An interview with Durham-based artist, Kate Van Suddese. Kate describes how she is inspired by the North East coast and the different artists who have influenced her work and passion. Part of a continuing series exploring the work of artists, photographers and other creative people in the North East.
How would you describe your work?
It’s hard to define my work as I have changed so much over the years both in style and subject. I have sold my work professionally for over 30 years and in such a timescale things change drastically in every way or I feel they should do! Always learning, always growing, always changing, always new things to see and paint.!
To give a recent point of focus I would say I have been a seascape artist for the longest time. Back when I was younger I painted portraits and then went on to large abstract paintings that were purely involved with colour and form. I loved Cezanne and Rothko at the time and they influenced me a great deal.
Tell us how you first started out as an artist.
I first started out after Uni in my early 20s painting portraits. I worked lots of part time jobs to keep funds going so I could paint. I dropped in and out of Art degrees and courses as the mood took me, travelled around a few places. Always painting and always trying to get my work into galleries etc. and always working if I ran out of cash. Eventually I built up a selection of galleries who exhibited my work nationally including the Biscuit Factory, Red Rag Gallery, the Leith gallery. And things went on from there.
What influence if any does North East England have in inspiring your work?
In 1993 my mother died and it had a profound effect on my painting world. I began to paint the coastal world around me. It was a place where I found peace and the raw energy and sense of limitless space was comforting. A bridge to another world.
Mum loved the North East coast and I found myself wandering around in her footsteps, reliving the childhood memories I had of days at the beach with my family. I ended up painting a whole series of seascapes featuring huge crashing waves and local landmarks all with a link in my mind to my mother and my family.
From then on I have been painting my beloved Northern coastline in all its glory as a tribute to both my mum and the whole Northern ethos.
Warmth, family, roots, history: who cannot but be inspired by our beautiful coast? The variety and breadth of the coast from Redcar up to Amble etc and beyond is amazing. The beauty and wide expanse of beach and white light of Bamburgh is just breathtaking. Both Lindisfarne and Dunstanburgh with their history and isolation are magnets for people seeking open space and a sense of belonging.
When you see the regeneration of the coal coast it just astounds with the changes that have happened over recent years. There are still the scars of the mining industry within its folds but the beaches and coastal paths are now well on their way to their own form of well-hewn beauty. Its good to keep a sign of past times too, to remember life as it was. I spend a fair bit of time at Blast Beach , Seaham, looking for glass from the old glass works and painting the crashing waves at Noses Point.
I spend every weekend at Tynemouth Market with my paintings and prints and have come to love the coast in the area. I set off early to watch the early sun from different vantage points before I go to work at the market. Sitting watching the early waves come in at North Shields fish quay and the Groyne is One of the most peaceful and happy things I like to do. It never fails to make me want to paint it.
All the way along, St Edwards Bay, Longsands and our magnificent St Mary’s Lighthouse is a treasure trove of inspiration, both through memories of times past and present day happiness. In rain or shine, calm or storm.
I paint in lots of different styles, it depends on how I feel at the time and what the image needs. But mainly I am an oil painter, using canvases both tiny and large.
I adore Turner and Atkinson Grimshaw and much of my work has a feel to it of both. Its not deliberate, I just feel that my love of light and beauty is so ingrained that is just comes out as it does because that seems to be the only way I can try to capture what I want. Turner’s use of light and colour and almost abstract form was far advanced for the time and seems to me to just capture the essence of another world with its sense of beauty and translucence.
In painting local landmarks and local seas I also wanted to find a way to paint beauty, as to me the sense of place and belonging is a link to love and life.
I try to find the beauty in whatever it is that has inspired me to pick up my brush and paint it.
As I said the focus of my work is mainly as a seascape artist but recently I have enjoyed creating small series of fantasy works. All have to be beautiful in one way or another though. Story telling is something I like to do and to tell a story with a painting is a satisfying way of making magic from nothing.
What inspires you?
Everything inspires me. The world around me, words , poems, colours, stories, memories, sadness,happiness, my family, my love of the sea and my love of the North and its history and encompassing nature.
Which other artists or photographers do you admire?
Turner for his love of light. The Pre-Raphaelites for their love of romance and magic. Monet for his colour and expression. Charles Napier Hemy for the sea and motion. Norman Cornish for my Grandad who was a miner. Vuillard because everything he does is so beautiful. Jeremy Mann breathtaking. Berthelsen for his warmth like being wrapped in a blanket. Dame Laura Knight for memories and sunlight
Do you have any tips for up and coming artists?
Be yourself, paint what you want and keep experimenting and changing.
Decide which way you want your career to go, what is the most important thing and go for it . find which side of the fine line between Art and Commerce it is that motivates you and make your choices accordingly. Its hard being an artist for the love of it if you cant make enough money to buy paint and pay your bills. Just keep going and don’t let the knock s set you back, there will always be someone who loves your work and someone who doesn’t.
What has been your most challenging creation?
My most challenging creation hasn’t happened yet. Everything is hard, I call it a bitter sweet occupation, the love and pain involved in creating anything is all encompassing whether it is 2D or 3D, for yourself or a commission.
What are your ambitions for the future?
As far as ambitions for the future goes: I just want to paint!
Why is the Wear an appendage of the Tyne? Why is the ‘North Humber Land’ of Northumberland so far north of the Humber? Why is so much of the River Tees not even part of the ‘Tees Valley’?
In this blog, historian DAVID SIMPSON laments the loss of the straightforward traditional, easy to understand historic counties of the North East and Yorkshire.
Yorkshire, Durham and Northumberland are ancient counties with roots going back a thousand years or more but something changed in the 1970s that left communities confused and disembodied in a legacy that continues to this day. It was during that decade that those long-lived county regions were broken into little pieces, redefined for economic or political purposes and given artificial names that were in some cases little more than marketing brands.
Take Yorkshire for instance. It was recorded as ‘Eoferwicscire’ as far back as 1055, though its roots are much older than that. It developed from the Viking Kingdom of York and its three ancient ‘Ridings’. Indeed it was the Vikings who divided Yorkshire into the three parts called ‘Ridings’ (North, West and East) from the Norse word ‘thrithing’ or ‘þriðjungr’ meaning ‘third part’.
Despite this ancient division the Vikings didn’t re-brand the three individual bits with cumbersome names. They kept things clear. Yorkshire or ‘York’ as it was often simply known remained intact and the ‘Ridings’ remained in place up until 1974.
It was in 1974 that London’s brutal battleaxe of bureaucratic boundary changes hit Yorkshire as it did many other places in Britain. A new county called ‘Humberside’ was hacked out of Yorkshire’s south eastern corner and it annexed rather a lot of Lincolnshire too. People from Hull, wherever they might venture, now had to justify that they were still in fact Yorkshiremen, maintaining their centuries old right.
In 1996 Humberside was of course ultimately abolished and quite rightly too. It was then that the East Riding of Yorkshire re-merged (now the only riding) and although Hull’s separate city status was acknowledged, its place in Yorkshire is clear.
It was in 1974 that Cleveland was created too.
Now, as a name Cleveland was not without precedent. Even the Vikings knew of it, calling it ‘Cliffland’ in their time. As an ancient district it was part of Yorkshire and exclusively part of Yorkshire, that is to say part of that giant historic county south of the Tees. This Cleveland – the real Cleveland – stretched as far west as the little town of Yarm, encompassed Middlesbrough (a monastic cell in medieval times) and stretched right down to the River Esk at Whitby taking in the Cleveland Hills and the beautiful Cleveland coast.
However, the new 1974 County of Cleveland was something quite different to the old Cleveland district of Yorkshire. The new Cleveland still included Middlesbrough and Yarm and some of the Cleveland coastal towns but this county of Cleveland was, in historic terms, an awful anomaly.
For a start, Hartlepool, the ancient sea port of County Durham was annexed to Cleveland’s expanded realm along with the historic Durham towns of Stockton and Billingham and pretty villages like Egglescliffe and Norton. Yet south of the Tees much of the real, historic Cleveland was not included in the new county. So, bizarrely, most of the Cleveland Hills and the village of Carlton-in-Cleveland were not included in the new County of Cleveland.
The nonsense of ‘Cleveland the county’ eventually ended (as it did with Humberside) in 1996 after an existence of only 22 years but it was only to be replaced by a new kind of nonsense some twenty years later.
The so-called ‘Tees Valley Combined Authority’ (an awful mouthful it has to be said) began life as a ‘local enterprise partnership’ in 2011 but then became a combined authority in 2016. The new authority was more or less identical to the county of Cleveland, but now also included the historic County Durham town of Darlington which had long been the focal town for South Durham.
There was apparently much support for this new combined authority across that region with 65 per cent of people voting in its favour. In fact, on closer examination (according to Wikipedia) there were only over 1,900 responses to this question – that’s not very many when we consider the Tees Valley region has a population of 700,000.
What makes the term ‘Tees Valley’ really confusing is its geographical scope. For example, you can walk along the south bank of the River Tees opposite Darlington Borough and you are firmly in Yorkshire but for some reason you’re definitely not in the Tees Valley. Similarly up in the Dales you find that Barnard Castle and the surrounding countryside of Teesdale isn’t part of the ‘Tees Valley’ either.*
‘Barney’ as it is known to locals is the capital of Teesdale, on the north bank of the river and still in County Durham as it has been fro many centuries.
Then we have Hartlepool an historic town with an extraordinary history that was once one of Britain’s major sea ports is situated on the North Sea coast. Hartlepool was never a port on the River Tees but is included as part of the Tees Valley.
The reality is of course that Tees Valley is rather a nice marketing term for Teesside with Hartlepool and Darlington thrown in for good measure. It has no real historic meaning beyond that. If you think about it though Tees Valley has a quite a nice ring to it and it is a much more pleasing name than the now deeply ingrained and for some reason widely accepted term ‘Tyne and Wear’ which the American writer Paul Theroux compared to ‘Time and Wear’ (as in worn by time) but we’ll come to that ‘county’ in a moment.
North of the Tees (and yes we do mean the Tees) the name Northumberland (or in Latin style ‘Northumbria’) survived the Viking annexation of Yorkshire. It was a reminder that the whole of the North was once the name of the ancient kingdom of everything English north of the Humber. During the Viking era this remaining Northumbrian rump split into two parts with the land between the Tyne and Tees ultimately becoming County Durham, but the term Northumberland continued to be used north of the Tyne.
Durham developed as a kind of buffer state between Viking Yorkshire and the rest of Northumberland. Centred initially on Chester-le-Street (Conecaster) and then later Durham City it was focused on the revered shrine of St Cuthbert. ‘St Cuthbert’s Land’ as the fledgling County Durham was known was later called ‘Haliwerfolc’ (meaning Holy-man-people and certainly more northern than the ‘folc’ of Norfolk). It was recorded as Dunelmensisschira meaning Durham-Shire in 1100 but ‘shire’ or ‘folk’ never caught on as part of Durham’s name.
As a County Palatine ruled by Prince Bishops, the name County Durham later came into being as the Prince Bishops’ powers depleted. We should not forget that their influence was extensive across the region. I’m always amused by road signs telling yo that you’re entering the ‘Land of the Prince Bishops’ on the A19 near Sheraton just north of Hartlepool or on the A1(M) south of Washington. The ‘Land of the Prince Bishops’ in fact begins at the Tees and ends at the Tyne not according to some modern make-shift administrative boundary. In fact it ends about a quarter of way across the Tyne on the Gateshead side.
The boroughs of Sunderland and Gateshead were founded by the Prince Bishops marking the very beginning of those places as towns. Hartlepool was the Prince Bishop’s port, Stockton the site of one of their major castles. The Priors of Durham founded the port of South Shields. And of course the links between Washington (Washingon CD for County Durham) and the beginnings of the esteemed family of that nameis also directly linked to the Prince Bishops. Agreed that all of these events are a very long time ago but these places are still linked to the unique history of Durham. It’s part of what makes them special and interesting and different and part of their historic identity.
Durham continued to act as a kind of buffer state in post Conquest times with its defensive focus now, like that of Northumberland, directed towards the constant inroads of invading Scots. In later times Durham’s rich medieval roots were eclipsed by a new era of industrialisation. It became an industrial powerhouse of shipbuilding and engineering and above all coal mining with a population straddling the banks of the three great rivers of the North East and the Durham coalfield itself stretching north to the banks of the Tyne.
County Durham of course shared the Tyne with the neighbouring county of Northumberland (and with Newcastle) and shared the Tees with Yorkshire. It’s true that some of the strongest regional identities developed in the riverside communities where the allegiance can be more to the river rather than the county but this isn’t adequately reflected in terms like Tees Valley or Tyne and Wear.
Tynesiders and Teessiders and Wearsiders all identify most closely with their riverside communities which unite each of the people in each of the three areas. I think it’s unlikely you’ll ever hear anyone identify themselves with Tyne and Wear or Tees Valley – unless they’re a politician.
The Wear is odd man out as far as the three great rivers go as it was never a shared river in terms of county allegiance. It was and undoubtedly still is the County Durham river, rising in the Durham fells before flowing through Weardale, the historic town of Bishop Auckland, the City of Durham and Chester-le-Street. The it leaves the county without any apparent natural reason, eventually entering the sea at Sunderland in what is or was the largest and perhaps proudest of all the Durham towns – though now of course a city. It is to Sunderland to which this County Durham river is now most closely linked yet for the entire course of County Durham’s history up until 1974 it was entirely a County Durham river .
Today Sunderland is no longer in County Durham and any glance of the map shows that has become an appendage of the so-called ‘Tyne and Wear’.
Like Cleveland and Humberside ‘Tyne and Wear’ was established as a county in 1974 and despite its let’s be honest ugly name is still somehow going strong today, although now as a unified partnership of individual boroughs and cities linked by economic interests and an admittedly excellent integrated transport system.
Like ‘Tees Valley’ the Tyne and Wear makes much sense on an economic and business level but culturally and geographically there is something highly contrived about the term ‘Tyne and Wear’. In my view, any label given to a geographical entity that includes the doubtfully justifying word ‘and’ in its title must clearly have some kind of inherent disunity at some level. It might work for a business partnership but for political geography the term ‘and’ never really convinces.
Wearside, the City of Sunderland has a population of around 270,000 people that includes large, neighbouring towns, but in reality places like Washington and Houghton-le-Spring which may close relationships with Sunderland are really separate entities.
Tyneside by comparison is mostly a continuous almost homogeneous urban region (perhaps not an endearing description) straddling two sides of the Tyne. Tyneside has a much larger population than Wearside with around one million people – a point, incidentally, rarely taken into account when comparing the relative size of support for the rival Tyne-Wear football teams .
It would be interesting to know what people think of the old counties and if they still fell an affiliation to them within the Tyne and Wear and Tees Valley regions. I suspect older people, particularly in outlying towns and villages in boroughs and cities like Gateshead, Sunderland and Newcastle may still have a closer affiliation to traditional counties rather than the modern ones and those in the larger towns connect more closely with terms Tynesider (or Geordie), Wearsider/Mackem or Teessider.
On my travels I have certainly found an affinity with older people to the traditional counties such as County Durham in places like Houghton-le-Spring and Hetton-le-Hole. North of the Tyne Newcastle, Gosforth and particularly North Tyneside: Whitley Bay, Tynemouth and North Shields in particular certainly seem to me to have something very Northumbria in their nature and personality as much as they are ‘Geordie’ when compared to say Gateshead or South Shields to the south of the river.
Of course the Tyne (like the Tees) despite its different communities unites as much as it divides, whether it be in the form of the wider ‘Geordie’ culture or in sporting terms where Tyneside is mostly ‘United’ in Newcastle as its focal centre.
Yet in 2016 a vote on a region-wide North East devolution deal suggested that in another sense the traditional county divisions may still be strong. Durham County, Sunderland, Gateshead and South Tyneside all voted against the devolution plan for a North East combined authority. In other words all the places in the old County of Durham. **
However places north of the Tyne: Newcastle, North Tyneside and Northumberland all voted in favour. Subsequently a new deal was formulated solely focused on the region north of the Tyne – the Northumberland of old.
Historic identities dating back thousands of years are perhaps harder to shift than we realise despite the brutal machinations and manoeuvrings of London bureaucrats and local marketing men.
*Note confusingly 1974 also saw the annexation of that part of Teesdale south of the River Tees from Yorkshire into County Durham, moving places such as Romaldkirk and Mickleton into Durham. The administration of Teesdale is of course focused on Barnard Castle, historically a County Durham town on the north side of the river.
** The ‘Tees Valley’ counties were not included in the North East combined authority vote as they already had their own version of this.
DAVID SIMPSON reflects on finding a balance between looking back and looking forward in defining the future of North East England
I love history and especially northern history and I love nostalgia too. Old Photos and memories are wonderful to share and enjoy but I’m not one of those “everything was so much better in the past” types. The past is simply part of a journey; an eventful journey that brought us where we are today. It teaches us what we may achieve and features important lessons too, but that does not mean we should be limited by our past. In fact for me, the present is everything.
Some may say the “past is not important”. Now, I don’t hold with that view either. Just try going for a job interview or writing a CV without saying anything about your past. It would be pretty hard to do because to some extent your past defines you and what you can do, or at least it defines you as you are now. You will almost certainly fail if you have nothing to say about your past but you will also fail if you have no vision of your future.
The same goes for regions, cities and towns that are marketing and presenting their best attributes to the world. An ability to look back to the past with pride but build with a vision towards the future was one of the most impressive aspects of Sunderland’s recent City of Culture bid. It was one of the great reasons why, despite missing out on that title, it has been such a massive success for the city and for the region too.
That past is simply part of a never ending journey of often surprising events and opportunities. The past is merely the early chapter or chapters in an exiting book that is being continuously written. There will be wonderful twists and turns and new highlights as the story grows with each new event and opportunity.
I still love the past though, and like thousands upon thousands of people up and down the land I love to reminisce and look back, occasionally. Being from Durham I often visit a Facebook group called ‘Old Photographs and Memories of Durham‘ one of many such groups that feature compelling black and white snaps of towns and cities up and down the land that are passionately followed by locals and exiles.
It does frustrate me though sometimes, when I hear people who want everything to stay the way it was, who wish to go back or who wish for things to remain unchanged forever, like Miss Havisham in her wedding gown. Now even if it was possible for everything to stay exactly the same as it always was, where would the joy be in that?
DAVID SIMPSON shares his passion for cycling as he explores old railway routes and scenery across the North East from the saddle of his trusty mountain bike
Cycling and especially mountain biking is one of the best ways to see our region. Taking in the wonderful varied scenery of our beloved North East from the cyclist’s saddle is one of life’s great pleasures. Travel from village to village, town to town and watch the delightful changes in the region’s rolling scenery mile by mile. Head along rural riverside routes into industrial heartlands, take in lovely country roads or try out the course of a former railway route at your own leisurely pace. Simply marvellous!
Sure, you can do some of these things from the comfort of your car but can you take a break without the headache of finding a parking space and can you go ‘off road’, away from all the traffic? Cycling is great because you always feel that you’re part of the outdoors, rather than just passing through within the confines of a wheeled metal box. That feeling of being part of the scenery is something that you never quite get from inside the car, even when the window is wound right down.
Best of all though, cycling keeps you fit, in both mind and body. Mentally, I’m at my sharpest and happiest when I’ve been doing lots of cycling and it’s really invigorating. Walking, running or team sports might work for you but it’s cycling for me. It works well with my lifestyle and interests: my love for history, for taking photographs and a passion for the region’s varied landscapes makes cycling the perfect fit.
Now let’s be clear, I’m not one of the Lycra brigade. No, no, no, when I’m out cycling, I prefer skinny, stretchy jeans, old trainers, a long-sleeved shirt plus a jumper or fleece in the backpack just in case it gets too chilly. That’s more my scene. Purists might frown on this but that doesn’t bother me, though I should say a helmet is always a must. Taking something high-viz too if you’re going to be out in the twilight could also be wise and don’t forget a spare bottle of water or squash and a snack to keep you going if you feel peckish en route.
No, it’s not about the streamlined look or the speed for me. Don’t get me wrong, I understand the thrill of the racing bike fraternity whizzing through the blurry countryside constantly improving on their best times, clocking up mile after mile on twisty roads and climbing hills with endless motor cars for company. There’s plenty of great scope for that activity across the region and I am sure the exertion is exhilarating but it’s not really for me.
I’ll often ride more than thirty or forty miles a time on the mountain bike but sometimes I’ll just go for twenty or a modest ten or perhaps even six or seven miles just to get out of the house. The more miles you do though the easier the distances become. I don’t mind cycling on the road some of the time but more often than not I head off along one of those superb off-the-road cycle paths that crisscross our region.
Many of these routes are the legacy of Dr Beeching, the man who closed so many railways back in the sixties, but that was due to the burgeoning growth of the motorists. I don’t suppose Beeching ever envisaged the growth in popularity of cycling though many of the cycle ways he has unwittingly created, from old railway routes, provide ideal and relatively easy going paths that often stretch for many miles. It all makes sense: those routes were designed for steam locomotives that wanted to avoid steep hills and take the easiest routes. All good news for leisurely cyclists like me.
Old railway routes converted into long-distance paths are one of the great gems of our region’s countryside and are great ways to get out and about in the North East. In recent rides I’ve headed out in various directions using a village near Durham City as a base. The other week I cycled from Durham into Sunderland through lovely countryside with views of the sea along the way.
Surprisingly, much of the track through Sunderland itself encompasses fields, trees, parks and even a lake. Except for the occasional glimpse of a block of flats nearby, you barely notice you’re in an urban environment until you eventually emerge in the city centre and then after crossing a couple of main roads at pedestrian crossings you head over the Wearmouth Bridge and back into the countryside along the banks of the River Wear – though I took a brief diversion to the river mouth first just to see the sea.
In County Durham there are pathway ‘hubs’ that provide good centres for exploring various walking and cycle routes where railways once ran. Broompark, just west of Durham City is one such hub. There’s parking there and a picnic area too, so you can take your bike along on the car then make your way by bike along a choice of three routes. I’ve tried all three. One heads along the pretty wooded valley of the little River Deerness to Esh Winning and on towards a place called Stanley Crook and another heads north along the Browney valley to Lanchester and then on towards Consett. The third heads south to Bishop Auckland culminating in a good view of the Bishop of Durham’s home town that can be reached across the Newton Cap Viaduct.
Perhaps the major hub for cyclists in the North East is Lydgetts Junction at Consett, arguably the central hub for all North East cycle paths. Here routes head out to Newcastle and Tynemouth, south into Durham, east to Sunderland and west all the way to Cumbria via the splendid Hownsgill viaduct.
It’s always good to combine parts of routes and even improvise with a bit of research beforehand. Recently, I headed out from my village base east of Durham City to join the Deerness route at Broompark but then left its course at Esh Winning to make the steep climb by local roads through Quebec and Cornsay Colliery to lovely Lanchester. There, joining the Lanchester Valley route to Consett I joined the C2C route at Lydgetts Junction – with its impressive art installation sculptures along the way – as I continued through Leadgate, Stanley, Beamish and Pelton where I improvised in a descent into Chester-le-Street on my way back to my village base completing about 44 miles.
Many routes link in with the longer-distance coast-to-coast cycle paths like the C2C (sea to sea) route I have mentioned. This route links the coastal Cumbrian towns of Whitehaven, Workington and St Bees to Sunderland, South Shields and Tynemouth. An alternative cross-Pennine route is the W2W (Walney to Wear) route linking Walney in southern Cumbria to Sunderland, part of which we followed on our recent ride from Durham to Sunderland.
The great thing is, you don’t have to stray far from the cities to enjoy great cycle rides. There are good cycle rides around Stockton and Hartlepool into the fringes of the County Durham countryside for example and in Tyne and Wear there’s a particularly enjoyable coastal ride from the mouth of the Tyne to the mouth of the Wear – and back.
You can cycle along the bank of the River Tyne all the way to Wylam and then back along the other side of the river and once you’re back at the beginning there’s no extra charge for taking cycles across the Shields ferry to reach the other side.
Superb cycling can be found in Northumberland too, often with the Cheviots serving as a wonderful backdrop with some routes taking in coastal areas and castles. A cycling friend of mine recently tried out a circular route from Wooler across to Holy Island which looks appealing.
In North Yorkshire the Vale of York and Vale of Mowbray around Thirsk and Northallerton offer relatively gentle cycling with gradual climbs into the Yorkshire Dales to the west or challenging cycling in the North York Moors to the east.
Sustrans provide a useful zoomable map of all the major cycle routes in the region (see the links below) but it’s also worth checking out the region’s woods and forests that can appeal to thrill-seekers or those who just want to take a cycling stroll. Hamsterley and Kielder for example have superb mountain biking trails to explore.
Whatever kind of cycling you do, it’s always enjoyable to keep a record of your routes, speeds and distances mile by mile, to see how much you’ve ascended and descended and how many calories you’ve burned. It’s a satisfying way to round off a good cycle ride. You can post the details on social media too and it’s a good way to log your progress and share with others.
That’s all part of the fun and can be facilitated by downloading great route-tracking GPS apps like Endomondo, Strava or Mapmyride to your mobile phone. It’s always good to review your times and distances, when you get back to base, and to check your best and slowest lap, though often, I find, I’ve lost more than an hour or so stopping to take photos or admire the beautiful views along the way. I’m certainly not going to complain about that.
We’ve been out on the bike again (the day after this blog) this time from Consett to Newcastle and back (38 miles) taking in the Derwent valley and Tyne riverside with Lydgett’s junction as our starting base. Another lovely route. Check out our sunny day of cycling photos of the Derwent Valley hereand of Newcastle-Gateshead here.
JONATHAN JONES visits the wonderful relics of St Cuthbert that are finally back on display at Durham Cathedral in a superb new setting that drew audible gasps at the official unveiling.
Anglo-Saxon artefacts, dating back more than 1,300 years, and belonging to monk, bishop and hermit, St Cuthbert, have gone back on display in Durham Cathedral.he relics, including the coffin in which St Cuthbert’s body was carried from Lindisfarne, to its final resting place on the site of Durham Cathedral, and the gold cross he wore around his neck, are the centrepiece of The Treasures of St Cuthbert, which opened to the public at the weekend.
The relics were described as the “Tutankhamun” of the North-East, by cultural historian and Anglo-Saxon specialist, Dr Janina Ramirez at the official launch of the exhibition.
She admitted that the excitement of seeing the relics, back in their rightful home, in a purpose-built exhibition inside Durham Cathedral, had made her unable to sleep the previous night.
The ornately carved coffin, featuring runic and Latin inscriptions, is rightfully, the centrepiece of the exhibition, and is regarded as the most important surviving relic from before the time of the Norman Conquest.
Images of Christ, the Virgin Mary, apostles and archangels are still visible on the incredibly preserved oak fragments, and brought audible gasps from the clergy, scholars, officials and journalists gathered to witness them for the first time in their new home, in a specially developed exhibition space inside the cathedral.
Dr Ramirez said: “Some people think that there is a time in the history of Western Europe when the lights went out – when the civilisation and refinement of the Roman Empire was replaced by a Dark Age, visible to us only through a glass darkly; through scraps of archaeology, fragments of enigmatic text, and the bones of early medieval people, who walked a thousand four hundred years before us.
“But the Cuthbert Treasures fly in the face of this theory: from the complex, visual riddles engraved across the oldest surviving example of wood carving on Cuthbert’s coffin, to the gold and garnet splendour of his pectoral cross; from the continental elegance of the ceremonial comb, to the remarkable examples of Opus Anglicanum, recognised at the time as the best embroidery in the known world, the Cuthbert Treasures bring colour, depth and drama to the so-called Dark Ages.”
She continued: “At their very heart lies a unique individual who was both Anglo-Saxon warrior, and early Christian Bishop. His connection to the North East means we can walk in the footsteps of arguably England’s most important saint.”
The exhibits are housed in the Great Kitchen, which has been transformed into a world-class exhibition space, following a year of environmental monitoring, to ensure the relics are kept in the right conditions to ensure their continued longevity.
The project has seen the construction of purpose built exhibition and gallery space in the Cathedral, with access to the treasures themselves being monitored at all times. Indeed, access to the space itself, felt more like entering the Star Ship Enterprise, than the stone walls of the Cathedral.
Visitors were beckoned into a chamber, through which they could see the artefacts beyond another door. Once the environment was stabilised, the inner door opened, granting access to view the fabulous treasures, in glass cases that only enhance their true beauty.
The relics of St Cuthbert, previously on display in the Cathedral’s undercroft, have been in storage for the past six years, during the main phase of the project.
The creation of this space, marks the completion of the Cathedral’s £10.9million investment in the Open Treasure project. The project has been generously supported by a £3.9 million grant from the Heritage Lottery Fund.
Speaking at the launch, Jim Cokill, Member of the North-East Committee for the Heritage Lottery Fund, said: “A place of worship for thousands and a spectacular attraction drawing visitor from near and far to the city, Durham Cathedral is a heritage treasure in the North East. The Treasures of St Cuthbert and the Open Treasures Exhibition will not only boost the Cathedral’s continuing popularity but will also keep its visitors at the heart of heritage.”
But perhaps the final word should go to the Dean of Durham, The Very Reverend Andrew Tremlett. He said: “It is very fitting that the final jewel in the crown of Open Treasure is centred on St Cuthbert, in whose honour Durham Cathedral was built.
“The launch of the Treasures of St Cuthbert on permanent display in their new home marks a new phase in the life of Durham Cathedral and its exhibition experience Open Treasure.”
Among the Treasures of St Cuthbert on display are:
St Cuthbert’s wooden coffin, widely regarded as the most important example of Pre-Conquest woodwork, and finely engraved with linear images, Latin lettering and Anglo-Saxon runes
St Cuthbert’s pectoral cross, a 7th century gold and garnet cross designed to be worn on a chain around his neck.
St Cuthbert’s portable altar, used to support his missionary work in the North East. It is believed to be the oldest surviving portable altar, dating from 660AD.
The original Sanctuary door knocker, dating from the 12th Century, and one of Durham’s most enduring symbols. Originally attached to the North Door of Durham Cathedral, those who had committed a crime could rap on the door knocker and be given 37 days of sanctuary, during which time they could reconcile with their enemies, or plan their escape.
The Treasures of St Cuthbert are now on permanent display within Open Treasure in the Great Kitchen, one of only two surviving medieval monastic kitchens in the UK. Tickets cost from £2.50 – £7.50, and are available online and from the visitor desk at Durham Cathedral. For more information visit www.durhamcathedral.co.uk, or telephone 0191 386 4266.
Did you know Newcastle has one of England’s highest concentrations of listed buildings? Guest blogger, JOHN MURPHY explores the North East’s building heritage and the risks historic buildings face in rural areas.
In Britain, Listed Buildings form the backbone of some of our most famous cities – whether found prominently on high streets serving as banks or offices, or tucked away in quiet streets as ornate homes.
Grade I and II listed buildings are beautiful, historical structures that have decades (and sometimes centuries) of character. They are prestigious, eye-catching and come with their own rules for builders and occupiers.
The North East, in particular, has one of the best concentrations of listed buildings in the UK with many in Newcastle upon Tyne. The North East enjoys a far higher concentration of Grade I and II* listed buildings than other regions.
Newcastle, in particular has the following:
Grade I – The national average for concentrations of Grade I buildings (which are of exceptional interest) is 2.5% throughout England. In Newcastle upon Tyne, that number is as high as 7%.
Grade II* buildings are deemed to be of more than special interest and in England Grade II* accounts for around 5.5% of all list entries. Newcastle, astonishingly, enjoys almost quadruple the national average at 20%.
Grade II (without the *) are buildings of special interest that make up the remaining 92% of listed buildings in England and in Newcastle that figure is 73%.
Grainger Town, the historic heart of the city centre, enjoys one of the highest concentrations of listed buildings in the entire country. Of its 450 buildings, 244 are listed – with 29 Grade I and 49 Grade II*.
All work on these buildings is protected by the planning authority, with English Heritage involved for any Grade I and II* buildings. Some of the most famous structures in the city fall under this protection. For example, the popular landmark Grey’s Monument is Grade I listed.
Unfortunately, despite this protection, listed buildings are at risk due to a lack of investment and damage from both vandalism and wear and tear. The Heritage at Risk register monitors buildings of historical significance that are at risk and unfortunately, the North East is in crisis – nationally the ratio is 3.8% and the North East has 6.2%.
What is causing this risk? How can the region remedy it?
One of the biggest risks the region encountered was urban decay in Newcastle City Centre during the early 1990s. The area experienced decay as private investor’s moved out of listed buildings, which were being classified as both ‘at risk’ and ‘vulnerable.’
However, a programme of development and enhancement was started by Newcastle City Council and English Heritage. Thanks to both government and private investment through the late 90s and early 2000s, the area was revamped and now stands as one of the best examples of listed buildings in the country.
Now, the more rural areas are by far the most at risk – with 30 buildings in Northumberland listed on the heritage risk list. 24 from County Durham are at risk. Compared to more urban areas, it’s clear buildings in those areas are more vulnerable. Just five buildings in Newcastle upon Tyne and six in Gateshead are on the heritage risk list – clearly illustrating that their more central location has given access to better funding and repair work.
Crime is one of the biggest risks to listed buildings, especially in rural areas where surveillance and protection isn’t readily available. A national survey found that 70,000 buildings were harmed in 2011, mainly due to metal theft.
However, in rural areas in the North East, such as Northumberland, the main threats to buildings seem to be erosion and plant growth. Perhaps the region as a whole needs to turn its attention to the more rural areas, especially as Northumberland grows as a visitor attraction. The historical buildings of the past must be preserved as the future nears.
DAVID SIMPSON examines the ancient names of our rivers, streams and waterfalls and plots the great beck/burn divide
Alright please don’t ‘Pity Me’, but ever since I was a kid, I’ve been fascinated by place-names and especially those of the North East. I don’t know why precisely, but it’s certainly linked to my interest in history.
Across the region our place-names offer unique insights into our distant past and I find it fun to discover that a familiar place we take for granted is often not quite what it seems. Then of course we have all those strange and peculiar names: Pity Me, Witherwack, Wallish Walls, Snods Edge and Foggy Furze. How about Shiney Row, Seldom Seen, Success, Once Brewed or even No Place? These are the places that arouse much curiosity in our region but even seemingly mundane place-names also hold unexpected secrets.
The first thing to know when studying place-names is that for a period of a little over a thousand years – and that’s how old most of our place-names are – our language has changed an awful lot. This means spellings in old records can be notoriously inconsistent. So you can’t just look at a place-name today and guess what it means; you have to go back in time.
Place-name experts look for the earliest spellings, scouring ancient documents and interpreting the names according to the language of times past.
The experts are skilled linguists and historians, with an exceptional knowledge of how language evolved. They come with a good grasp of old languages like Latin, Old Welsh, Indo-European, Anglo-Saxon, Old Norse, Middle English and a knowledge of local dialect too. They also need a good understanding of local history and know about the local topography by familiarising themselves with the landscape. It might also help to know a few folk tales connected with the place-names they study. The experts are prepared to do much detective work to reach their final conclusions and even then they may not always be sure. In the end the fruits of their labour are often nothing more than a passing curiosity for most of us.
The fun part for me is exploring and interpreting this work and looking for patterns. I enjoy puzzling over baffling contradictions and being surprised that seemingly obvious explanations are not what I had expected. I also believe, well I’m certain of it in fact, that place-names and their local features have close links to local dialect. You see, place-names and dialect are living history and often a very old part of our heritage that we can easily overlook.
Since most place-names have evolved over long periods of time, it’s best to start at the beginning. If we glance at the map we find the most ancient names are those of the rivers and larger streams. Names like Tyne, Tees, Team, Wear, Aln, Allen, Don, Derwent and Deerness go back thousands of years to the pre-Roman Celtic times or sometimes to the era when the inter-related Indo-European languages across Europe and parts of Asia were beginning to evolve.
The Tyne, for example has one such ancient name. Tyne derives from a root word ‘ti’ meaning ‘to flow’ and could simply be interpreted to mean ‘water’. One of its tributaries, the River Team, now partly culverted through Gateshead’s Team Valley has a similar root, related to river-names like the Thames in London or the Taff in Cardiff. Further east, the Don that joins the Tyne downstream at Jarrow comes from an Indo-European word ‘danu’ simply meaning ‘river’. The Don of Jarrow shares its roots with the Don at Doncaster and the Don in Russia, as well as the Danube of Austrian river fame.
The River Tees is thought to have a Celtic river-name though its roots may be earlier. It’s related to an Old Welsh word for ‘heat’ and means ‘boiling, surging river’ perhaps alluding to the waterfalls of upper Teesdale like High Force.
The name of the River Wear is thought to derive from ‘uis’, another Indo-European word for ‘flow’ but Uisiria and Uedra were later forms of the name. This was interpreted by Welsh speaking Celts (the Britons) to ‘Gweir’ which means ‘bending’. Look at a map and compare the whole course of the Wear from source to sea with the course of the Tyne or the Tees and you will see that ‘bending river’ is an apt description.
Other river-names with ancient origins include the Derwent which forms part of the border between Northumberland and Durham. One of a number of rivers called Derwent in England, the name comes from Old Welsh and means the ‘oak tree river’. Further south, a smaller County Durham river, the Deerness combines the Welsh element ‘dwfr’ meaning river with an Indo-European element ‘nesta’ meaning , ‘roar, rush’ that is found in names such as Loch Ness and Inverness.
Some river-names came much later in Anglo-Saxon or Viking times, suggesting their earlier names were forgotten or replaced. In County Durham, for example, the little river called the Browney (occasionally called ‘the brune’) has a name dating to Anglo-Saxon times that comes from ‘brun-ea’ meaning ‘brown river’
In Northumberland the River Wansbeck at Morpeth and Ashington has a name from the same era and is thought to derive from ‘waegens-spic’, a bridge made from logs (a spic) that was crossed by wagons. The Wansbeck is not a ‘beck’ in the usual sense of the word though. The word ‘beck’ is usually from a Viking word meaning stream but that is not the case here.
For the Germanic Anglo-Saxons of Northumbria who arrived in Britain between 500 and 600 AD from southern Scandinavia and neighbouring areas of what is now the German coast ‘burn’ was one of the terms they used for a stream. As their territory extended north beyond Edinburgh into what is now Scotland the word was introduced there and has had a lasting legacy. Its roots however are Northumbrian rather than Scottish.
North East England or more particularly County Durham is the battleground between the ‘burns’ and their later Viking counterparts the ‘becks’. The Vikings arrived from across Scandinavia from around 866AD and in areas more intensely settled or shared out by the Norsemen the Viking word ‘beck’ replaced the older Anglo-Saxon word ‘burn’ in the names of streams although ‘burn’ often survives in the names of local places associated with those streams.
So we find places like Saltburn (salty stream) on the Cleveland coast and Sherburn (shiny stream) near Durham but the local streams from which they are named are now called becks on the map as well as by the locals too. The Bowburn Beck at Bowburn near Durham, for example, flows in the shape of a bow (as in bow and arrow) and was originally simply called ‘the Bow Burn’.
Many other places in the region include the word ‘Burn’ and the names of the streams from which they derive can often be self-explanatory. Take Fishburn and Seaburn for example, one would have been noted for its plentiful supply of fish, the other simply flowed into the sea.
It’s easy to be fooled though, as we find at Whitburn near Sunderland. Not a burn at all, this was originally the ‘white barn’, a white-painted barn or one built with white stone. Then we have Sockburn near Darlington which was actually Socca’s burgh rather than a burn. It was the ‘burgh’ (a fortified place) belonging to someone called Socca. Even here further doubt is thrown on the explanation because the River Tees hereabouts quite clearly flows in a massive meander that forms the very obvious shape of a sock offering a more popular ‘folk explanation’. The fact that Sockburn was for centuries the southernmost point of County Durham and thus at the limit of the ‘soke’ of the BIshops of Durham adds further to the confusion. Both Whitburn and Sockburn by the way have fascinating links to Lewis Carroll and his Jabberwocky poem and you can read about those links here.
So enough of the burns, what about the becks? Well, the word ‘beck’ comes from the Old Norse ‘bekkr’ – ‘a stream’. It is the usual term for a stream in Viking settled Cumbria and Yorkshire but is missing from Northumberland where burn is used. In County Durham we get both becks and burns with burns in the north and becks in the south and the boundary between the two lies somewhere around Durham City and mid Weardale.
Streams north of Durham City are called burns all the way up to John O’ Groats in the far north of Scotland while south of the city they’re called becks all the way down to the Viking settled areas of the Norfolk coast. Meanwhile in much of southern England and even in Lancashire they prefer the later Dutch word ‘brook’ though burn in the form ‘bourne’ often occurs in place-names across the whole of England.
In Hamsterley Forest in Weardale we find a stream named from an Anglo-Saxon man called Bede (though probably not the famous Venerable Bede of Jarrow). It is called the Bedburn Beck. It seems superfluous when surely the name Bed Burn would suffice? It’s as if they couldn’t quite make up their mind whether to call it a beck or a burn.
To the south it’s remarkable to discover that every single stream that joins the River Tees directly is called a ‘beck’ while to the north every stream that joins the Tyne directly is a ‘burn’. Along the Wear it varies between beck and burn. In upper Weardale as far east as Wolsingham the word ‘burn’ is the choice but in the mid Wear valley around Bishop Auckland and Spennymoor where the river briefly sways towards the south, the preferred word is ‘beck’.
In Durham City it changes again with the Mill Burn beneath the city’s shopping centre on the north side of the town marking the beginning of those burns again and it is the burns that continue to feed the river from Chester-le-Street all the way to the river’s end at Sunderland, or at least they do on the map. Over in East Durham locals use the term ‘beck’ and this may be the choice of word for some people in Sunderland too. It would be interesting to know.
River-names of Viking origin in the North East are not so common but include the River Skerne (it flows from Trimdon to the Tees at Darlington) but its earlier Anglo-Saxon name was something like ‘Sherne’ (the shining river). It became Skerne under Norse influence.
Other river names that are pure Viking include the River Greta (griota – its name means stony) that joins the Tees at Greta Bridge downstream from Barnard Castle. Upstream from ‘Barney’ the Tees is joined by the River Balder – Balder is the name of a Norse God.
At Bishop Auckland the Wear is joined by the River Gaunless, yet another Viking name. Gaunless (like gormless) means useless, but why is uncertain. Perhaps it was too short of fish to feed the hungry Vikings or too sluggish to power the workings of a mill.
Waterfalls are a bit like burns and becks in that they change their names according to where in the region you look for them. High Force and Low Force in Teesdale derive from a Viking word ‘foss’ that literally means waterfall. Forces also occur in Cumbria and Yorkshire too.
In Weardale though waterfalls are called ‘Linns’ and they go by this name in Northumberland too where there are many impressive waterfalls to see. Linn was seemingly a word used by the Anglo-Saxons of Northumbria but has Celtic roots deriving from ‘Hlynn’ a word for a pool – probably from the plunge pools found at the foot of a fall.
So we can see that ancient people of long ago and sometimes the slightly more recent settlers like the Anglo-Saxons and Vikings from Northern Europe have played an important part in the naming of our rivers and water features. Rivers and streams are unusual though for their ancient names. When it comes to the names of our towns, villages, cities and topographical features, it is more often than not the Anglo-Saxon who named them.
PAUL WHITE reviews North East musician Mike Ross on a return gig to the region.
Back in the late 90s, I had the pleasure of writing about live music for The Northern Echo. While the opportunities to interview the likes of Bon Jovi drummer Tico Torres, Gerry Marsden, Terrorvision, Deacon Blue and many more was fantastic, what I really loved was seeing local bands play live and be well-received by decent-sized audiences around the Darlington and Durham music scenes.
One band that I maintain to this day to be one of the best and most exciting bands to see live was Taller Than, a three-piece outfit from the Sacriston and Lanchester area.
Playing their own music as Taller Than, often coupled with covers sets as the Popular Beat Combo, they were regulars at the likes of O’Neills in both Durham and Darlington, and the Filibuster & Firkin in Darlington, along with many more venues around the region.
In 2000, they played their last gig in Darlington before moving to the Brighton area, where all three members are still active in the music industry.
Sixteen years on, singer and guitarist Mike Ross returned to Darlington on Sunday night for his first return gig in the town, playing a two-set late afternoon session at The Quakerhouse.
Normally fronting the Mike Ross Band, Mike stripped back a range of his own numbers and covers, without losing anything in his simple guitar and vocals arrangements.
Opening with a Credence Clearwater cover, he quickly got the audience onside before heading into the latest version of an old Taller Than number, Questions, and mixing his own tracks like Ran Thru Here and Statesboro Blues with his own cover of Aretha Franklin’s Baby I Love You, which appears on his latest album, Jenny’s Place.
The hugely appreciative audience in a venue I had forgotten how much I like, complete with a great selection of real ales – right up my street – were ready and waiting for a second set to follow the break.
Set two opened with a version of Stephen Stills’ Love The One You’re With and took a blues journey through Robert Johnson and Willie Dixon, before dipping into Mike’s Spindrift debut album for Don’t Worry Baby Just Call, then returning to the familiar for the audience, with Johnny cash’s Get Rhythm, Marvin Gaye’s Heard It Through The Grapevine and more.
Closing the show with his own Bamboozled, Mike left the audience happy at the close of his mini North East tour and promising a return to the region in the Spring.
It was a great way to remind myself just how good Mike Ross is and what a great venue The Quakerhouse is, as well as what a hotbed of great musical talent the North East is, whether or not you’ve heard of many of the acts.
RICHARD CALLAGHAN is captivated by Durham-based Martha, one of the most exciting bands to emerge from the North East in recent years
This Saturday’s concert in Newcastle was the third time I’ve had the privilege of watching Martha live, my sole regret upon leaving Live Theatre being that it was only the third. Where their 2014 debut Courting Strong confirmed them as the most exciting band to have emerged from the North East for years, this year’s thrilling follow up, Blisters In The Pit Of My Heart, surpassed its predecessor in every department. Yet, such recorded brilliance threatens to raise expectations to a level that many bands simply cannot meet. All too often the product of a tightly controlled recording studio, however exemplary, can prove impossible to match on the stage. It takes a very good band to be as good live as they are on a record. Fortunately for all concerned, Martha are indeed a very good band.
Matching music with an uncommonly muscular grace to lyrics betraying an acute and gentle wit, the Durham four piece know exactly what is required, the ferocious charm of their live performance grabbing the audience by the scruff of the neck and dragging us along. It helps, of course, that they possess such a strong collection of songs, but as previously stated having great tunes is only an asset if you can carry them off in person. This Martha do with aplomb.
The ability to produce a set entirely free of filler is a rarity in a band with only two full length albums behind them, yet the eleven songs Martha raced through on Saturday evening constituted just that. Personal highlights included two of my favourites from the new record (“Chekhov’s Hangnail” and “Goldman’s Detective Agency”), alongside Courting Strong’s “Present, Tense”, and the ever wonderful “1967, I Miss You, I’m Lonely”.
Whether it is by virtue of their determinedly DIY ethos, or a symptom of the changing face of the music industry (one cannot help but feel that were this a decade or so ago they would have been beguiled with, and engulfed by, an enormous recording deal long before now), Martha have emerged as one of the most consistently interesting and staggeringly complete bands in the country. That the nature of their progress to this point means that we still have the opportunity to watch them play in small rooms (rather than the enormous venues which are clearly their destiny) is a gift to music fans everywhere, and one I urge you to seize if you have the chance. You might not get it again.
Any review ought to be balanced by the mention of both positives and negatives, so I’ll end this one with my two biggest criticisms of Martha’s performance. The set was too short, and they’re not playing again tomorrow. Come back soon Martha, I can’t wait to make it time number four.
With 70 million cups of coffee consumed in the UK every day, it’s easy to see why we’ve taken to roasting coffee on our doorstep. HELEN GILDERSLEEVE explores the region’s growing independent coffee roasteries, suppliers and cafes.
Tyneside’s longest reigning coffee supplier is the much loved Pumphrey’s Coffee, based in Blaydon. Established in Newcastle’s Flesh Market (near the Bigg Market) back in 1750, Pumphrey’s is a true family business. Directors Stuart Archer (Snr) and son Stuart Archer (Jnr) provide top quality coffee and are dedicated to meeting customer requirements whether that be coffee beans, teas, brewing equipment or espresso machinery.
Pumphrey’s strive to purchase the finest coffee beans from around the world and roast them to order in the traditional way with flames. This involves open flame roasting drums dating back over 80 years and under the careful eye of master roaster Stuart Lee Archer, Pumphrey’s aim to provide delicious tasting, fresh coffee to their customers’ choosing.
Since 1983, Pumphrey’s Coffee has been based at Bridge Street in Blaydon. The site comprises a warehouse, factory, training room and a coffee shop open to trade and the general public.
Newer to the scene is the equally popular Ouseburn Coffee Co (OCC), based in Foundry Lane in Newcastle’s Ouseburn area. Established in 2012 by a small band of artisan coffee roasters and baristas it offers a highly selective range of coffee from around the world. All OCC coffee is lovingly roasted in small batch lots and bagged up fresh the same day.
Established in 2012 and offering ethically sourced seasonal coffee the coffee is roasted and bagged by hand in small batches on Foundry Lane in the heart of the Ouseburn Valley.
The business has gone from strength to strength and opened the doors of its Harvest Canteen café in Jesmond in 2014.
Famed for its simple, striking black and white design, which carries through to Harvest’s décor, the cafe has a clean, chic and relaxing feel and coffee lovers can pick anything from a flat white or an espresso through to a 7oz latte.
The more eccentric of coffee drinkers may even want to try OCC’s Cold Brew. Using just fresh roast single origin coffee, slow cold water extraction and triple filtration, OCC don’t add anything else to their brew and it is recommended to be enjoyed either on its own for the ultimate kick, with water or even added to gin or rum for a boozy drink with a difference.
They also have a regular stall at the popular Tynemouth Station Market every weekend. I love nothing more than sipping one of their lattes whilst browsing the market. This year also saw OCC boasting its own counter in Fenwick’s all new Food Hall. It certainly looks like there’s more to come from these guys.
A particular favourite of mine is BLK Coffee on Heaton’s bustling Chillingham Road. BLK has a regular rotation of beans from around the globe for the most dedicated and adventurous of coffee lovers.
The brainchild of BLK is local lass Alison Bell, who has her own coffee inspired blog and website- Black Coffee and Other Stories. BLK also stock amazing cakes every time I go in. Keep up the great work, Alison.
For city centre folk in need of a pick-me-up, Pink Lane Coffee near Newcastle’s Central Station has established itself as one of the foremost speciality coffee destinations in the region, featuring in publications such as Grazia, ShortList and the UK edition of the Condé Nast Traveller since opening in 2012.
Pink Lane Coffee is a spacious and creatively designed café featuring local art work and a quirky décor. It even has its own mini library of books to borrow for those like me who often forget to remember their own.
They now roast their own beans called Colour Coffee which are served at various cafes across the North East. Owner, Anth Atkinson, set up shop in Sandyford where he hopes to encourage locals to enjoy independent coffee.
Since Colour Coffee was founded in November 2013, near Corbridge, Northumberland, the firm has sourced a range of seasonal coffees from across the world, taking a scientific approach to production, with laptops and temperature sensors used to monitor and replicate each successful roast. Who knew science could taste so good?
Other fabulous independents across the region include the very popular Flat White in Durham, Flat Caps Coffee and Laneway & Co in Newcastle, Cullercoats Coffee and The Boatyard in Cullercoats, Navaho and Coolaboola in Jesmond, Holmeside Coffee and Café Eighteen in Sunderland and The Mockingbird Deli in Yarm, to name a few.