All posts by Jonathan Jones

It’s back: Kynren captivates with its epic tale of 2,000 years

How do you tell the tale of 2,000 years of British history, with a North-East twist, in just 90 minutes? The answer is simple, County Durham’s spectacular outdoor pageant, Kynren. JONATHAN JONES enjoys Bishop Auckland’s summer spectacle.

Kyren: Burning bagpipes
Kynren: Burning bagpipes as the English and Scots face off in battle.

Having been lucky enough to see last year’s offering, taking place on a seven-acre site in the shadow of Auckland Castle, in Bishop Auckland, I did wonder what this year’s performance might offer that was different enough to justify paying members of the public forking out £50 for the best seats.

And I can happily say there’s enough new and extended scenes to make Kynren worth a return visit. Boosted by an increased number of participants (or archers as they are known), more than 1,400 volunteers in total, the show seemed to have more in terms of excitement, and, perhaps most importantly, it just seemed to flow better.

Kynren: Performers from the cast of 1,400
Kynren: Performers from the cast of 1,400

This view may also have been aided by the fact that this year I had a slightly more elevated position in the stands, rather than the ringside seat I took last year. This enabled me to see more of the action as it enfolded, for example, being among the first to see the burning bagpipe playing Scots army of Robert the Bruce, come face to face with the burning club juggling English army.

Something I hadn’t noticed so much last year, and perhaps this is due to the more enhanced staging of this year’s offering, is just how violent the last 2,000 years of British history have been.

The first 30-45 minutes of the show seemed to focus on one bloody skirmish after another, from the stallion riding Iceni queen, Boudicca, storming the stage accompanied by her daughters, battling with their Roman oppressors on the banks of a lake, from which scenes rise and fall, through the monk slaughtering attacks of the Vikings, to the death of Harold Hadrada, clutching an arrow in his eye, at the hands of the invading William the Conqueror.

Great fun for those watching, particularly the younger members of the audience, who particularly enjoyed the sight of a Roman Centurion being thrown from his horse, then dragged along behind it.

Kynren features plenty of action scenes
Kynren features plenty of fast moving action scenes

There was a slightly more sedate section, featuring Shakespeare and Good Queen Bess, which included the Queen entering the stage on a fabulous royal barge, while Shakespeare himself could be seen on the balcony of his home. But this was soon to be replaced by the skirmishes of the English Civil War featuring Cavalier cavalry facing off against Roundhead armour.

The show owes a lot of its continued success to the generosity of investment banker Jonathan Ruffer, the man spearheading the £100 million redevelopment of Bishop Auckland, which included buying Auckland Castle and saving paintings by the 17th century Spanish painter Francisco de Zurbarán.

After an initial £35million investment in the Kynren site, funded entirely from charitable donations, each subsequent year is funded from the previous year’s proceeds, with profits from tickets and merchandise sales reinvested in the show and keeping it at its best, continually increasing the skill level for volunteers to make this show the success.

Kyrnen: A wonderful spectacle
Kynren: A wonderful spectacle

Designed to emulate the success of France’s Puy du Fou, which helped to revitalise the Vendee area of Western France, Mr Ruffer is hopeful that Kynren will help to do the same for Bishop Auckland.

He joked, as he launched this year’s event, that he hoped Kynren would last for the next 50 years, and to ask him again then, at the age of 117, what he thought was the secret of its success.

He added: “We are not like Trooping the Colour where you see some wonderful things but the only thing that changes year after year is the name of the person who falls off the horse.

“We are not like a Premiership football match where every moment of every game is different but ultimately it’s just 24 blokes running around a lawn.

“We are more like Star Wars, or Harry Potter, which you can come back to year after year and see, in one sense, the same thing and same characters, but in another sense something different and unique because every performance is unique.”

Kynren is on target to attract more than 500,000 visitors to the North East by 2020, boosting the economy by almost £5million a year.

If the reaction of the gathered press and guests (mostly friends and family of the participants) is anything to go by, with a standing ovation at the end of the show, and numerous bouts of spontaneous applause throughout, County Durham has a hit on its hands.

If, as promised, production company Eleven Arches continues to upgrade the show each year, then I’ll be happy to make an annual visit.

Kyrnen, Auckland Castle
Kynren: A grand stage set to the wonderful backdrop of Auckland Castle

However, I must add that my enjoyment of this year’s offering was perhaps improved by my choice of a slightly more elevated seat, rather than my choice of a front row one last year.

This more elevated position gave me chance to see more of the early action as it happened, in particular items that were happening to the far left or right of the stage area.

Under the watchful eye of US-born artistic director Steve Boyd, who choreographed Olympic opening ceremonies in London and Rio, revised and extra scenes have been added to this year’s offering. These include a completely new English Civil War section, and the marking of two special moments in history, commemorating 100 years since the end of the First World War, a moment laced with poppies and poignancy, and the successful struggle of the Suffragette movement, which led to women being given the vote.

Kynren: Poppies in a poignant moment
Kynren: Poppies in a poignant moment

There’s still something for those who like history, told from a North-East angle, with this year’s audiences again getting to meet the Venerable Bede and Prince Bishop Bek.

There’s also still a particularly moving sequence featuring the coal mining communities of the North East. Pit props rise from the lake, and miners march to work, only for a number of massive explosions to rock the stage, followed by the collapse of pit props. This is followed by mourning women following a number of hearses across the stage, showing just how dangerous working in the pits of County Durham, once the lifeblood of the region, was.

On a lighter note, however, there’s also a myriad of performing animals including 33 horses, a flock of 27 sheep (a crowd favourite), a gaggle of geese, numerous donkeys and a pair of Durham shorthorn oxen.

Kynren: The sheep are a crowd favourite
Kynren: The sheep are a crowd favourite

The show also features more stunts, including a Roman Centurion being dragged along behind his horse, in the early moments of the show, plus a motorcycle rider crossing the stage ablaze.

Stephenson’s Locomotion, the first steam locomotive to carry passengers on a public rail line, also makes an appearance, steaming across the stage followed by cheering crowds, and in later scenes, Winston Churchill makes his “fight them on the beaches’ speech, while a spitfire chases a German bomber overhead.

Produced by Eleven Arches, the 2018 season features 17 performances across, commencing on June 30, and running on Friday and Saturday evenings throughout July, August and September.

Tickets for Kynren range from £25-£55 for adults and £19-£41 for children. For more information, visit www.kynren.co.uk.

Cathedral’s Treasures are the ‘Tutankhamun of the North-East’

JONATHAN JONES  visits the wonderful relics of St Cuthbert that are finally back on display at Durham Cathedral in a superb new setting that drew audible gasps at the official unveiling.

St Cuthbert's Cross: Treasures of St Cuthbert, Durham Cathedral
St Cuthbert’s Cross: Treasures of St Cuthbert, Durham Cathedral

Anglo-Saxon artefacts, dating back more than 1,300 years, and belonging to monk, bishop and hermit, St Cuthbert, have gone back on display in Durham Cathedral.he relics, including the coffin in which St Cuthbert’s body was carried from Lindisfarne, to its final resting place on the site of Durham Cathedral, and the gold cross he wore around his neck, are the centrepiece of The Treasures of St Cuthbert, which opened to the public at the weekend.

The relics were described as the “Tutankhamun” of the North-East, by cultural historian and Anglo-Saxon specialist, Dr Janina Ramirez at the official launch of the exhibition.

Dr Janina Ramirez and an of Durham, The Very Reverend Andrew Tremlett
Dr Janina Ramirez and the Dean of Durham, The Very Reverend Andrew Tremlett

She admitted that the excitement of seeing the relics, back in their rightful home, in a purpose-built exhibition inside Durham Cathedral, had made her unable to sleep the previous night.

The ornately carved coffin, featuring runic and Latin inscriptions, is rightfully, the centrepiece of the exhibition, and is regarded as the most important surviving relic from before the time of the Norman Conquest.

Images of Christ, the Virgin Mary, apostles and archangels are still visible on the incredibly preserved oak fragments, and brought audible gasps from the clergy, scholars, officials and journalists gathered to witness them for the first time in their new home, in a specially developed exhibition space inside the cathedral.

The coffin of St Cuthbert forms the centrepiece of the permanent exhibition in the cathedral's great kitchen
The coffin of St Cuthbert forms the centrepiece of the permanent exhibition in Durham Cathedral’s Great Kitchen.

Dr Ramirez said: “Some people think that there is a time in the history of Western Europe when the lights went out – when the civilisation and refinement of the Roman Empire was replaced by a Dark Age, visible to us only through a glass darkly; through scraps of archaeology, fragments of enigmatic text, and the bones of early medieval people, who walked a thousand four hundred years before us.

“But the Cuthbert Treasures fly in the face of this theory: from the complex, visual riddles engraved across the oldest surviving example of wood carving on Cuthbert’s coffin, to the gold and garnet splendour of his pectoral cross; from the continental elegance of the ceremonial comb, to the remarkable examples of Opus Anglicanum, recognised at the time as the best embroidery in the known world, the Cuthbert Treasures bring colour, depth and drama to the so-called Dark Ages.”

She continued: “At their very heart lies a unique individual who was both Anglo-Saxon warrior, and early Christian Bishop. His connection to the North East means we can walk in the footsteps of arguably England’s most important saint.”

The exhibits are housed in the Great Kitchen, which has been transformed into a world-class exhibition space, following a year of environmental monitoring, to ensure the relics are kept in the right conditions to ensure their continued longevity.

Comb, thought to have belonged to St Cuthbert
Anglo-Saxon comb, thought to have belonged to St Cuthbert

The project has seen the construction of purpose built exhibition and gallery space in the Cathedral, with access to the treasures themselves being monitored at all times. Indeed, access to the space itself, felt more like entering the Star Ship Enterprise, than the stone walls of the Cathedral.

Visitors were beckoned into a chamber, through which they could see the artefacts beyond another door. Once the environment was stabilised, the inner door opened, granting access to view the fabulous treasures, in glass cases that only enhance their true beauty.

The relics of St Cuthbert, previously on display in the Cathedral’s undercroft, have been in storage for the past six years, during the main phase of the project.

The creation of this space, marks the completion of the Cathedral’s £10.9million investment in the Open Treasure project. The project has been generously supported by a £3.9 million grant from the Heritage Lottery Fund.

Speaking at the launch, Jim Cokill, Member of the North-East Committee for the Heritage Lottery Fund, said: “A place of worship for thousands and a spectacular attraction drawing visitor from near and far to the city, Durham Cathedral is a heritage treasure in the North East. The Treasures of St Cuthbert and the Open Treasures Exhibition will not only boost the Cathedral’s continuing popularity but will also keep its visitors at the heart of heritage.”

The Conyers flachion, a medieval sword used in a ceremony for newly appointed Bishops of Durham is another highlight of the exhibition.
The Conyers Falchion, a medieval sword, used in a ceremony for newly appointed Bishops of Durham, is another highlight of the exhibition.

But perhaps the final word should go to the Dean of Durham, The Very Reverend Andrew Tremlett. He said: “It is very fitting that the final jewel in the crown of Open Treasure is centred on St Cuthbert, in whose honour Durham Cathedral was built.

“The launch of the Treasures of St Cuthbert on permanent display in their new home marks a new phase in the life of Durham Cathedral and its exhibition experience Open Treasure.”

Among the Treasures of St Cuthbert on display are:

  • St Cuthbert’s wooden coffin, widely regarded as the most important example of Pre-Conquest woodwork, and finely engraved with linear images, Latin lettering and Anglo-Saxon runes
  • St Cuthbert’s pectoral cross, a 7th century gold and garnet cross designed to be worn on a chain around his neck.
  • St Cuthbert’s portable altar, used to support his missionary work in the North East. It is believed to be the oldest surviving portable altar, dating from 660AD.
  • The original Sanctuary door knocker, dating from the 12th Century, and one of Durham’s most enduring symbols. Originally attached to the North Door of Durham Cathedral, those who had committed a crime could rap on the door knocker and be given 37 days of sanctuary, during which time they could reconcile with their enemies, or plan their escape.

The Treasures of St Cuthbert are now on permanent display within Open Treasure in the Great Kitchen, one of only two surviving medieval monastic kitchens in the UK. Tickets cost from £2.50 – £7.50, and are available online and from the visitor desk at Durham Cathedral. For more information visit www.durhamcathedral.co.uk, or telephone 0191 386 4266.

Archaeological passions

JONATHAN JONES meets former Northumberland County Archaeologist, Chris Burgess, and learns something about the passion and obsession that drives him and others in his speciality.

Bamburgh is as solid as a rock but it's 99% nothing: Photo, David Simpson
Northumberland is a county rich in history and archaeology

There can be few places as blessed as Northumberland when it comes to history and archaeology and it’s a place that has long attracted people with a passion in both these fields. Former Northumberland County archaeologist, Chris Burgess must feel special affection for the county with a privileged first hand – and often hands on – insight into the region’s history.

Chris Burgess
Chris Burgess

Interviewed by BBC Radio 4 in 2014 while working on a project to excavate the site of the Battle of Flodden (1513) Chris described how it is always the possibility of the next find that keeps him going.

“Sometimes you find nothing. sometimes you find everything” he explained back then, but found he was always driven on by the possibility of giving a voice to individuals and events from the distant past.

In 2013-14, in conjunction with his role as county archaeologist, Chris had been the manager of the Flodden 500 Project, working with a team of up to 80 people from both sides of the border attempting to uncover the secrets of the famous battle site near Branxton, a couple of miles to the south of the River Tweed.

More recently Chris had been working on a landscape partnership project focused on Holy Island when he experienced a life changing event, suffering a brain haemorrhage, early in 2016.

Chris has learnt a thing or two about obsession, since then. His time on Ward Four, at Walkergate Park Hospital, in Newcastle, gave him many moments to reflect on the workings of the mind of the archaeologist, and the subjects or objects that they often obsess about. It seems that for Chris his particular passions and obsessions take him far beyond the borders of the North East.

“Every heritage professional has one site they obsess about” says Chris “and I am no different. For me it is the mythical ‘Amber Room’ in Tsar Nicholas’ Winter Palace, near St Petersburg, which sadly disappeared into the fog of war in early summer of 1945.

“Often held to be the eighth wonder of the world, the room was decorated with panels of mosaics, formed of Baltic Amber and backed with gold leaf. The entire room was lit only by candles.

“More than eight tonnes of Amber were used in the building of the room, which was constructed in the Charlottenborg Palace in Berlin, by Kaiser Wilhelm of Germany, before being presented as a gift to his cousin Tsar Nicholas of Russia.”

The Winter Palace, near St Petersburg
The Winter Palace, near St Petersburg in Russia

Not only is the Amber room valued for its constituent amber and gold, but as an unparalleled piece of art. Sadly it was plundered by the Nazis during World War II, when it was stripped from its St Petersburg home by the retreating German army, ahead of rapidly advancing Russian forces.

Chris said: “Eyewitness reports have it packed onto a train, or trucks, and taken to the port of Konigsberg, where it was loaded onto the hospital ship SS Wilhelm Gustaf, which sailed from the port, only to be torpedoed and sank by Russian submarines in the Baltic Sea.”

But Chris’s obsession with this old decorated room, dismantled and lost more than 40 years before he was born, is not simply an “archaeological thing”.

He said: “It wasn’t just an archaeological thing that drove Howard Carter to search relentlessly for the Valley of the Kings, in order to gaze on the face of Tutankhamun in his burial chamber, ignoring warnings and curses, until he eventually found it.

“It’s a matter of personal obsession.

“My Dad, also an archaeologist, was fascinated by Stonehenge, how it was built, and why it was built, to such an extent that he wrote several books on the subject.

Stonehenge
Stonehenge

“For Howard Carter, it was an Egyptian boy prince, for my Dad it was Stonehenge, and for me, it is the missing eight tonnes of decorative amber from the Tsar’s Winter Palace.”

He added: “The wish to look upon and understand the unseen, unique and unusual, is what drives most archaeologists, which is why most have a particular artefact or site they become obsessed with.”

“I have looked into the face of Tutankhamun’s Death Mask, seen his other treasures, and think I understand Howard Carter’s obsession, and the passion that drove it.

“I live in hope of one day standing and looking on the rediscovered Amber room, but sadly do not really expect to do so.

“I have been to the Neues Museum in Berlin, and seen Schliemann’s mythical gold from Troy, and read his interesting justification of why he took ownership of it from the Ottoman Empire.

“In the same museum I have gazed in wonderment on the face of Nefertiti.

“The one thing all these artefacts have in common, is that now, following short interruptions for conflict, they are all freely available to people from all countries to enjoy, regardless of race or ideology.”

The same is true of our own region’s artefacts and archaeological finds which are here to be shared with the world at large with each and everyone giving its own insight into humanity’s past and adding ever more knowledge to our human story.

 

Listen to Chris Burgess being interviewed in 2014 on a Radio 4 feature about the Battle of Flodden bbc.co.uk/programmes/b03mj1y4

More about the Battle of Flodden englandsnortheast.co.uk/Flodden.html

Momentum Skills’ North East (Brain Injury Rehabilitation) momentumskills.org.uk/our-services/service/north-east-england-vocational-rehabilitation based in Newcastle, offers vocational rehabilitation services for people with an acquired brain injury and or neurological condition aged 16 years old and over.

BuzzCloud takes the sting out of beekeeping

Honey Bees: Photo BuzzCloud
Honey Bees: Photo BuzzCloud

Bees play a critical role in plant pollination, making them a crucially important part of our ecosystem. JONATHAN JONES visits a County Durham business that could make beekeepers of us all with the help of 21st century technology.

A COUNTY Durham environmental business hopes to take the sting out of beekeeping, and encourage more people to become beekeepers, with a 21st century bee hive, monitored through a smart phone app.

Long seen as a specialist industry, traditional beekeeping requires sometimes expensive equipment, can be time consuming, and land intensive.

But new business BuzzCloud buzzcloud.global, in Tantobie, County Durham, hopes to change all that, with the development of a bee hive, linked to the ‘internet-of-things’, which will enable anybody to become a beekeeper, and more importantly protect a species that is fundamental to life on this planet.

The ‘internet of things’ is a development of the world wide web, which gives everyday objects, such as vehicles and buildings, Internet connectivity, by embedding them with electronics, such as sensors and actuators, which can be monitored using a mobile phone.

Roger Lewis, director of BuzzCloud, and his colleague, Fraser Lindsley, are seeking funding to manufacture the first hives for public testing. They already have a number of hives at beta test sites across the UK, including locations on North Tyneside and in Leicestershire.

A BuzzCloud Hive: Photo BuzzCloud
A BuzzCloud Hive: Photo BuzzCloud

And they’re hoping to use crowdfunding, against bank lending or venture capital, to fund the production of the first hives available to the general public.

Crowdfunding works by asking thousands of people, not necessarily in the UK, for small amounts of money to fund the projects they are interested in.

BuzzCloud is seeking an initial $20,000 (approximately £15,500) on the Indiegogo site www.indiegogo.com, one of the largest crowdfunding sites in the world. The official launch takes place on July 15.

Mr Lewis explains: “We chose crowdfunding as it allows us to raise the relatively small amount of money required for the initial project, through people who have an interest in helping bees. We chose Indiegogo as it’s one of the largest crowdfunding sites in the world.

“If this initial crowdfunding phase raises the money required for the test hives, we’ll then look at future crowdfunding when we are ready to go into production of hives that will be available to the general public. Starting small like this also provides real market validation.”

The public launch will follow analysis of the initial information collected from ten beta test hives.

Mr Lewis, originally from South Africa, and who also lived in Malawi (in central Africa), plus other parts of Europe, before settling in Tantobie, is an electronics and IT professional who wants to put his skills to good use protecting bees.

He believes there is no other beehive around that can monitor the life of the bees within it so effectively, although hives have been developed in Australia to make the process of harvesting the honey easier.

As well as being able to monitor the hive remotely, using the BuzzCloud mobile phone app, users will also be able to change settings, such as raising the temperature of the hive, in particularly cold periods, or to help deal with pest infections, such as the Varroa Destructor mite, which can destroy entire hive populations, typically 40,000 – 60,000 bees.

BuzzCloud will use 3D printing and cutting technology to create the hives, using sources of recycled cellulose.

Once further funding is secured, it is hoped the first bee hives available to the public will be produced in a specialist, automated industrial unit, in County Durham.

And hives will be produced in a variety of sizes to meet the requirements of the urban beekeeper.

Mr Lewis said: “We’ll be looking to develop smaller hives, which can be put on a balcony, or in a confined space, in urban locations.

“Larger hives will be capable of producing 25kg or more of honey, with the smaller hives, half that amount.”

And as for those people put off beekeeping by the prospect of being stung, Mr Lewis said: “Perhaps the best thing about this new approach to beekeeping is that you don’t have to be a beekeeper!

“It’s no longer necessary to get suited up in a clumsy beekeeping suit and gloves just to monitor your beehive – we make it possible to do almost all the monitoring needed using your mobile phone or tablet. This does not mean that remote monitoring can eliminate all manual inspections, it does however sharply reduce the number of times the hives need to be manually inspected.”

 

Visit the BuzzCloud website buzzcloud.global

 

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