for the future goes: I just want to paint!

See more of Kate’s work www.katevansuddese.com