Roadworks may be frustrating for motorists but PAUL WHITE advocates patience with these necessary improvements to our civilisation
I drove from Durham to the MetroCentre a couple of weeks ago.
In rush hour.
Before I knew it, I was there.
It was the second time I’d experienced this phenomenon in recent weeks.
Having spent many an hour, over the course of the last couple of years, negotiating queues and 30mph zones, this was something of a pleasure.
Does that make me a sad case? Probably not. I’m sure many others will have enjoyed the freedom of the newly expanded A1.
We had similar issues not so long back on the A19 when the New Tyne Crossing was being built. Ok, so there is more to come as connecting junctions of the A19 are to be upgraded, but when you consider that these are the remaining clogs in that part of our road network, then surely the long term benefits are going to be worth any short term roadworks.
I must confess that I come to this from the viewpoint of someone who appreciates civil engineering from having worked with organisations and businesses in that sector in the past. I think I perhaps have developed a greater tolerance to the work that goes towards improving civilisation in our region.
Yes, improving civilisation. Think about it, this is what civil engineering does – it creates the world in which we live, from utilities to roads, bridges and buildings, flood defences and energy.
I’m not saying I’m a saint when sat in roadworks. I get tetchy, just like anyone. However, when I think about the end result, I tend to feel more tolerant. So long as I’m not in a rush, but hey, I know I should have given myself more time.
Earlier this year, proposed plans were revealed for a £290m upgrade of a 13 mile stretch of the A1 from Morpeth to Ellingham, that will hopefully slash journey times from Newcastle to Edinburgh.
We still have some way to go to the south of the region, with the A1 upgrades in North Yorkshire, but if a trip to Leeds becomes such a smooth ride, are we really going to complain (much)?
PAUL WHITE presents his entertaining analysis of Durham’s busking auditions which aim to vet the quality of buskers in the city, but who decides?
An interesting item came up on my Facebook feed at the weekend. A couple of musician friends had both posted a link to a Change.org petition against a new way of regulating buskers that is being established by Durham Business Improvement District (BID).
Neither of my musician friends actually busk, but they were vehemently against the idea. I read the introduction to the petition, found that I, too, agreed, and duly signed up.
At the time of writing, it’s 22 names short of 1,000 signatories.
The essence of the tale behind this petition is that Durham BID is bringing in auditions for people to secure six-month busking permit in Durham City. Currently, no such licence is required to do so.
Having read both the petition and reports in the Durham Times, it seems that local people attending these auditions, alongside representatives of local businesses, the police, etc, will get to vote on which buskers get a permit. It’s either a straight yes or no from the “judges”. How demoralising for someone who has a bad night, or is just starting out to face rejection like that.
It seems the business community isn’t happy with the noise and this is what has started all of this kerfuffle. (Note to certain elements of the business community, when you get a quiet moment in your shop, just listen to some of the rubbish being piped in on your speakers. Scorpio Shoes, where staff have excellent musical taste, are excluded from that last statement.)
Now, having seen who gets voted for on the X Factor, I’m horrified by this prospect. It always seems those talented artists who have worked their backsides off, busking away, playing to one man, his dog and a pool table in local pubs, and who have actually developed a skill set, far too often get voted off in favour of bland, manufactured music and “characters”.
Can you imagine Jedward or Wagner lasting five minutes if they tried busking on Gala day?
Interestingly, my England’s North East colleague, Dave Simpson, nipped down to the city centre and talked to some buskers.
Irish piper Neil Chambers told Dave he wasn’t really against the licence, but his main concern is for the increasing use of pre-recorded music by buskers and I have to agree.
Neil said: “They should do what Dublin did: ban backing tracks to take it back to what busking should be, creating a nice atmosphere instead of overloud pre-recorded music which a lot of people think is insulting.”
I can’t imagine the “X Factor” style voting panel would agree that backing tracks are a bad thing. You can just imagine Cheryl Fernandez-Versini (surname correct at time of writing – I genuinely had to Google it to check) saying: “Ok Reggie and Bollie, that’s very good, but I need you to play something called a guitar.”
Fair enough, if what this proposal does is eliminate that element of pre-packaged musical hell. Isn’t it better to put efforts into stopping those anti-social people who blast music out of their phones as they walk down the street, or as they travel on public transport? Perhaps they could legalise grabbing those phones from the offending individuals and smashing them into a million pieces. I digress.
What I like about unlicensed busking is that it is, by its nature, rather self-regulating. If buskers are good, they will earn money and return. If they are terrible, they will not, with the possible exception of a busker many of you may be familiar with, who camps himself at the Newcastle side of the Millennium Bridge and is charmingly entertaining in his own inimitable way.
It seems that the members of Durham’s business community who have created the issue by complaining about the noise must not be bothered by the actual noise itself, if the proposed resolution of the situation is for buskers to be licenced. Then it seems it may be a matter of taste and, surely, all these events are likely to do is change the style and, to some extent, quality of the performers. It’s swapping one noise for another and isn’t that just institutionalised discrimination?
Should the petition fail and this goes ahead, I urge all fans of live music, the ones who go down their local when there is a band on, the ones who go to local festivals and open mic nights, to get themselves along to these events en masse and vote for the real talent they think deserves a slot.
But then, if these acts can wow a real live crowd, do they not deserve something a little more than being sent to play outside in the Great British Weather?
*The first Live InDurham busking audition event will be held at Whisky River on Thursday, August 18, from 7pm. Details are available at www.durhambid.co.uk/live.
HELEN GILDERSLEEVE finds out how a popular urban-based farm hopes to achieve self-sufficiency as it faces major cuts in funding
Based under Byker Bridge, the Ouseburn Farm in Newcastle is a rustic green oasis in the heart of the city.
Sadly, the popular farm may face closure after a key backer was forced to withdraw support, leaving a significant funding shortfall.
Established as a charity in 1973, the farm is owned by Newcastle City Council, though for the last eight years Tyne Housing Association (THA) have paid £100,00 towards annual running costs. Cuts in funding mean the housing provider can no longer support the farm beyond April 2017.
The free-to-enter farm is a much-loved feature of the Ouseburn townscape and is home to cows, pigs, sheep, goats and ducks. It gives an opportunity for city people to get close to farm animals and provides farm-based and environmental education for over 4,000 school children and students in term-time.
Workshops teach agricultural, horticultural and environmental skills to vulnerable adults and members of the public and are provided by a staff of six full-time and two part-time employees supported by up to 20 volunteers.
Closure of the farm would be a major loss to Ouseburn but things are looking hopeful, as the charity is making steps towards becoming financially self-sustaining. The Board of the Tyne Housing Association has transferred a carpentry workshop and two furniture shops in Wilfred Street, Byker to the farm charity to help generate the much-needed funds.
Further funds come from Ouseburn Farm Shop on Heaton Park Road which opened its doors at the end of June. The shop sells upcycled furniture that has been restored and recycled at the Wilfred Street workshop which in turn reduces a cost to the environment by helping reduce landfill waste.
In addition, the shop sells homemade bakery items and preserves produced at the farm. It is very a positive step forward for the farm in its aim to become self-sufficient
The farm itself in Ouseburn Valley also generates income from its newly refurbished coffee shop and educational classrooms. Workshops are available which aim to teach school children, students, vulnerable adults, volunteers and members of the public about agricultural, horticultural and environmental projects.
A spokesperson from Ouseburn Farm, said:
“We’d like to give a massive thank you to Tyne Housing Association who have funded the farm for the last eight years and we remain positive that the farm, treasured by all the community – near and far – will get backing in the near future.
“If anyone would like to do their bit to help us then they are more than welcome to donate as much or as little as they can afford.”
Councillor Stephen Powers, Cabinet Member for Policy and Communication, said:
“The Council has had a long involvement with the farm and was instrumental in saving it ten years ago when it was discovered that the old City Farm was situated on land that was heavily contaminated from its historic use as the site of an iron works.
“Because it was recognised as an important and much-loved attraction in Ouseburn, which also had great potential, in 2006 the Council oversaw a major project to clear the contamination and replace the old buildings with a new environmentally friendly building.
“An innovative agreement with Tyne Housing Association for them to take over and develop the Farm has been very successful and I am very keen to see the Farm’s future secured. Both the Council and Tyne Housing face serious financial pressures in a time of austerity and so it is essential to find an alternative external funding source so the Farm can continue its excellent work with schools, volunteers and vulnerable adults.
“It is one of the key visitor attractions within the Ouseburn Valley alongside Seven Stories, the Victoria Tunnel and the various galleries, pubs and cafes and is integral to the emergence of the Valley as a unique and vibrant area of the city.
“The Council will work alongside THA to find a way of securing the future of the Farm after April 2017 and would be happy to talk to anyone who is interested in becoming involved with such a fantastic place.”
To find out more about Ouseburn Farm visit:
To donate to Ouseburn Farm, visit their Just Giving page here