Tag Archives: Artists

Fiona finds colour in nature’s treasures of the deep

In our latest feature on North East creative talent we talk to artist Fiona Carvell who is based in the Northumberland countryside near Shotley Bridge.

Lindisfarne by Fiona Carvell
Lindisfarne by Fiona Carvell

Where exactly in the North East are you based?

On the border of County Durham and Northumberland, perched on the edge of the Pennines – beautiful space! Fine Studios at Fine House Farm, Kiln Pit Hill, Consett. DH8 9SL.

How would you describe your work?

Ideas-led, which means I let the subject matter inspire and direct how I respond (as opposed to working in the same way, or having a ‘style’ regardless of subject). Visually, I am interested in line and space, the connections between objects and relationships of pattern in nature.

Tell us how you first started out as an artist?

I graduated as an illustrator and moving image designer, which led to work both as a freelance Illustrator in publishing and then a career in broadcasting. I later moved into teaching but throughout all of this never stopped drawing. I would finish a shift for doing the on-air graphics for Sky News and then go straight to a life drawing class! Teaching in F.E. meant I could spend more time experimenting with materials but it wasn’t until I started running community-based art classes that I finally realised I needed to create more of my own art. It was clamouring to get out!

Fiona Carvell
North East artist, Fiona Carvell

My love affair with pastel started around this time and a few years later I entered a piece for the Pastel Society Open Exhibition in London which made the first selection round. I was invited to be a Unison Colour Associate Artist soon after this, which I am immensely proud of, especially as they are a North East company and sell around the world.

I was offered studio space at Fine Studios at the end of 2016, which is perfect for me as it’s just a few miles from home and an amazing place to run workshops from.

Which work are you most proud of?

Probably ‘Treasure of The Deep’, which was the first of my seaweed series. It was very big (over 3ft high once framed) which is huge for a pastel piece, and incredibly detailed.

Treasure of the Deep
                             Treasure of the Deep by Fiona Carvell

What inspires you?

Lots of things – I go through obsessions! I had a thing about grasses and then trees for a while last year and my current theme seems to be seaweed. I am drawn to connections in nature – patterns of line and surprises of colour, that echo from one life form to another.

What influence if any does North East England have in inspiring your work?

The North East has a wealth of inspirational landscapes. From the Pennines to the beautiful Northumberland coastline, there is so much to draw upon. My parents live on the coast and so I spend quite a bit of time photographing and sketching at beaches and castles.

What has been your most challenging creation?

Probably ‘Treasure of The Deep’. There were so many colours in each tiny section, that I would cover only a few inches a day at some points. It drove me to distraction. I would often go to the studio in my running gear so I could run a few miles of tension off in between pastel painting!

Do you have any tips for up and coming artists?

Work hard, be practical and approach what you do as any profession. If you seriously want to develop a career as an artist, you must get the balance between personal creation/production and all the other stuff that makes it possible. Admin, promotions, attending events, keeping galleries supplied and happy are all part and parcel of the job. As a qualified teacher I still enjoy teaching workshops and have found this a valuable part of my practice as it helps to develop my own artwork.

Resilience by Fiona Carvell
Resilience by Fiona Carvell

Which other artists or photographers inspire you?

My favourite pastel artist is probably Sarah Bee. Just gorgeous line work and energy. The most inspiring exhibition I attended was in Paris a few years ago by fashion designer, Issey Miyake. He presented fabric as lines and forms of pleated colour in the most astonishing display that played with light and shade. I am a great believer in looking at everything the world presents to you for potential inspiration – it can come from anywhere.

What are your ambitions for the future?

I have just returned from running my first pastel workshop in France, (which was fabulous!) and I now have another planned for May 2019. I am also in the midst of planning my workshops at Fine Studios for 2019 alongside exhibitions at various venues across the country.

Long term, I would love to exhibit with the Pastel Society, that would be an achievement and a great honour.

Anything else you’d like to add?

My work is currently on display and for sale at Number Four Gallery, St.Abbs, Scotland www.numberfourgallery.co.uk

You can also buy my prints at Gallery 45 in Felton www.feltongallery45.co.uk

and at The Links Gallery in Whitley Bay www.linksgallery.org

You can catch me in person and my latest work at Art in the Pen, Skipton, Yorkshire, between August 11th and 12th. www.artinthepen.org.uk

For more information regarding my French workshop in 2019 go to www.sweetnothings.eu

I am also available for demonstrations or to to run art workshops in pastel and drawing at art groups and societies.

See more of Fiona’s work at:

www.fionacarvellart.co.uk

 

Sarah creates a sense of place in colourful magical maps

We talk to 49-year old Morpeth-based artist, Sarah Farooqi in the latest in our series of interviews featuring talented artists and photographers from the North East of England. Sarah is best-known for her wonderful, colourful illustrated maps.

The Quayside by Sarah Farooqi
The Quayside by Sarah Farooqi

How would you describe your work?

I am a watercolour artist specialising in landscapes, townscapes and illustrated maps. From a pen drawing, my pictures evolve into busy, layered compositions which reflect my love of detail and colour, and hopefully a sense of fun.

Tell us how you first started out as an artist?

I began drawing when I was old enough to hold a pencil and went on to study graphic design at university. But then I took a wrong turn into corporate TV graphics and lost my enthusiasm. So I trained and worked as a primary teacher until I became a full time mum. During that time I was asked by my local school to work with their youngest children on an art project.

However, I had to stop myself grabbing the paint brushes off the children as I just wanted to do it myself! I started painting again soon after, and have never looked back. I spent a year experimenting and finding out exactly what it was I wanted to paint and how. Then once I had a couple of finished pieces I took them to show lots of galleries, shops, the National Trust etc. until I had a few places willing to sell my prints/cards. I joined Network Artists and had a group exhibition at Alnwick Garden in 2009. From there I was asked to make visitor maps for Alnwick Garden and Castle.

Detail from the Howick Hall Estate Map
Detail from Sarah Farroqi’s Howick Hall Estate Map

What work are you most proud of?

In the visitor centre at Howick Hall Gardens (near Alnwick) there is a huge map detailing the whole of the Howick estate, its rare plants/trees and wildlife. The map took the best part of a year to complete and some of it was previously unmapped so I was able to work closely with their head gardener and other members of the Howick team. The map has had a very positive reaction from visitors and I am very proud of it.

What inspires you?

Everything really. I love being outdoors and the intricacy of the natural world. But I also can’t resist a bleak northern industrial scene (see below), or something unexpected or irreverent, as I don’t like to take things too seriously. I also have a terrible sense of direction, so if someone asks me to make them a map I am inspired by that challenge.

Sarah Farooqi
Sarah Farooqi

What influence if any does North East England have in inspiring your work?

I grew up in Teesside and have fond memories of sketching at South Gare near Redcar. Home to the now ghosted blast furnace, at the time I loved peering through the railings and seeing the molten iron being poured into the trucks, and the architecture of the industrial landscape.

It was also right next to Paddy’s Hole with its fishermen’s huts and the North Sea. There is even a lighthouse at the end. Perfect!  Now I live in Northumberland I am totally spoilt by the North Northumberland coastline, with its empty windswept beaches and fabulous castles, and even more lighthouses. The fact that Northumberland is a bit of a secret to many people is also quite appealing – I like to help celebrate it.

What has been your most challenging creation?

Definitely the Howick Hall visitor map, as it involved mapping previously unchartered territory, working with a range of different groups, and the sheer scale of the project. I painted it on a series of squares which when laid out wouldn’t fit in any of the rooms in my house!

Howick Hall Estate Map
Howick Hall Estate Map by Sarah Farooqi

Do you have any tips for up and coming artists?

Never give up, and if you feel overwhelmed by the possibilities/challenges, take a deep breath, start at the beginning and just keep going. To begin with there will be set backs, and you need to go through these in order to learn how everything works. Also, if you are trying to make a living from your art, try and remember to put the customer/buyer at the centre of your marketing so that you make it as easy as possible for people to see, understand and buy your work. Also, being an artist can be a little isolating, so make sure you make connections with people and get out and about. All the other artists I know are really nice people, and happy to help.

Whch other artists or photographers inspire you?

The Cornish fisherman and artist Alfred Wallis who started painting on bits of old cardboard at the age of 68. Arthur Rackham, the Victorian artist whose work includes my favourite illustrations for the Wind in the Willows. Tove Jansson, who wrote and illustrated the Moomins. The stories, symbols and patterns in aboriginal art are fascinating. I am also amazed by the photos of Iceland by Benjamin Hardman, who I’ve just started following on Instagram.

What are your ambitions for the future?

More commissioned work, more of my own work, maybe expand my portfolio from Northumbria into Yorkshire and beyond, and one day to have a fabulous studio. I’d also like to illustrate a children’s book.

See more of Sarah’s work at www.sarahfarooqi.co.uk

Chalk, charcoal and jam sandwiches are a source of pride for artist Alfie

In our latest blog featuring North East artists we talk to the multi-talented Alfie Joey. Alfie, 50, is a writer, stand-up comic, impressionist, singer and breakfast time presenter on Radio Newcastle. Here Alfie talks about his artwork and how he is inspired to paint and draw.

Jam Sandwiches
Jam Sandwiches by Alfie Joey

How would you describe your work?

Caricature and local heritage pictures.

Tell us how you first started out as an artist:

I drew a picture of Winston Churchill at infant school and I was told by Mrs. Derby I had to show it to the headteacher Mr. Smith who was more than encouraging!

What work are you most proud of?

The first chalk and charcoal sketch I sold was called Jam Sandwiches- it is 3 coal miners eating bait down the pit.

Alfie Joey
North East artist Alfie Joey

What inspires you?

My art hero is the legendary Broadway cartoonist Al Hirschfeld.

What influence if any does North East England have in inspiring your work?

The North East is littered with gorgeous landmarks that lend themselves to art work!

What has been your most challenging piece?

I had 2 days to draw a very busy cartoon cover of NE1 Magazine.

Do you have any tips for up and coming  artist?

There are endless tips and teachers for free on YouTube and Instagram.

Trimdon Colliery by Alfie Joey
Trimdon Colliery by Alfie Joey

 What other artists inspire you!?

Locally, Alexander Millar, Ben Holland and of course, Norman Cornish!

What are your ambitions for the future?

To have my children’s picture books published.

My work is on display and for sale at the North East Art Collective in Eldon Garden, Newcastle and from August, Spennymoor Town Hall, County Durham.

See more of Alfie’s work  on Instagram and Facebook:

www.instagram.com/alfiejoey.art/

www.facebook.com/AlfieJoeyArt/

Sycamore Gap
Sycamore Gap by Alfie Joey

 

Joanne’s colourful, quirky seaside scenes will make you smile

In our latest interview featuring creative people in the region we talk to 40-year-old Ouseburn-based artist Joanne Wishart.

Newcastle-based artist. Joanne Wishart
Newcastle-based artist. Joanne Wishart

Where in the North East are you based?

My studio is based at the Mushroom Works in Ouseburn, Newcastle, but I live a little nearer the coast in North Shields.

How would you describe your work?

My work is colourful and quirky capturing nostalgic seaside memories of days out at the coast, in particular the North East coast. I have an extensive back catalogue of works depicting Northumberland’s favourite coastal landmarks. I like to paint summer days and sunny skies to create images that will give you a lift and make you smile.

Seaside Donkeys by Joanne Wishart
Seaside Donkeys by Joanne Wishart

I work mainly with acrylic paint but I like to add a bit of collage material including fabrics and old maps into my work to give added layers and a textured surface.  My ideas have developed over the years and have introduced new work including driftwood boat sculptures, and deckchair artworks.

Tell us how you first started out as an artist?

I’ve always been creative ever since I was a child. Then after school I went on to study Printed Textile design at Duncan of Jordanstone College of Art, Dundee. As part of my degree I spent a term in Nova Scotia studying at their art college, which was a fabulous experience.

I would say the progression form graduation to where I am today was a slow process, I initially got work freelancing for agents in the U.K. and New York designing Hawaiian shirt prints and children’s furnishing fabrics. I also worked part time in a small gallery and picture framers. In 2006 I met my now husband and moved from Berwick upon Tweed to North Tyneside and together we set up our current business where we self publish my paintings into limited edition prints and greetings cards and we haven’t looked back.

Towards Dunstanburgh by Joanne Wishart
Towards Dunstanburgh by Joanne Wishart

What work are you most proud of?

I do love the old 1940’s deckchair frames with my paintings on the canvas. They are something just a little bit different and really capture the essence of seaside nostalgia.

I am also proud to have won North East England’s “Best Creative Business” in 2009.  I am proud to be able to make my way in the world doing what I love for a living.

What influence if any does North East England have in inspiring your work?

Growing up near Berwick upon Tweed and now living in North Tyneside, North East England has so much to offer in terms of inspiration.

 What inspires you?

I love the great outdoors, the beauty of the North East coastline, the coastal landscape, the sun, the sea, the flowers and animals. Most of my inspiration comes from walking the coastal paths or spending a sunny day on the beach with my kids. I like to get out and about with my sketchbook and camera, taking it all back to my studio with a head full of ideas.

Puffins by Joanne Wishart
Puffins by Joanne Wishart

What has been your most challenging creation?

My most challenging creation has to be my exhibition in the Bridge Gallery at Tynemouth station. It is such an unusual space to hang work in and that can be view from both sides of the walkway. I am used to hanging a painting on a flat wall so I had to think differently to make this exhibition work as a whole.

 Do you have any tips for up and coming artists?

My tips would be to work hard, create your own style, evolve and develop. Go into galleries and ask for feedback (make an appointment first, you will get a better response!), learn from this and don’t let the knock backs get you down.  An artist’s life is a rollercoaster and you never know what is around the next corner.

Joanne Wishart, artist
Joanne Wishart, artist

Which other artists or photographers inspire you.

I try not to get too inspired by other artists work so that my own signature style develops. 

What are your ambitions for the future?

I would love to run my own studio gallery one day, this might be when my kids get a bit older, but for the moment I am happy juggling being a mum and artist.

If you would like to visit my studio at the Mushroom Works and see where the magic happens please pop along to Ouseburn Open Studios on the 30th June & 1st July.  The Mushroom Works will be open to the public and welcomes visitors behind the scenes. I will have a selection of new North East paintings on show in the Mushroom Works gallery and will be on hand to talk to anyone in my studio.

Discover more ofJoanne’s art at : www.joannewishart.co.uk

Treasure troves of the coast an inspiration for Kate

An interview with Durham-based artist, Kate Van Suddese. Kate describes how she is inspired by the North East coast and the different artists who have influenced her work and passion. Part of a continuing series exploring the work of artists, photographers and other creative people in the North East.

'Sea Kiss' by Kate Van Suddese. Depicts the rocks at Marsden Bay.
‘Sea Kiss’ by Kate Van Suddese. Depicts the rocks at Marsden Bay.

How would you describe your work?

It’s hard to define my work as I have changed so much over the years both in style and subject. I have sold my work professionally for over 30 years and in such a timescale things change drastically in every way or I feel they should do!  Always learning, always growing, always changing, always new things to see and paint.!

To give a recent point of focus I would say I have been a seascape artist for the longest time. Back when I was younger I painted portraits and then went on to large abstract paintings that were purely involved with colour and form. I loved Cezanne and Rothko at the time and they influenced me a great deal.

'City Life' Kate Van Suddese, the Gateshead Millennium Bridge.
‘City Life’ Kate Van Suddese, the Gateshead Millennium Bridge.

Tell us how you first started out as an artist.

I first started out after Uni in my early 20s painting portraits. I worked lots of part time jobs to keep funds going so I could paint. I dropped in and out of Art degrees and courses as the mood took me, travelled around a few places. Always painting and always trying to get my work into galleries etc. and always working if I ran out of cash. Eventually I built up a selection of galleries who exhibited my work nationally including the Biscuit Factory, Red Rag Gallery, the Leith gallery. And things went on from there.

Kate Van Suddese
Kate Van Suddese

What influence if any does North East England have in inspiring your work?

In 1993 my mother died and it had a profound effect on my painting world. I began to paint the coastal world around me. It was a place where I found peace and the raw energy and sense of limitless space was comforting. A bridge to another world.

Mum loved the North East coast and I found myself wandering around in her footsteps, reliving the childhood memories I had of days at the beach with my family. I ended up painting a whole series of seascapes featuring huge crashing waves and local landmarks all with a link in my mind to my mother and my family.

From then on I have been painting my beloved Northern coastline in all its glory as a tribute to both my mum and the whole Northern ethos.

Warmth, family, roots, history: who cannot but be inspired by our beautiful coast? The variety and breadth of the coast from Redcar up to Amble etc and beyond is amazing.  The beauty and wide expanse of beach and white light of Bamburgh is just breathtaking. Both Lindisfarne and Dunstanburgh with their history and isolation are magnets for people seeking open space and a sense of belonging.

When you see the regeneration of the coal coast it just astounds with the changes that have happened over recent years. There are still the scars of the mining industry within its folds but the beaches and coastal paths are now well on their way to their own form of well-hewn beauty. Its good to keep a sign of past times too, to remember life as it was. I spend a fair bit of time at Blast Beach , Seaham, looking for glass from the old glass works and painting the crashing waves at Noses Point.

I spend every weekend at Tynemouth Market with my paintings and prints and have come to love the coast in the area. I set off early to watch the early sun from different vantage points before I go to work at the market.  Sitting watching the early waves come in at North Shields fish quay and the Groyne is One of the most peaceful and happy things I like to do. It never fails to make me want to paint it.

Kate Van Suddese's 'Treasures Hunters' depicts the fabulous market at Tynemouth.
Kate Van Suddese’s ‘Treasures Hunters’ depicts the fabulous market at Tynemouth.

All the way along, St Edwards Bay, Longsands and our magnificent St Mary’s Lighthouse is a treasure trove of inspiration, both through memories of times past and present day happiness. In rain or shine, calm or storm.

I paint in lots of different styles, it depends on how I feel at the time and what the image needs. But mainly I am an oil painter, using canvases both tiny and large.

I adore Turner and Atkinson Grimshaw and much of my work has a feel to it of both. Its not deliberate, I just feel that my love of light and beauty is so ingrained that is just comes out as it does because that seems to be the only way I can try to capture what I want. Turner’s use of light and colour and almost abstract form was far advanced for the time and seems to me to just capture the essence of another world with its sense of beauty and translucence.

'In The Soft Light of Morning' St Mary's Lighthouse near Whitley Bay. Kate Van Suddese.
‘In The Soft Light of Morning’ St Mary’s Lighthouse near Whitley Bay. Kate Van Suddese.

In painting local landmarks and local seas I also wanted to find a way to paint beauty, as to me the sense of place and belonging is a link to love and life.

I try to find the beauty in whatever it is that has inspired me to pick up my brush and paint it.

As I said the focus of my work is mainly as a seascape artist but recently I have enjoyed creating small series of fantasy works. All have to be beautiful in one way or another though. Story telling is something I like to do and to tell a story with a painting is a satisfying way of making magic from nothing.

'Night Life'. The Tyne Bridge, Kate Van Suddese.
‘Night Life’. The Tyne Bridge, Kate Van Suddese.

What inspires you?

Everything inspires me. The world around me, words , poems, colours, stories, memories, sadness,happiness, my family, my love of the sea and my love of the North and its history and encompassing nature.

Which other artists or photographers do you admire?

Turner for his love of light. The Pre-Raphaelites for their love of romance and magic. Monet for his colour and expression. Charles Napier Hemy for the sea and motion. Norman Cornish for my Grandad who was a miner. Vuillard because everything he does is so beautiful. Jeremy Mann breathtaking. Berthelsen for his warmth like being wrapped in a blanket. Dame Laura Knight for memories and sunlight

'The Sunshine Bay', Cullercoats. Kate Van Suddese.
‘The Sunshine Bay’, Cullercoats. Kate Van Suddese.

Do you have any tips for up and coming artists?

Be yourself, paint what you want  and keep experimenting and changing.

Decide which way you want your career to go, what is the most important thing and go for it . find which side of the fine line between Art and Commerce it is that motivates you and make your choices accordingly. Its hard being an artist for the love of it if you cant make enough money to buy paint and pay your bills.  Just keep going and don’t let the knock s set you back, there will always be someone who loves your work  and someone who doesn’t.

Roker Lighthouse. Kate Van Suddese.
Roker Lighthouse. Kate Van Suddese.

What has been your most challenging creation?

My most challenging creation hasn’t happened yet. Everything is hard, I call it a bitter sweet occupation, the love and pain involved in creating anything is all encompassing whether it is 2D or 3D, for yourself or a commission.

What are your ambitions for the future?

As far as ambitions for the future goes: I just want to paint!

See more of Kate’s work www.katevansuddese.com

New challenges found in every work for watercolour artist Stuart

As part of our continuing series featuring creative people in the North East DAVID SIMPSON talks to 64 year old Peterlee-based watercolour artist, Stuart Fisher.

Durham Castle painted by Stuart Fisher
Durham Castle by Stuart Fisher

Where in the North East are you based? 

Our home and studio in Peterlee.

How would you describe your work? 

Architectural landscapes in watercolour.

Tell us how you first started out as an artist?

Thinking my job in architecture was at risk, I revisited painting, something that I hadn’t touched on since secondary school. In the late 1990s I produced a watercolour of a young colleague who had broken his neck in a competitive motocross competition.

This helped to raise funds to assist with his drastically altered lifestyle as he was paralysed from the neck down. I doorstepped Dunlop, one of his sponsors and sold the original for £1,000 after which I raised a further £1,000 from the sale of prints. That same colleague  remains a firm friend and incidentally, is an official mentor to the unfortunate victims of spinal injuries and those in the military who have suffered life-changing battlefield trauma.

Following this I was invited to mount a solo exhibition in a gallery in Corbridge in 2000 and have exhibited almost every year since, turning professional in 2010 with the launch of my website.

What work are you most proud of?

The commissioned painting depicting The Anglican Shrine of Our Lady of Walsingham in North Norfolk. It was a great honour to be invited to produce this work for a shrine of global importance to the Anglican Church and I was especially pleased to be invited to its official unveiling attended by The Shrine Guardians in March of this year.

What inspires you?

There’s potential in almost everything I see and hear.

What influence if any does North East England have in inspiring your work?

I don’t think that the North East is necessarily any more inspirational than any other region of Britain. That said, it is my base and as such has to be the source of my subject material. However with all my work, I attempt to add drama to subjects which have been done to death and which might otherwise be jaded to the eyes of the observer.

What has been your most challenging creation?

Watercolour is not a forgiving medium and as such many paintings have been consigned to the waste paper bin after hours of toil. There are new challenges to face in every painting. No matter how simple the subject may outwardly appear, there is always a hidden trap waiting to catch you out. The more you paint, the more you become aware of the potential pitfalls, the easier it gets.

The recently completed commissioned painting for The Anglican Shrine of Our Lady of Walsingham had a number of challenges, very large size not the least of them. The fact that I’d never before attempted a garden of flowers was the most daunting aspect of the picture. I tiptoed around that section of the painting until I could no longer avoid diving in.

Shrine of Our Lady of Walsingham Norfolk painted by Peterlee artist Stuart Fisher
Shrine of Our Lady of Walsingham in Norfolk painted by Peterlee artist Stuart Fisher

Do you have any tips for up and coming artists?

Be diligent, work hard and don’t expect art to make itself. Find one person you respect to critique your work, a person you can accept criticism from without being offended. Take inspiration from the greats and aim high.

What other artists or photographers inspire you.

During my early years in architecture, we received calendars at Christmas from local reps. The most sought after of these depicted the work of Sir William Russell Flint (1880-1969) a man who in my opinion is the Genius of the art of watercolour painting. Perhaps most famous for his depiction of scantly clad ladies peppering his architectural landscapes, his style inevitably went out of fashion in the 1960s. However subject matter aside, his technical ability was and in my mind still is, unsurpassed!

Watercolour artist, Stuart Fisher
Watercolour artist, Stuart Fisher

What are your ambitions for the future?

Apart from continuous improvement, I’m not really sure. The 2016 commission to produce a painting of Durham Chorister School for its 600th anniversary is a past highlight. The then school Principal Yvette Day was recently appointed Head of Kings College Cambridge Chorister School. Without prior knowledge of the Chorister School building, the idea of eventually producing a portrait of such an iconic establishment definitely appeals.

Discover more of Stuart Fisher’s work at:

stuartfisher-art.co.uk

 

Pam captures beauty, emotion and memories in paint

DAVID SIMPSON talks to Tynemouth-based artist Pam Morton in the latest in our continuing series of blogs focusing on the region’s artists, photographers and creative people. 

How would you describe your work?

Illustrative bold atmospheric and as realistic as I feel it should be.

'Sunrise Reflections', North Shields Fish Quay by Pam Morton
‘Sunrise Reflections’, North Shields Fish Quay by Pam Morton

Tell us how you first started out as an artist?

I studied at Newcastle College of Art in the 1970s however I only started to paint 3 years ago when I retired.

What work are you most proud of?

I am very proud of my first painting “Madly Deeply” it was sold to Marjorie Walsh who is married to Joe Walsh (Eagles Band) now in their home Beverly Hills

What inspires you?

Beauty, emotion, memories of my subject.

'Quirky Tynemouth' by Pam Morton
‘Quirky Tynemouth’ by Pam Morton

What influence if any does North East England have in inspiring your work?

I live in Tynemouth and it’s such a beautiful place full of character  and incredible landscape with a thriving social life.

What has been your most challenging creation?

My very first landscape “The Longsands” and “Quirky Tynemouth” I like to think they remind people of their days in Tynemouth whether it’s a walk along the beach or socialising in Tynemouth Village.

Do you have any tips for up and coming artists?

Practice and feel free to paint if it inspires you, also persevere even if you feel like giving up.

Tynemouth-based artist, Pam Morton
Tynemouth-based artist, Pam Morton

Which other artists or photographers inspire you?

Marcel Witte  is a Dutch painter who paints in such detail and every painting has a message. My favourite photographer is Coastal Portraits by Snappy photographer.

What are your ambitions for the future?

That people will continue to like my work.

To discover more of Pam’s work visit her website at www.pjmartworks.co.uk

Final Rehearsal by Pam Morton
Final Rehearsal by Pam Morton

www.pjmartworks.co.uk

Sea and Sky : Artist finds inspiration in Craster coastline

DAVID SIMPSON talks to Northumberland artist Mick Oxley about his wonderful seascapes.

As part of our continuing commitment highlighting the work of North East artists, photographers, film makers, writers, musicians and other creative people we talk to 64 year artist Mick Oxley who lives and works in Craster.

Boulmer Glory. Painted by Mick Oxley
Boulmer Glory. Painted by Mick Oxley

Describe yourself and your work:

A painter whose work is influenced by the sea and shoreline of the Northumberland coast, it’s moods and atmosphere.

How did you start out as an artist?

I started painting in 1999, after retiring from teaching and I am wheelchair bound. I began under the tutelage of Gordon Highmoor at a WEA class in Craster. I went full time in 2003 and opened my gallery in 2008. I paint and sell from Craster.

Which work are you most proud of?

To be honest, I am proud of a lot of my work, although I do have one or two favourites. While I have worked very hard to get where I am, I also consider myself fortunate I decided to give painting a go.

Mick Oxley at work
Mick Oxley at work

What inspires you?

My biggest influence is the environment that surrounds me – the coastline, the moods of the sea, the kaleidoscopic changes. This provides me with a never ending source of inspiration.

What influence if any does North East England have in inspiring your work?

I grew up in the North East, left to work elsewhere and always wanted to return. The area and its people are very much part of my DNA.

What has been your most challenging creation?

Usually very large paintings, when I can struggle to reach across the canvas. Not being able to stand can pose problems and I have to be extra creative.

Do you have any tips for up and coming artists?

Enjoy what you do, have fun, practise as much as you can and you will improve.

Which other artists inspire you?

My two biggest influences are the North Yorkshire artist Len Tabner and Norwegian Ornulf  Opdahl. Both artists had a profound influence on me when I began painting.

February Sunrise. Painted by Mick Oxley.
February Sunrise. Painted by Mick Oxley.

What are your ambitions for the future?

My aim is to carry on enjoying what I do. I like the dual role of painting and running the gallery. I enjoy meeting the customers and working from Craster.

Visit Mick website at: www.mickoxley.com

Mick is also on Twitter @mickoxley   and   @seaskycraster 

and Facebook too facebook.com/mickoxleygallery

Better still, why not pop along to Mick’s gallery in Craster and take in the wonderful Northumberland coast while you’re there?