Helen Gildersleeve speaks to award winning North East photographer Chris Booth to find out about his life behind the camera and his passion for the region.
Esteemed American photographer, Ansel Adams once famously said: “There is one thing the photograph must contain, the humanity of the moment.” In our fast paced and image focused world, good photography has become more potent than ever, with the average human seeing up to 4,000 images daily.
Darlington based Chris Booth has an extensive background in press photography and has worked for some of the North’s leading newspapers and magazines. With more than 12 years’ experience at The Northern Echo, Darlington & Stockton Times and Living magazine, his lens has captured everyone from pop stars to politicians, royalty to rogues and lots of beaming brides.
How did you get into photography?
I didn’t know what I wanted to do as a serious profession while growing up and it wasn’t until I was about 24 that I thought about being a photographer. I had always enjoyed taking pictures as a youth, and enjoyed having a go on my dad’s Canon T70 when given the chance. He was quite a keen amateur as was his father before him. In addition, I always had a keen interest in travel and politics and made usage of the fact that my sister worked on a newspaper to get my first bit of work experience as a press photographer on the Keighley News in West Yorkshire near to where I grew up. From there I successfully applied to get on the NCTJ photography course at Norton College in Sheffield from where I gained my first staff photographer position on the Scarborough Evening News.
What images are you most proud of?
This is a hard question to answer as I cover a wide array of subject matter and find it hard to compare or rank one against the other. I feel extremely fortunate enough to have covered the whole of the London2012 Olympics on behalf of The Northern Echo, and I believe I made the most of the 2 weeks I spent down in the capital. From this period to name but a few, I captured images of the iconic opening ceremony, Usain Bolt crossing the finish line in the 100m final and Kat Copeland becoming the first EVER woman from the North East to win a gold medal in her rowing event.
Where do you think is the most photogenic area of the North East?
I don’t think there is one particular area or place in the North East which is best for photos, rather there is a wealth of choice of many places. Clearly there are popular locations known to many such as Newcastle quayside, Durham Cathedral, Gunnerside in North Yorkshire, Bowes Museum in Barnard Castle, much of the coastline including Robin Hood’s Bay, Staithes, Whitby, Seaham Harbour. The list goes on, however as primarily a news photographer, if I am photographing a landscape there needs to be a news element involved such as extreme weather conditions or an event going on at that location.
Do you have any tips for taking a great local photograph?
It always helps to know a location well – to know for example how the sun might fall on a landmark at different times of day and where the sun sets and rises in relation to that landmark. Patience and enthusiasm are two more important characteristics especially for landscape photography. I would also encourage creativity – looking at different angles photographically on a subject matter and possibly trying to take a picture in a way that hasn’t been done before. This isn’t easy however.
What do you think makes the North East so great an inspiration for photographers?
I think the North East has an amazing amount of subject matter from iconic buildings in urban areas to beautiful yet wild landscapes both inland and along the rugged coastline. It’s difficult not to be inspired by such a wealth of choice!
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DAVID SIMPSON attends the opening night of the much-lauded Kynren and is astounded by its truly epic scale
The Saturday evening sunlight softly illuminates the glorious Gothic splendour of Auckland Castle as it awaits the unfolding of a great event from its lofty vantage point amidst the neatly manicured trees of the ancient bishops’ park. Close by, the ornate spire of the Franco-Flemish town hall peers above the treeline adding another beautiful backdrop to the verdant setting of an almost fairytale landscape.
Only the occasional chill of a July evening breeze sweeping across thousands of knees and the stark outline of a 1970s office block high above the valley (far enough away not to intrude) keep you grounded with a sense of reality in the present time and place. Yet even the office block seems like some extravagant addition to this extraordinary setting in which an epic two-thousand year tale of England is to be told.
Welcome to Kynren – an epic tale of England.
We wait, not quite sure what to expect, comfortable in the back row of the tribune. It’s the grand name for an auditorium of some 8,000 people but this is after all a daringly grand event. The wooden façade looms like some grand medieval citadel as you walk the winding yellow road to reach the setting, leaving your car behind, at the bottom of the hill – in Toronto. It’s just the beginning of a wonderfully implausible adventure.
It’s nearly 9.30pm. The moment approaches and an announcement is made: there will be a delay of ten minutes. A rumble of polite laughter rolls across the crowd. They know that this is the very first night for the volunteer performers, drawn from across the local community, children and adults alike. The expectant crowd is prepared, perhaps, to forgive the occasional glitch. They need not worry for despite the delay we soon see that the show, the spectacle, whatever we may call it, is in very safe hands.
“What’s this thing called again?” my eleven-year-old daughter asks, in slightly half-hearted fashion before it begins. She was looking forward to a friend’s birthday the following morning so this “history thing” had received little interest up until now. “KYNREN” I say, spelling it out not once but twice as she texts friends to explain where she is with a rather puzzled look on her face.
Kynren is Anglo-Saxon for ‘generation’, kindred, family’ and this epic show is designed to tell the story of generations of England’s history over two millennia, with much local flavour thrown in to taste. It’s an extraordinary challenge if ever there was one but we would not be disappointed.
And so the dream commences and a dream it surely is. The Kynren concept had all begun with the visionary dream of a City of London investor and philanthropist, Jonathan Ruffer, now the owner of Auckland castle, whose plan was to recreate the spectacular French outdoor shows of Puy du Fou, right here in the North East of England.
Ruffer, born in Stokesley in North Yorkshire, just a little outside Middlesbrough, hopes to bring regeneration and a new sense of pride to Bishop Auckland and the surrounding area and in this he will surely succeed. ‘Bishop’ as it is affectionately known, is the focal point for much of what was once the coalfield of south west Durham and was a place much affected by the rise and fall of coal mining. It is also a place with much potential and like many towns across the region, has seen something of a rebirth.
It is a town with quite obvious medieval roots just like its medieval neighbours at Durham and Barnard Castle and it lies in beautiful surroundings too with a history stretching back to Roman times. Sadly, it is too often overlooked by visitors who mistakenly believe it to be just another mining town as they head out towards Bishop’s historic neighbours. With millions of pounds invested, this is Bishop’s chance to shine.
In both the execution and storyline, Kynren is something of a dream in itself. Perhaps it is even a dream within a dream – a spectacular stream of multicoloured consciousness, where the amazing events of twenty centuries, both local and national, flow swiftly from one into another at a captivating chronological pace. Let’s be clear, though, this is no history lesson, it’s much more magical than that.
Surprisingly, the River Wear is the setting for much of the story and in often unexpected ways. It serves as the sea in several scenes and when it comes to technical effects has a major starring role in the show. It’s a role that it comfortably fulfils along with the grand castle that overlooks its river banks. It’s not the real river, though, but a magical man-made lake and it’s not the real castle either. Yet dreamily, the whole of the Kynren site is set within a broad loop of the real-life River Wear itself overlooked by the real-life castle. Don’t be confused and you won’t be. As I said, this is virtually a dream within a dream.
When the show finally kicks off, in football fashion, the audience is instantly captivated. I’m delighted to see my daughter immediately relates. She is enthralled. It’s a story told through the dream of a young Bishop Auckland boy, a miner’s son during the inter war years of the last century. Befriended by Hensley Henson, the Bishop of Durham, after accidentally breaking the window of the bishop’s lodge, the boy’s fascination for history is quickly kindled by the bishop’s passionate knowledge. The boy’s name is Arthur, the first hint that Kynren is to be as much a tale of legend, mystery and magic as it is a one of history.
As a historian and father to a girl who says she finds history disappointingly dull, I am rather relieved. There’s no need for me to constantly assess the accuracy of the facts – though most prove to be broadly true – and I don’t feel I have to inspire, or bore, with my insights or quiet narration as events unfold. This is a dream after all. It is theatre not a lecture. And yet the questions fall one by one: “who’s going to win this battle?” or more often “who are the bad guys? who are the good ones?” I explain, pragmatically that it’s usually the good ones that win or so history often tells us.
So how much should I reveal about this truly wonderful spectacle? Well, firstly you simply must go and see it for yourself and hope that it does not rain – though it would take much to dampen the spirit of Kynren. What I can say though is that you should expect the unexpected and also expect, with so much happening, to miss almost as much as you will see. In fact you may want to watch it all over again. There will be bangs and the flashes of fireworks too, so you’ve been warned.
Romans, Angles, Vikings, Normans, Tudors and a whole assortment of kings, queens and common people of many different eras will come and go in scene after scene as whole epochs flash past your very eyes. Scores upon scores of colourful, costumed characters, children, armies, live goats, sheep, geese, slaves, soldiers, peasants, knights, show-stealing horses, carriages, carts, ships and even a steam train will appear and disappear from nowhere and into nowhere as you count down the years and move closer to the present.
Distracted by colourful events in one corner of this splendid seven and a half acre stage, you may turn to see that you have missed the appearance of a whole building in another corner or perhaps a ship or an army. It is really quite something, like an epic Hollywood movie set, with a wonderful technicolor cast of some 1,000 souls.
You will see live battles, fabulous fireworks, water effects, magnificent creative lighting of a kind with which Durham is now so familiar and you will soon take for granted the magic of people walking on water – Dynamo style – or a whole ship emerging from the water complete with its Norman crew. “How did they do that?” you will wonder and you will surely ask yourself “am I really in Bishop Auckland?” Often you will utter to yourself “this is just plain mad”.
The amplified stories of the past are spoken by actors of all ages but this story as it is told is almost incidental to the whole visual effect and the accompanying, specially composed music. It is unashamedly and rousingly patriotic in places but never in a jingoistic way. It will leave you feeling good and is perhaps just the tonic if you wish to escape from the weary world of present day politics.
If you love the costume character magic of Beamish, or the lighting effects of Durham’s Lumiere, or the atmosphere of open air theatre and especially if you enjoyed the wonderful absurdity of the opening ceremony of the London 2012 Olympics, then you are in for a very special treat here. It’s not just me that thought this though. The standing ovation that brought the show to a close is a great testament to the many months of planning and work that have gone into this magnificent event.
As we drove back home towards the midnight hour, my daughter confessed with brutal honesty that history was her most boring subject at school and apparently even the way I explain it is rather boring too. “This was amazing though”, she declared, “it made history so exciting and so real” she then continued listing her favourite parts of the show one by one by one in yet another stream of flowing dreamy consciousness. For such inspiration, Kynren, I am eternally grateful.
This year there are a total of fourteen performances of Kynren – An epic tale of England on selected weekend days from July 2 to September 17. For booking and more details, contact the organisers, Eleven Arches at elevenarches.org