Tag Archives: Durham

Sundered Land, New Castle, Goat’s Head : What’s in a North East Place Name?

North East place-names and their origins. DAVID SIMPSON explores the sometimes surprising meanings of place-names in the North East region.

Wearmouth Bridge
Wearmouth Bridge, Sunderland : Photo © David Simpson.

Sunderland was the sundered or separated land, Newcastle was simply a ‘New’ Castle and Gateshead was, quite strangely, the ‘head of the she-goat’. We take place-names for granted but all have an origin and meaning that is often long forgotten or sometimes lost in time.  No one actually knows how London got its name, for example.

I’ve always been fascinated by place-name origins. It’s an unusual hobby perhaps, though I find it rather strange that few people share my curiosity for such everyday features of our world. Peculiar place-names like Pity Me arouse much interest – and are often rather plainly explained as ‘poor farmland’ although there’s a wealth of more popular if rather dubious theories. In truth I think that everyday names can be just as interesting.

Some place-names give clues to the origins of the early settlers who founded the place. For example in the south of our region around Middlesbrough there are many place-names ending in the element ‘by’: Thornaby, Ormesby, Tollesby, Normanby, Danby, Lackenby, Lazenby, Maltby and so on. These are all Viking – and usually Danish in origin (though Normanby points to Norwegian ‘northmen’). Such names are numerous just south of the Tees in the once intensively Viking settled area of North Yorkshire. They are quite rare north of the Tees – Aislaby near Yarm and Raby (Castle) near Darlington are exceptions not  that far north of the river.

Transporter Bridge from Port Clarence looking towards Middlesbrough
The Transporter Bridge, Middlesbrough. Viking place-names are numerous in the Middlesbrough area.. Photo © David Simpson 2018

These ‘by’ ending names can also be found in Viking settled Cumbria particularly along the Eden valley all the way up towards Carlisle and there are a fair few in the Merseyside area in the North West of England. In Old Danish a ‘by’ was a Viking farm or village and even today a quick scan of a map of Denmark and you’ll find dozens and dozens of little villages with names like Norby, Kaerby, Staby, Balleby, Foldby, Karlby, Draby, Voldby, Rakkeby and Mejby. Many of these wouldn’t seem at all out of place in North Yorkshire.

Most place-names in England, including the North East England usually of Anglo-Saxon origin. The Angles and Saxons were a Germanic people closely related to the later Vikings. The original Anglo-Saxon coastal homelands stretched from Frisia and the Netherlands up to the present day border of Germany and Denmark.

The Angles, for example, who gave their name to England (the Angle Land) settled extensively in Northumbria and originated from Angeln near the border of those two countries and settled in our islands as invading warriors some three centuries before the Vikings arrived on our shores. Just about anything ending in ‘ton’ or ‘ham’ is Anglo-Saxon including most of those ‘ingtons’ and ‘inghams: Darlington, Bedlington, Billingham, Bellingham and so on. A ‘ham’ was a homestead and a ‘ton’ an enclosed settlement. Ton or ‘tun’ to give the old spelling was, incidentally originally pronounced ‘toon’ and is at the root of our modern word ‘town’. Sound familiar?

Nathaniel Buck's view of Newcastle 1745
Newcastle – an historic view of the ‘toon’ or should that be ‘tun’? Pictured in 1745..

I’m really into place-names for fun but with a quest for true knowledge about the place-names as part of our region’s history. I’m an amateur enthusiast when it comes to place-names to be honest. It is in fact a serious scholarly study and often a complicated one at that.

You can’t simply look at a place-name and guess what it might mean. You have to go back to the earliest known recorded spelling from perhaps a thousand years ago or more and work back from there.

Most place-name experts are skilled linguists with knowledge of several languages that are no longer spoken today like Old English (the language of the Anglo-Saxons), or the Old Norse of the Vikings as well as old Celtic languages like Brythonic. The experts will have knowledge of how these languages evolved and changed over time and in the case of Old English and Old Norse, how they fused together along with the later Norman French to form the basis of the English language as we know it today.

A good knowledge of local dialect, local history and local topography is also very useful to the scholar of place-names. In fact its essential right down to a knowledge of local soil types, drainage (at that time) and the suitability of land for early farming and settlement.

So, what about familiar names like Sunderland, Newcastle and Gateshead? Well the ‘separateness’ of Sunderland dates to Anglo-Saxon times and refers to land detached or ‘sundered’ from an estate by the King of Northumbria for the use of the Wearmouth monastery.

The ‘New’ Castle of Newcastle dates to Norman times, the first castle being built by William the Conqueror’s eldest son Robert Curthose in 1080 on the site of a Roman fort. At that time the long-since ruined and redundant Roman fort and its associated surviving settlement was called Monkchester, and although this might be considered the ‘old castle’, it seems the rebuilding of the Norman castle by Henry II in the twelfth century was the origin of the true ‘New Castle’.

Church of St Mary, Gateshead and Tyne Bridge
Gateshead – ‘Head of the She Goat’ : Photo © David Simpson

Just as intriguing, Gateshead across the Tyne lies at the head of the road or way dating back to Roman times and perhaps earlier. Roads were sometimes called ‘gates’ in times past but this term was more commonly used for old streets in towns. ‘Head of the gate’ seems a plausible explanation for Gateshead, however, the Venerable Bede, writing in the seventh century describes Gateshead in Latin as ‘Ad Caprae Caput’ – meaning ‘the head of the she goat’ so perhaps there was some form of totem or symbol of a goat’s head overlooking the ancient bridge across the Tyne.

 

More place-names explained

Ashington: ‘Ing’ usually means a kinship or tribal group and ‘ton’ usually means an enclosed settlement. On the surface Ashington looks like ‘the place belonging to the people of a person called Ash’ or something similar. However the earliest spelling in old records is  Aescen-denu’ and this is an Anglo-Saxon place-name that means ‘valley (dene) overgrown with ash trees’. It shows how important it is to find the oldest spellings.

Bamburgh: From Bebba’s Burgh, a burgh or fortified place named from a Northumbrian queen called Bebba who was the wife of King Æthelfrith. Before Æthelfrith’s time it was known by the Celtic name Din Guayroi.

Beautiful Bamburgh.
Beautiful Bamburgh. Photo © David Simpson 2018

Bishop Auckland: A complicated one this. The old name was Alcuith – a Celtic name referring to a river. Later it became the home of a castle and palace belonging to the Bishops of Durham hence the ‘Bishop’ part of the name. The old name came to be changed to Auckland (perhaps meaning ‘oakland’).

Chester-le-Street: Places containing the word ‘Chester’ are usually Anglo-Saxon in origin even though they refer to the earlier site of a Roman fort. ‘Street’ usually refers to a Roman road. ‘Le’ was added by the Normans as part of a suffix to distinguish places with similar names Le-Street distinguishes it from other places called Chester. Other ‘le’ places with potentially confusing similar names are Houghton-le-Spring, Houghton-le-Side, Haughton-le-Skerne, Hetton-le-Hill, Hetton-le-Hole and in North Yorkshire we have  Hutton-le-Hole.

Darlington : Originally something like Deornoth’s People’s enclosure. You’d never guess this unless you could see early spellings.

Durham : Originally Dun Holm, ‘the hill island’. In Norman French it was Duresme and in Latin it was Dunelm.

Hartlepool : Means ‘Stag Island Pool’. Le-Pool was added by the Normans to distinguish it from the nearby village of Hart. Unlike other ‘le’ place-names it doesn’t use hyphens but it could have become Hart-le-Pool.

Middlesbrough: Means middle manor or perhaps middle fortified place. One theory is that it is named from its middle location between the historic Christian centres of Whitby and Durham.

Stanhope: Means ‘stony side valley’. Hope meaning land in a ‘side valley’ is a common element in North Eats place names, especially in the hilly country of the west.

Warkworth: Wark comes from ‘weorc’ – an earthwork or castle and ‘worth’, an enclosed settlement. The villages of Wark on Tyne and Wark on Tweed were both the site of castles built on earthworks.

 

Land of Oak & Iron

The Land of Oak & Iron is a vast region rich in natural and industrial heritage and is right on the doorstep of some of the most populous parts of the North East. DAVID SIMPSON explores.

Aerial view of Allensford in the Land of Oak & Iron.
Aerial view of Allensford in the Land of Oak & Iron. Photo: Michael Ball

Have you ever visited the Land of Oak & Iron? Perhaps you have without realising. This is after all a land covering around 177 km2 of North East England and features a wonderful wealth of ‘heritage, history, heroes and habitats’.

Focused on the beautiful Derwent Valley this land encompasses parts of County Durham, Northumberland and the Borough of Gateshead and is a superb part of the region to relax and explore on foot or bike and all within easy reach of Tyneside and many of the most populous parts of the North East.

Land of Oak and Iron Heritage Centre
Land of Oak & Iron Heritage Centre. Photo © David Simpson 2018

Recently we visited the plush new Land of Oak & Iron Heritage Centre and the adjoining independent café Shrub which are very easy to reach just off the A694 at Winlaton Mill between Consett and Gateshead. In the sunny Autumnal sunshine there were plenty of people enjoying good food in the café – much of which is sourced from North East producers, while others were trying their hand at wood-engraved print-making in the heritage centre, courtesy of visiting demonstrator, Shona Branigan of Salmon Jam Press.

Wood-print engraver, Shona Branigan.
Wood-print engraver, Shona Branigan. Photo © David Simpson 2018

The centre and café look out onto the beautiful wooded Derwent Valley with its extensive network of pathways that are popular with cyclists, dog walkers and families out for a stroll. Formed as a landscape partnership, the Land of Oak & Iron is hosted by Groundwork NE & Cumbria and with £3.4 million of secured funding, is undertaking a programme of fourteen interconnected projects to conserve, enhance and encourage accessibility to the area’s unique cultural and natural assets. The developments began in 2016 and will continue all the way into 2020.

Land of Oak and Iron Heritage Centre
Land of Oak & Iron Heritage Centre. Photo: landofoakandiron.org.uk

The opening of the café and heritage centre in October 2018 has been an important milestone in these developments and the centre is a good starting point to explore the whole area. However it’s about much more than just one place. This is the heart of a region that stretches north west from the wooded valley of Allensford near Consett along the beautiful Derwent to where the little river joins the Tyne at Swalwell. From there the region stretches west along the Tyne to Cherryburn the one time home of famed eighteenth century engraver, Thomas Bewick.

Bewick is just one of the many local heroes associated with the Land of Oak & Iron. Others include the fraternity of seventeenth century German sword makers who settled at Shotley Bridge; the renowned industrialist, Ambrose Crowley; the ‘Unhappy Countess’, Mary Eleanor Bowes of Gibside and the ‘pitman poet’ Tommy Armstrong.

Wonderful wonderland in the Land of Oak and Iron
Wonderful woodland in the Land of Oak & Iron. Photo: landofoakandiron.org.uk

In terms of heritage, the landscape speaks for itself. Extensive woodland includes Chopwell Wood, Milkwellburn Wood and the Thornley Woodlands which are typical landscape features of the district. In fact in the old Brythonic tongue of the Celts, the name Derwent means ‘oak river’ and is testament to the long-established sylvan nature of the district.

Improved access to woodland, encouraged through the work of Access & Woodlands Officer, Peter Downes, works to assist and support local owners of small woodlands and is another successful aspect of the Partnership’s work, bringing owners of adjoining woodlands together. According to Kath Marshall-Ivens, Community Engagement Officer at Groundwork NE and Cumbria, the area covered by the partnership has a 13% woodland cover which is higher than the national and regional average. It includes a number of PAWS (Plantations on Ancient Woodland Sites), which are sites that were ancient woodland but have been replanted in more recent years. Ancient woodland is that which has existed continuously since 1600 or before.

Country parks, Land of Oak and Iron
There are four country parks within the Land of Oak & Iron. Photo: landofoakandiron.org.uk

There are four country parks within the whole area, namely Derwent Walk, Derwenthaugh, Allensford, and Tyne Riverside and there are additional visitor centres at Thornley Woods and The Lodge Heritage Centre at Consett and Blackhill Park.

The numerous landscape features and habitats across this beautiful region include wildflower meadows like Blaydon’s Shibdon Meadow which lies in close proximity to the MetroCentre, adjoining the Shibdon Ponds nature reserve. Further to the west near Prudhoe are the intriguingly named ‘Spetchells’ to the south of the Tyne which in the North East form a unique chalk meadow landscape created from the spoil heaps of a former chemical works that stood on the site. As well as interesting fauna the Spetchells form a special habitat for solitary mining bees.

Industry has certainly played a role in shaping the landscape of the Land of Oak & Iron. The Derwent Walk pathway that forms the primary walking and cycling route through the whole area follows the course of a Victorian railway that linked the former iron town of Consett to Tyneside. Many of the smaller pathways of the network follow the routes of colliery wagonways some of which date back to the 1700s and 1600s.

Major heritage features in the region are often reminders of its important links to the iron industry and include the early eighteenth century remains of Allensford Blast Furnace near Consett and the impressive Derwentcote Steel Furnace of the 1730s near Hamsterley Mill. We also have the rare and curious Whinfield Coke Ovens near Chopwell Wood, built by the owners of the Victoria Garesfield Colliery in the 1860s.

Derwentcote Steel Furnace
Derwentcote Steel Furnace. Photo © David Simpson 2018

Other heritage features within the Land of Oak & Iron include two major National Trust sites in the form of Thomas Bewick’s cottage at Cherryburn which stands in a splendid rural setting and of course the wonderful parkland of Gibside near Rowlands Gill including the magnificent Palladian chapel and much else besides. Somewhere between the two we have a major English Heritage site in the shape of the twelfth century Prudhoe Castle, reputedly the only castle in the North East never to have been captured by the Scots.

A lesser-known heritage site that forms a lovely independent attraction is the Path Head Water Mill, a restored operational water mill complete with a working water wheel and adjoining mill pond. Parts of the mill were salvaged from mills at Acomb and Guyzance in Northumberland and it forms a super attraction in lovely grounds near the valley of the Blaydon Burn.

Path Head Water Mill
Path Head Water Mill. Photo: landofoakandiron.org.uk

Perhaps a more surprising heritage feature of the Partnership area are the remains of the thirteenth century medieval manor house called Old Hollinside Manor near Whickham. It was known as the ‘Giant’s Castle’ because the men folk of the Harding family who once resided here were noted for being so tall in stature.

Old Hollinside Manor
Old Hollinside Manor. Photo Gateshead Borough Council

The River Derwent and Tyne are of course an important aspect of the area’s cultural, industrial and natural heritage. In recent years improvements have been made to the Derwent as a habitat for fish and this has been one of the partnership’s most publicised projects. Salmon and Sea Trout can now migrate much further upstream to lay their eggs after the development of a rock pool fish pass at Lintzford, overseen by the Tyne Rivers Trust.

Opened in November 2016, the new fish pass complements the existing 300 year old weir that had previously blocked the migration of the fish. Another fish pass will be created upstream at Shotley Grove and this will open up the whole river for spawning and have a positive impact on trout and salmon numbers in the valley and even out at sea.

Fish Pass, the Land of Oak and Iron
Fish Pass, the Land of Oak & Iron. Photo: Julia Richardson

Towns such as Consett, Rowlands Gill, Ryton, Whickham, Blaydon and Prudhoe all lie within the Land of Oak & Iron as well as several smaller villages. The proximity of neighbouring Tyneside make this all the more important as a region of natural and industrial heritage in close proximity to so many thousands of people.

Community involvement has been a major factor in the success of the Land of Oak & Iron Partnership and has included outreach programmes to local schools with sessions aimed at exploring the industrial and natural heritage of the area.

Notable creations associated with links to schools include the composition of a song and also the creation of an orchestral piece both inspired by the landscape of the area. In addition there has been much work in partnership with Gateshead College aimed at engaging with the landscape, with projects including photography and work for building students in the conservation of the industrial heritage sites.

Although the projects will be completed in 2020, the legacy and community involvement will continue far beyond with a ‘legacy group’ ensuring that the wonderful Land of Oak & Iron can be explored, enjoyed, understood and appreciated for many generations to come.

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LINKS

Land of Oak & Iron website:

landofoakandiron.org.uk

 

On Twitter: @LandofOakIron

On Facebook: www.facebook.com/LandofOakandIron

Café Shrub, Winlaton Mill: cafeshrub.co.uk/

Path Head Water Mill: gatesheadmill.co.uk/

Cherryburn: nationaltrust.org.uk/cherryburn

Gibside: nationaltrust.org.uk/gibside

Prudhoe Castle: english-heritage.org.uk/

Salmon Jam Press: salmonjampress.co.uk/

Main Partners Land of Oak & Iron Partnership: County Durham Community Foundation; Durham County Council; Durham Wildlife Trust; English Heritage; Gateshead College; Groundwork NE and Cumbria; New Visions Heritage; Northumberland County Council; Tyne and Wear Building Preservation Trust; Tyne River Trust; The Woodland Trust. Other partner organisations include: Blaydon Youth and Community Centre; Friends of Chopwell Wood, Heritage Lottery Fund; Industrial Heritage Networks; Newcastle Gateshead Initiative and Visit County Durham.

Have you visited the Land of Oak & Iron?

Please tell us about your favourite places to visit in the district or anywhere else that you like to explore across the North East of England.

Leave your comments below, we’d love to hear from you.

Treasure troves of the coast an inspiration for Kate

An interview with Durham-based artist, Kate Van Suddese. Kate describes how she is inspired by the North East coast and the different artists who have influenced her work and passion. Part of a continuing series exploring the work of artists, photographers and other creative people in the North East.

'Sea Kiss' by Kate Van Suddese. Depicts the rocks at Marsden Bay.
‘Sea Kiss’ by Kate Van Suddese. Depicts the rocks at Marsden Bay.

How would you describe your work?

It’s hard to define my work as I have changed so much over the years both in style and subject. I have sold my work professionally for over 30 years and in such a timescale things change drastically in every way or I feel they should do!  Always learning, always growing, always changing, always new things to see and paint.!

To give a recent point of focus I would say I have been a seascape artist for the longest time. Back when I was younger I painted portraits and then went on to large abstract paintings that were purely involved with colour and form. I loved Cezanne and Rothko at the time and they influenced me a great deal.

'City Life' Kate Van Suddese, the Gateshead Millennium Bridge.
‘City Life’ Kate Van Suddese, the Gateshead Millennium Bridge.

Tell us how you first started out as an artist.

I first started out after Uni in my early 20s painting portraits. I worked lots of part time jobs to keep funds going so I could paint. I dropped in and out of Art degrees and courses as the mood took me, travelled around a few places. Always painting and always trying to get my work into galleries etc. and always working if I ran out of cash. Eventually I built up a selection of galleries who exhibited my work nationally including the Biscuit Factory, Red Rag Gallery, the Leith gallery. And things went on from there.

Kate Van Suddese
Kate Van Suddese

What influence if any does North East England have in inspiring your work?

In 1993 my mother died and it had a profound effect on my painting world. I began to paint the coastal world around me. It was a place where I found peace and the raw energy and sense of limitless space was comforting. A bridge to another world.

Mum loved the North East coast and I found myself wandering around in her footsteps, reliving the childhood memories I had of days at the beach with my family. I ended up painting a whole series of seascapes featuring huge crashing waves and local landmarks all with a link in my mind to my mother and my family.

From then on I have been painting my beloved Northern coastline in all its glory as a tribute to both my mum and the whole Northern ethos.

Warmth, family, roots, history: who cannot but be inspired by our beautiful coast? The variety and breadth of the coast from Redcar up to Amble etc and beyond is amazing.  The beauty and wide expanse of beach and white light of Bamburgh is just breathtaking. Both Lindisfarne and Dunstanburgh with their history and isolation are magnets for people seeking open space and a sense of belonging.

When you see the regeneration of the coal coast it just astounds with the changes that have happened over recent years. There are still the scars of the mining industry within its folds but the beaches and coastal paths are now well on their way to their own form of well-hewn beauty. Its good to keep a sign of past times too, to remember life as it was. I spend a fair bit of time at Blast Beach , Seaham, looking for glass from the old glass works and painting the crashing waves at Noses Point.

I spend every weekend at Tynemouth Market with my paintings and prints and have come to love the coast in the area. I set off early to watch the early sun from different vantage points before I go to work at the market.  Sitting watching the early waves come in at North Shields fish quay and the Groyne is One of the most peaceful and happy things I like to do. It never fails to make me want to paint it.

Kate Van Suddese's 'Treasures Hunters' depicts the fabulous market at Tynemouth.
Kate Van Suddese’s ‘Treasures Hunters’ depicts the fabulous market at Tynemouth.

All the way along, St Edwards Bay, Longsands and our magnificent St Mary’s Lighthouse is a treasure trove of inspiration, both through memories of times past and present day happiness. In rain or shine, calm or storm.

I paint in lots of different styles, it depends on how I feel at the time and what the image needs. But mainly I am an oil painter, using canvases both tiny and large.

I adore Turner and Atkinson Grimshaw and much of my work has a feel to it of both. Its not deliberate, I just feel that my love of light and beauty is so ingrained that is just comes out as it does because that seems to be the only way I can try to capture what I want. Turner’s use of light and colour and almost abstract form was far advanced for the time and seems to me to just capture the essence of another world with its sense of beauty and translucence.

'In The Soft Light of Morning' St Mary's Lighthouse near Whitley Bay. Kate Van Suddese.
‘In The Soft Light of Morning’ St Mary’s Lighthouse near Whitley Bay. Kate Van Suddese.

In painting local landmarks and local seas I also wanted to find a way to paint beauty, as to me the sense of place and belonging is a link to love and life.

I try to find the beauty in whatever it is that has inspired me to pick up my brush and paint it.

As I said the focus of my work is mainly as a seascape artist but recently I have enjoyed creating small series of fantasy works. All have to be beautiful in one way or another though. Story telling is something I like to do and to tell a story with a painting is a satisfying way of making magic from nothing.

'Night Life'. The Tyne Bridge, Kate Van Suddese.
‘Night Life’. The Tyne Bridge, Kate Van Suddese.

What inspires you?

Everything inspires me. The world around me, words , poems, colours, stories, memories, sadness,happiness, my family, my love of the sea and my love of the North and its history and encompassing nature.

Which other artists or photographers do you admire?

Turner for his love of light. The Pre-Raphaelites for their love of romance and magic. Monet for his colour and expression. Charles Napier Hemy for the sea and motion. Norman Cornish for my Grandad who was a miner. Vuillard because everything he does is so beautiful. Jeremy Mann breathtaking. Berthelsen for his warmth like being wrapped in a blanket. Dame Laura Knight for memories and sunlight

'The Sunshine Bay', Cullercoats. Kate Van Suddese.
‘The Sunshine Bay’, Cullercoats. Kate Van Suddese.

Do you have any tips for up and coming artists?

Be yourself, paint what you want  and keep experimenting and changing.

Decide which way you want your career to go, what is the most important thing and go for it . find which side of the fine line between Art and Commerce it is that motivates you and make your choices accordingly. Its hard being an artist for the love of it if you cant make enough money to buy paint and pay your bills.  Just keep going and don’t let the knock s set you back, there will always be someone who loves your work  and someone who doesn’t.

Roker Lighthouse. Kate Van Suddese.
Roker Lighthouse. Kate Van Suddese.

What has been your most challenging creation?

My most challenging creation hasn’t happened yet. Everything is hard, I call it a bitter sweet occupation, the love and pain involved in creating anything is all encompassing whether it is 2D or 3D, for yourself or a commission.

What are your ambitions for the future?

As far as ambitions for the future goes: I just want to paint!

See more of Kate’s work www.katevansuddese.com