Fiona finds colour in nature’s treasures of the deep

In our latest feature on North East creative talent we talk to artist Fiona Carvell who is based in the Northumberland countryside near Shotley Bridge.

Lindisfarne by Fiona Carvell
Lindisfarne by Fiona Carvell

Where exactly in the North East are you based?

On the border of County Durham and Northumberland, perched on the edge of the Pennines – beautiful space! Fine Studios at Fine House Farm, Kiln Pit Hill, Consett. DH8 9SL.

How would you describe your work?

Ideas-led, which means I let the subject matter inspire and direct how I respond (as opposed to working in the same way, or having a ‘style’ regardless of subject). Visually, I am interested in line and space, the connections between objects and relationships of pattern in nature.

Tell us how you first started out as an artist?

I graduated as an illustrator and moving image designer, which led to work both as a freelance Illustrator in publishing and then a career in broadcasting. I later moved into teaching but throughout all of this never stopped drawing. I would finish a shift for doing the on-air graphics for Sky News and then go straight to a life drawing class! Teaching in F.E. meant I could spend more time experimenting with materials but it wasn’t until I started running community-based art classes that I finally realised I needed to create more of my own art. It was clamouring to get out!

Fiona Carvell
North East artist, Fiona Carvell

My love affair with pastel started around this time and a few years later I entered a piece for the Pastel Society Open Exhibition in London which made the first selection round. I was invited to be a Unison Colour Associate Artist soon after this, which I am immensely proud of, especially as they are a North East company and sell around the world.

I was offered studio space at Fine Studios at the end of 2016, which is perfect for me as it’s just a few miles from home and an amazing place to run workshops from.

Which work are you most proud of?

Probably ‘Treasure of The Deep’, which was the first of my seaweed series. It was very big (over 3ft high once framed) which is huge for a pastel piece, and incredibly detailed.

Treasure of the Deep
                             Treasure of the Deep by Fiona Carvell

What inspires you?

Lots of things – I go through obsessions! I had a thing about grasses and then trees for a while last year and my current theme seems to be seaweed. I am drawn to connections in nature – patterns of line and surprises of colour, that echo from one life form to another.

What influence if any does North East England have in inspiring your work?

The North East has a wealth of inspirational landscapes. From the Pennines to the beautiful Northumberland coastline, there is so much to draw upon. My parents live on the coast and so I spend quite a bit of time photographing and sketching at beaches and castles.

What has been your most challenging creation?

Probably ‘Treasure of The Deep’. There were so many colours in each tiny section, that I would cover only a few inches a day at some points. It drove me to distraction. I would often go to the studio in my running gear so I could run a few miles of tension off in between pastel painting!

Do you have any tips for up and coming artists?

Work hard, be practical and approach what you do as any profession. If you seriously want to develop a career as an artist, you must get the balance between personal creation/production and all the other stuff that makes it possible. Admin, promotions, attending events, keeping galleries supplied and happy are all part and parcel of the job. As a qualified teacher I still enjoy teaching workshops and have found this a valuable part of my practice as it helps to develop my own artwork.

Resilience by Fiona Carvell
Resilience by Fiona Carvell

Which other artists or photographers inspire you?

My favourite pastel artist is probably Sarah Bee. Just gorgeous line work and energy. The most inspiring exhibition I attended was in Paris a few years ago by fashion designer, Issey Miyake. He presented fabric as lines and forms of pleated colour in the most astonishing display that played with light and shade. I am a great believer in looking at everything the world presents to you for potential inspiration – it can come from anywhere.

What are your ambitions for the future?

I have just returned from running my first pastel workshop in France, (which was fabulous!) and I now have another planned for May 2019. I am also in the midst of planning my workshops at Fine Studios for 2019 alongside exhibitions at various venues across the country.

Long term, I would love to exhibit with the Pastel Society, that would be an achievement and a great honour.

Anything else you’d like to add?

My work is currently on display and for sale at Number Four Gallery, St.Abbs, Scotland www.numberfourgallery.co.uk

You can also buy my prints at Gallery 45 in Felton www.feltongallery45.co.uk

and at The Links Gallery in Whitley Bay www.linksgallery.org

You can catch me in person and my latest work at Art in the Pen, Skipton, Yorkshire, between August 11th and 12th. www.artinthepen.org.uk

For more information regarding my French workshop in 2019 go to www.sweetnothings.eu

I am also available for demonstrations or to to run art workshops in pastel and drawing at art groups and societies.

See more of Fiona’s work at:

www.fionacarvellart.co.uk

 

Twenty North East villages

DAVID SIMPSON explores twenty different villages across the region including some hidden away inside our North East towns.

The bridge at Blanchland
Blanchland Photo © David Simpson 2018

There are hundreds of fascinating and often beautiful villages of all kinds, scattered around the North East of England from the Tweed to the Tees Valley. Most people live in the cities and towns of course and there are some spectacular towns too, but we shouldn’t forget our villages. There are villages in every corner of our region all the way from the upland country to the coast. They’re not just out in the country though, you’ll, even find some hidden away within our towns and cities.

Piercebridge
Piercebridge village, on the Durham (Darlington) side of the Tees. Photo © David Simpson 2018

Old cottages, medieval churches, a village green and perhaps a duck pond are features often associated with older villages and of course for many the focal point is the village pub. Here we thought we’d pick out twenty unusual, interesting and sometimes surprising villages, some of which you may be familiar with and others which you may not know. We are not saying these are the best ones or even necessarily the twenty most interesting ones but they give some impression of the kind of variety of villages we have across our region.

Bamburgh

Northumberland

Okay, there will be few who haven’t heard of this one, but to some extent Bamburgh is a little overlooked. It’s overlooked by Bamburgh Castle and so spectacular is that castle that it’s easy to forget how  beautiful the village is too. Lovely little shops, pubs, people playing cricket or flying kites on the huge green below the steep craggy whin stone rocks of the castle. Not to mention the beach and the view. Views everywhere. Bamburgh is Britain at its best.

Bamburgh Castle and village
Bamburgh Castle and village Photo © 2018 David Simpson

Read about Bamburgh

Norton-on-Tees

Teesside

Norton-on-Tees is a very substantial and beautiful village absorbed by neighbouring Stockton. It has a huge village green and a big duck pond. There are lots of old houses surrounding it and as if that wasn’t enough there’s a splendid Georgian High Street leading up to the green with grand Georgian houses, pleasant shops and restaurants. Given its size and picturesque qualities Norton is surprisingly little known outside of Teesside. If it were part of London it would probably be rivalling the likes of Kew or Richmond and everyone would want to know about it. Oh and Norton also has a splendid Saxon church.

Norton High Street.
Norton High Street. Photo © David Simpson 2018

Read about Norton

Craster

Northumberland

The ‘crow chester’ of old is a fabulous fishing village. Here rugged whinstone rocks form cosy coastal cottages in this delightful place famed for its kippers. For those who don’t know, the kippers are smoked on oak chippings to give them their distinct traditional flavour. The big surprise at Craster is of course the neighbouring Dunstanburgh Castle – a magnificent and huge romantic ruin best approached by the walk from the village where visitors might follow in the footsteps of the legendary Sir Guy the Seeker.

Dunstanburgh Castle
Dunstanburgh Castle near Craster Photo © 2017 David Simpson

Read about the Craster area

Brancepeth

County Durham

Small, but with picturesque rows of houses in what what was once the estate village for Brancepeth Castle. There’s no pub or village green here, so this is a place for people who like their villages tiny, secluded and quiet, though there is a busy road that passes straight through. The great medieval castle is still there alongside a charming medieval church though the castle has seen much restoration.

Brancepeth village.
Brancepeth Village, the north side. Photo © David Simpson 2018

Read about Brancepeth

Bellingham

Northumberland

Bellingham, pronounced ‘Bellingum’ is the capital of North Tynedale in Northumberland and a great centre for exploring the area including the nearby Kielder Forest and reservoir. This is a relatively peaceful place with pleasant walks along the river. Nearby a walking route takes you to the lovely Hareshaw Linn waterfall. It’s so serene that it’s easy to forget that Bellingham was once entangled in the violence and bloodshed of the border wars in times gone by and was at the heart of ‘Border Reiver country’ with the dale being the lair of troublesome reivers like the Milburns, Robsons and Charltons of Tudor times.

Bellingham
Bellingham, North Tynedale Photo © 2015 David Simpson

Read about Bellingham

Billingham

Teesside

Yes, Billingham. People have preconceptions about certain places and when we think Billingham we inevitably think of the vast chemical works with cooling towers and clouds of steam. Billingham has much earlier origins though and on the hill top at Billingham Green we find a few (and there are admittedly only a few) old cottages of the original village of Billingham dating back to times long past. The biggest surprise here, however, is a Saxon church dating to around 1000D. It’s about a hundred years older than Durham Cathedral.

Old houses in the village, Billingham Green.
Old houses in the village, Billingham Green. Photo © David Simpson 2018

Near the edge of Billingham another little-known village is Cowpen Bewley near the estuarine industries of Teesside. Old cottages are set around a village green and you could easily be led to believe you were in an isolated rural spot miles away from any town or city if it were not for a sudden glimpse of the Middlesbrough Transporter Bridge in a gap between two cottages. It’s pronounced ‘Coopen’ by the way!

Ivy Cottage, Cowpen Bewley.
Cowpen Bewley. Photo © David Simpson 2018

Read about Billingham and Cowpen Bewley

Wallsend

North Tyneside

Another one of those surprising villages hidden away within a town. Think Wallsend and you think of shipyards on the Tyne or the nearby Roman fort at the end of Hadrian’s Wall. Further north from the river though we find the old village of Wallsend Green and there’s quite an extensive green with old houses plus the nearby Wallsend Hall, a mansion of the late Georgian era. Wallsend has two old churches of note but these were built at a distance from the village. Wallsend’s medieval church of Holy Cross fell out of use with the Wallsend natives who used the local school for marriages for many years. It was only when the Bishop of Durham pointed out that the school was not consecrated and that their marriages and baptisms were not valid that they hastily built a new church dedicated to St Peter to the south towards Willington Quay.

Wallsend Village
Wallsend Green. Photo © David Simpson 2018

Read about Wallsend

Holy Island Village

Northumberland

Holy Island Village on the island of Lindisfarne is something quite special, in fact ‘magical’ is perhaps the word. Charming houses and little shops with views of the rugged castle on Beblowe rock and the romantic ruins of Lindisfarne Priory. Given all the natural and historical charms of the island it’s easy to forget that it’s also the home to a rather picturesque little village too.

Holy Island Village
Holy Island Village : Photo © 2015 David Simpson

Read about Holy Island 

Whitburn

South Tyneside

Whitburn in South Tyneside close to the coast and near the northern fringe of Sunderland is a fabulous village with all kinds of interesting old buildings and the overall impression is delightful to the eye. The architectural historian Nikolaus Pevsner described it as “uncommonly attractive” in his famous guide books to the Buildings of England.

Whitburn village scenes
Whitburn village scenes photos: Photo © David Simpson

Whitburn has a thirteenth century church, some wonderful Georgian and Victorian houses, a curious cottage of red brick, a beautiful village green and even a windmill complete with sails. There are also literary links to Lewis Carroll who had relatives that resided here. The nearby village of Cleadon is also rather attractive and has links to Charles Dickens.

Read about Whitburn

Blanchland

Northumberland

Blanchland is situated in the Pennine dale of the Derwent in the south western area of Northumberland and is just over the border from County Durham. It is a rather exceptional and beautiful village constructed within the ruins of a medieval monastery. In Georgian times the charitable trust of Lord Crewe, a Bishop of Durham used stones from the abbey of Blanchland to construct a model village and the result is simply sublime. Highlights of the village are the L-shaped piazza,  the old monastery gatehouse, the abbey church and the lovely Lord Crewe Arms. Picturesque, it is almost a Hollywood producer’s vision of what an old English village should look like but very rustic, elegant and real.

Blanchland
Blanchland. Photo © David Simpson 2018

Read about Blanchland

Sedgefield

Though it is arguably and technically a town, the large village green and Georgian cottages and village-type pubs that cluster around the green give Sedgefield an undoubtable village-like feel. There are some wonderful old Georgian houses and narrow lanes,  grander houses and interesting nooks clustered around the green. Our favourite story concerning Sedgefield concerns the ‘Pickled Parson’, a deceased vicar who was preserved in either salt or brandy by his good lady wife so she could avoid paying a particular tax.

Sedgefield
Sedgefield Photo © David Simpson 2018

Read about Sedgefield

Gainford

County Durham

Gainford is a very attractive former spa village near Darlington with a fine Jacobean hall. Situated on the River Tees its neighbours further downstream include High Coniscliffe, the ‘cliff of King Edwin’ and Piercebridge the site of a Roman fort and bridge that was once the home to a clock that inspired a famous song.

Gainford.
Gainford. Photo © David Simpson 2018

Read about Gainford

New York

North Tyneside

I love the name of this one. There’s a New York Post Office and a New York Convenience Store. Several of the old mining villages across the region have some fabulous names: Pity Me, Quebec, Toronto, Philadelphia, Coronation, No Place. Many are tight knit neighbourly friendly communities often with fabulous scenery right on their doorstep. I live in a former mining village, so I know this for a fact.

New York, North Tyneside
New York, North Tyneside. Photos © David Simpson 2018

Read about New York and North Tyneside

West Auckland

County Durham

Centred around a fine village green West Auckland is a former mining village that developed from an older village centre. Most people may know that West Auckland’s local football club won the world cup – twice. It’s commemorated by a sculpture at the centre of the green. There’s some interesting buildings of note here too. West Auckland’s Old Hall and the Manor House are both substantial buildings dating from the 1600s.

West Auckland Old Hall.
West Auckland Old Hall. Photo © David Simpson 2018

Read about West Auckland

Heighington

Near Darlington

Once the capital of a district called Heighingtonshire in south Durham, Heighington near Darlington is a rather lovely village with a broad undulating green, a medieval church and lots of old interesting houses.

Heighington
Heighington. Photo © David Simpson 2018

Read about Heighington

Beamish

County Durham

A small village, this is the original Beamish, near to the famous museum. We love the eye-catching figures on the Shepherd and Shepherdess pub and the former almshouses nearby. A fairly small village but still bigger than ‘Beamish Town’  that is found within the museum grounds.

Figures, Shepherd and Shepherdess Beamish village.
Figures, Shepherd and Shepherdess Beamish village. Photo © John Simpson

Read about Beamish

Whickham

Borough of Gateshead

Whickham village near Gateshead on Tyneside was at the heart of a major mining area from as early as the 1600s. The lovely stone houses of the 1700s around Church Chare, Front Street and Rectory Lane, are reminders of Whickham’s rural roots.

Whickham church
Whickham church. Photo © David Simpson

Read about Whickham

Hart

Situated on the magnesian limestone hills just outside Hartlepool with great views out to sea little Hart village was closely tied to Hartlepool and perhaps the capital of the ancient district called Hartness. There’s a beautiful little Saxon church, a windmill, an interesting couple of pubs and the scant remains of a medieval hall that belonged to the powerful De Brus (Bruce) family.

Hart village.
Hart village. Photo © David Simpson 2018

Read about villages near Hartlepool

Staindrop

A substantial old village and a place of significance in medieval times, being the estate village of Raby Castle, the ancient stronghold of the Nevilles that is just along the road. The church of St Mary at Staindrop (once dedicated to St Gregory) is a sizeable and impressive medieval edifice with a core dating back to before the Norman Conquest.

Staindrop. Photo © David Simpson 2018
Staindrop. Photo © David Simpson 2018

Read about Staindrop

Backworth

Backworth mining village was perhaps made famous by the fictional character ‘Geordie Broon of Backworth’. There are some interesting old houses in the village but perhaps the biggest surprise is the Miners’ Welfare building in a beautiful stately hall that was purchased by the local mining community in the 1930s.

Backworth Hall.
Backworth Hall. Photo © David Simpson 2018

Read about Backworth, North Tyneside

What’s your favourite North East village?

This is just a selection of North East villages and a bit of a random one at that. What’s your favourite village in the North East? How about Cambo or Lanchester, Norham on Tweed, Alnmouth, Elsdon, Ford and Etal or Longframlington? Maybe Castle Eden or Westoe, Rennington, Ellingham, Matfen, Shincliffe, Frosterley, Romaldkirk or perhaps the old village at Ponteland.

Let us know in the comments below what your favourite village is and why. If you’re on Twitter why not tweet  your favourite village especially if you’ve got some great photos to show it off. Tag us in on your tweet or visit our Facebook page. Details below:

Follow England’s North East on Twitter

tag #NorthEastVillages

Visit and like us on Facebook

Sarah creates a sense of place in colourful magical maps

We talk to 49-year old Morpeth-based artist, Sarah Farooqi in the latest in our series of interviews featuring talented artists and photographers from the North East of England. Sarah is best-known for her wonderful, colourful illustrated maps.

The Quayside by Sarah Farooqi
The Quayside by Sarah Farooqi

How would you describe your work?

I am a watercolour artist specialising in landscapes, townscapes and illustrated maps. From a pen drawing, my pictures evolve into busy, layered compositions which reflect my love of detail and colour, and hopefully a sense of fun.

Tell us how you first started out as an artist?

I began drawing when I was old enough to hold a pencil and went on to study graphic design at university. But then I took a wrong turn into corporate TV graphics and lost my enthusiasm. So I trained and worked as a primary teacher until I became a full time mum. During that time I was asked by my local school to work with their youngest children on an art project.

However, I had to stop myself grabbing the paint brushes off the children as I just wanted to do it myself! I started painting again soon after, and have never looked back. I spent a year experimenting and finding out exactly what it was I wanted to paint and how. Then once I had a couple of finished pieces I took them to show lots of galleries, shops, the National Trust etc. until I had a few places willing to sell my prints/cards. I joined Network Artists and had a group exhibition at Alnwick Garden in 2009. From there I was asked to make visitor maps for Alnwick Garden and Castle.

Detail from the Howick Hall Estate Map
Detail from Sarah Farroqi’s Howick Hall Estate Map

What work are you most proud of?

In the visitor centre at Howick Hall Gardens (near Alnwick) there is a huge map detailing the whole of the Howick estate, its rare plants/trees and wildlife. The map took the best part of a year to complete and some of it was previously unmapped so I was able to work closely with their head gardener and other members of the Howick team. The map has had a very positive reaction from visitors and I am very proud of it.

What inspires you?

Everything really. I love being outdoors and the intricacy of the natural world. But I also can’t resist a bleak northern industrial scene (see below), or something unexpected or irreverent, as I don’t like to take things too seriously. I also have a terrible sense of direction, so if someone asks me to make them a map I am inspired by that challenge.

Sarah Farooqi
Sarah Farooqi

What influence if any does North East England have in inspiring your work?

I grew up in Teesside and have fond memories of sketching at South Gare near Redcar. Home to the now ghosted blast furnace, at the time I loved peering through the railings and seeing the molten iron being poured into the trucks, and the architecture of the industrial landscape.

It was also right next to Paddy’s Hole with its fishermen’s huts and the North Sea. There is even a lighthouse at the end. Perfect!  Now I live in Northumberland I am totally spoilt by the North Northumberland coastline, with its empty windswept beaches and fabulous castles, and even more lighthouses. The fact that Northumberland is a bit of a secret to many people is also quite appealing – I like to help celebrate it.

What has been your most challenging creation?

Definitely the Howick Hall visitor map, as it involved mapping previously unchartered territory, working with a range of different groups, and the sheer scale of the project. I painted it on a series of squares which when laid out wouldn’t fit in any of the rooms in my house!

Howick Hall Estate Map
Howick Hall Estate Map by Sarah Farooqi

Do you have any tips for up and coming artists?

Never give up, and if you feel overwhelmed by the possibilities/challenges, take a deep breath, start at the beginning and just keep going. To begin with there will be set backs, and you need to go through these in order to learn how everything works. Also, if you are trying to make a living from your art, try and remember to put the customer/buyer at the centre of your marketing so that you make it as easy as possible for people to see, understand and buy your work. Also, being an artist can be a little isolating, so make sure you make connections with people and get out and about. All the other artists I know are really nice people, and happy to help.

Whch other artists or photographers inspire you?

The Cornish fisherman and artist Alfred Wallis who started painting on bits of old cardboard at the age of 68. Arthur Rackham, the Victorian artist whose work includes my favourite illustrations for the Wind in the Willows. Tove Jansson, who wrote and illustrated the Moomins. The stories, symbols and patterns in aboriginal art are fascinating. I am also amazed by the photos of Iceland by Benjamin Hardman, who I’ve just started following on Instagram.

What are your ambitions for the future?

More commissioned work, more of my own work, maybe expand my portfolio from Northumbria into Yorkshire and beyond, and one day to have a fabulous studio. I’d also like to illustrate a children’s book.

See more of Sarah’s work at www.sarahfarooqi.co.uk

Chalk, charcoal and jam sandwiches are a source of pride for artist Alfie

In our latest blog featuring North East artists we talk to the multi-talented Alfie Joey. Alfie, 50, is a writer, stand-up comic, impressionist, singer and breakfast time presenter on Radio Newcastle. Here Alfie talks about his artwork and how he is inspired to paint and draw.

Jam Sandwiches
Jam Sandwiches by Alfie Joey

How would you describe your work?

Caricature and local heritage pictures.

Tell us how you first started out as an artist:

I drew a picture of Winston Churchill at infant school and I was told by Mrs. Derby I had to show it to the headteacher Mr. Smith who was more than encouraging!

What work are you most proud of?

The first chalk and charcoal sketch I sold was called Jam Sandwiches- it is 3 coal miners eating bait down the pit.

Alfie Joey
North East artist Alfie Joey

What inspires you?

My art hero is the legendary Broadway cartoonist Al Hirschfeld.

What influence if any does North East England have in inspiring your work?

The North East is littered with gorgeous landmarks that lend themselves to art work!

What has been your most challenging piece?

I had 2 days to draw a very busy cartoon cover of NE1 Magazine.

Do you have any tips for up and coming  artist?

There are endless tips and teachers for free on YouTube and Instagram.

Trimdon Colliery by Alfie Joey
Trimdon Colliery by Alfie Joey

 What other artists inspire you!?

Locally, Alexander Millar, Ben Holland and of course, Norman Cornish!

What are your ambitions for the future?

To have my children’s picture books published.

My work is on display and for sale at the North East Art Collective in Eldon Garden, Newcastle and from August, Spennymoor Town Hall, County Durham.

See more of Alfie’s work  on Instagram and Facebook:

www.instagram.com/alfiejoey.art/

www.facebook.com/AlfieJoeyArt/

Sycamore Gap
Sycamore Gap by Alfie Joey

 

Adam finds passion and perspective in the ‘Lang Shot’

In our latest blog featuring North East artists and photographers DAVID SIMPSON talks to 44-year-old Gateshead-based photographer Adam Lang of Lang Shot Photography.

Boat By The Bridge by Lang Shot Photography
Boat By The Bridge by Lang Shot Photography

How would you describe your work?

Somewhere between city scapes and street photography, its constantly changing as I explore different types of photography.

Tell us how you first started out as an artist?

I bought a decent camera (Sony A5000) to take on a trip to Prague a few years ago. I took typical holiday snap shots with it and that’s as far as it went. Around 6 months later I started shooting pictures of the bridges around the Quayside.

When I figured out how to take long exposures I was hooked and spent many a morning wandering the streets of Newcastle when anybody with any sense was still in bed. I posted the results on my Facebook profile and got lots of praise from friends and family so I started a Facebook page to show my work, the reception was great and it just seemed to grow in no time at all.

Grey Street @ Dawn by Lang Shot Photography
Grey Street @ Dawn by Lang Shot Photography

What work are you most proud of?

That’s a difficult one. I’m normally proud of work that produces a style or mood that I’ve never done before. I’m very proud of my High Bridge shot, it gave me confidence to be different and was instrumental in developing my style.

High Bridge by Lang Shot Photography
High Bridge, Newcastle by Lang Shot Photography

What inspires you?

Comic book art and the look of film noir. My surroundings and the people around me are always inspiration, there is always beauty or a mood to be captured if you look.

Adam Lang photographed by Darren William Hall
Adam Lang photographed by Darren William Hall

What influence if any does North East England have in inspiring your work?

Newcastle is such a photogenic city and is small enough to walk around. Living so close to Newcastle means there is always something for me to shoot. The people of the North East have been great in responding to my work, I’m not sure if it’s true of everywhere but the people from here love the area and seeing pictures of it in all its glory.

Autumn Quay by Lang Shot Photography
Autumn Quay by Lang Shot Photography

What has been your most challenging creation?

I’d say a shot of the Corn Exchange in Leeds. The place is huge and trying to capture the scale wasn’t easy. The end result is one of my favourite shots and went down great with the people of Leeds. I’ve used the same methods to create shots in Newcastle which captures the area in a way I haven’t seen too often.

Leeds Corn Exchange by Lang Shot Photography
Leeds Corn Exchange by Lang Shot Photography

Do you have any tips for up and coming photographers?

Take risks and don’t be afraid to fail. I was very close to not publishing a shot as I thought I’d maybe over processed it and would attract lots of criticism. I showed it to my father who said I should post it as it was interesting so post it I did.

The amount of likes it received was like nothing I’d seen before. A typical shot would attract a few hundred likes on Facebook, this one got two and a half thousand and was seen by around a hundred and fifty thousand people.

Which other artists or photographers inspire you?

There is a comic book artist/painter named Bill Sienkiewicz who I just love. The first time I saw his work was when I was around 13, it was a painted cover and the perspective and proportions didn’t seem to make sense but the mix of red and white in the painting was beautiful. I still love that cover and follow his work on Instagram religiously.

Swinging Bridge Sky by Lang Shot Photography
Swinging Bridge Sky by Lang Shot Photography

What are your ambitions for the future?

I’d love to make a living through my photography but not at the expense of my passion for it. I get so much enjoyment from shooting and processing my shots and I’d hate to lose that. I’ve had a few people asking me to teach them. This is something I’ll be looking at shortly. I’d eventually love a gallery or shop somewhere when the time is right.

The Theatre Royal by Lang Shot Photography
The Theatre Royal by Lang Shot Photography

Anything else you’d like to addd?

I’m always open to collaborations so get in touch if you have any ideas.

To see more of Adam’s fabulous photographs visit www.langshotphotography.com

See Adam’s work on Instagram at:

And on Facebook at:

 

Tourist Trap: £103 and a bag of nuts to see a waterfall

DAVID SIMPSON reveals how a bit of innocent chatter, a failed download, three rejected coins and a bag of nuts resulted in a £103 charge to see England’s best waterfall.

High Force
High Force waterfall, Teesdale. Photo David Simpson

A roaring awesome force of nature, High Force waterfall is one of the most beautiful and remarkable features of the North East landscape. People come from far and wide to enjoy this majestic ‘force’ pouring its foamy waters at roaring pace over the imposing slate-black rocks of the Great Whin Sill.  I wonder, though, how many people know that if they’re not too careful, they may end up paying more than a hundred pounds for the privilege?

I hadn’t been to the waterfall for a while so with some delightful sunny weather to enjoy I headed off to Teesdale, stopping at bonny Barnard Castle and the pretty village of Romaldkirk along the way. A little nearer to my destination I then called in at lovely Middleton-in-Teesdale to draw out some cash on my driving route to ‘feel the force’. Now ‘Fors’ is a Viking word meaning ‘waterfall’ by the way and has nothing to do with a force of power or the enforcement of fines for that matter – at least not as far as we know.

I haven’t been to High Force for about three years now – to my great shame, High Force should be at least an annual visit for anyone in the North East. Having been diverted at so many wonderful stops along the way I didn’t get to the High Force car park until just before 5pm. I’d never been there that late in the evening – though it’s hardly what you’d call ‘night time’ at the height of summer.  I then see a sign at the car park saying the fall closes at 5pm with the last admission at 4.30pm. Looks like I’m too late.

Low Force waterfall
Low Force waterfall, Teesdale. Photo © David Simpson 2018

I was a bit confused, did this mean that the entire pathway to get to the fall was closed or do they enclose the waterfall in some kind of iron cage to keep people out? In fact, as it turns out, the path doesn’t close at all, you can still stroll along the riverside to within a literal stone’s throw of the fall. The only limitation is that after hours you will find a locked gate near the fall beyond which you can go no further. Don’t worry though you’re still more than close enough to get a decent view or a photo.

If only I’d known all of this a bit sooner as I’d have saved myself £100 pounds but you see I have a problem; I’m a bit of a chatterbox. No sooner had I parked  the car then I got into a conversation with some friendly visitors and ramblers. Now when I say ramblers, I  mean walkers. Their conversation, I should say, was far from rambling and was pleasantly engaging, though as it turned out disastrously engaging. “Can I still get to the fal” I innocently asked, “or is the path closed?” I wanted to be sure. No point in paying a £3 car parking fee for nothing.

Soon there was a suggestion to walk back downstream to Low Force and cross a footbridge to reach the High Force from the other side of the river  (on what used to be the Yorkshire side – where unlike the Durham side they don’t charge you). There was also a suggestion from these helpful visitors that I take in Summerhill Force at Gibson’s Cave and see the Low Force as well. I should confess, that I hadn’t been to either for some time (again to my shame), at least not since I was a kid, so I wasn’t sure how long that walk would take.

As the conversation continued, I took little notice of the time. I can’t be sure but I suspect that by this time more than 10 minutes had already elapsed. Eventually another curious conversational visitor interjected and explained that I could in fact still get pretty close to the “big one” from the Durham side; certainly close enough for a photo and so I decided to commit to the parking, which was going to cost me a minimum of £3 which I could see from where I was standing and confirmed by the conversation.

£3 seemed reasonable enough, so I fished out my £10 note, fresh from the Middleton cash point, only to find that the machine wouldn’t take notes – unlike the nearby cameras which it seems take notes of your every move with a view to taking much more than a trusty tenner – but more on that in a moment. Also, there was no facility for accepting cards in the parking machine as you often find on remote car parks near Hadrian’s Wall.

I saw then that there was a parking ‘app’ that you can download to your phone. Great, I thought, I love a bit of simple technology – so I downloaded the application onto my phone, or at least I tried to. From what I remember it aborted on two or three goes, causing much frustration and taking much precious time before I eventually succeeded. Time was still ticking away.

Low Force waterfall, Teesdale.
Low Force waterfall, Teesdale.

Now I’m no technophobe, or at least I like to think that I’m not, but I couldn’t get this app to accept the input of letters from my number plate on my phone – something which, incidentally, the nearby cameras seem to have no problem reading. I decided the best course of action was to get some loose change, so I popped into the handy High Force Hotel right next to the car park and waited patiently for a thirsty couple in front of me, who were buying a not-to-quick round of early evening drinks for their numerous friends, to get served. Again, unbeknown to me, time was ticking away.

With the couple served, I decided to get myself a bag of nuts plus change from my tenner as it occurred to me that this hotel must get a constant stream of annoying people asking for change to feed into the coin-sucking parking machines nearby. At least, with the nuts, I had made a purchase that would benefit the hotel.

So you’d think I was sorted? Well, actually, no. For some reason  the parking machine didn’t like my coins at first or at least didn’t like my level of concentration or understanding of the payment process in that evening heat. No, it just wouldn’t accept those coins, coughing them out on several occasions without hesitation until eventually a new set of three pound coins was happily accepted and the parking ticket was finally there in my hands.

So with my three pounds paid and the said ticket placed on the dashboard, as instructed, it was time to explore. What I didn’t know, however, was that time had already ticked its final tock and taken its £100 toll. What I didn’t know was that despite the payment of £3, the camera had clocked my time of arrival with its number plate recognition technology and decided that I was a dreadful offender.  It was only when I’d paid that £3 fee that I was approached by one of the friendly visitors who I’d been talking to a few minutes earlier. Warily, if a little tardy in his thoughts, he asked rhetorically: “you have seen the ‘small print’ about the £100 fine after 10 minutes?”

Sadly, I had not, and for that matter nor had the talkative lady standing nearby. She confessed she hadn’t seen it either but was confident that she had paid for her ticket on time.  At this point you might have heard me exclaim “*$!~**#!”  or words to that effect. There it was: a little warning in amongst the usual T&Cs, about a £100 fine for anyone who fails to pay within ten minutes of arrival. Now rules are rules, but this seemed like a little case of extortion to me; a ridiculous sum for a silly error, perhaps even a case of bullying you might say.

Summerhill Force and Gibson's Cave.
Summerhill Force and Gibson’s Cave.

I had that sudden horrible feeling I’d been there much more than ten minutes but couldn’t be certain but thought it was a reasonable and honest mistake and as I’d paid my parking fee I thought perhaps things would be okay. On the other hand, perhaps I am just hopefully naïve.

So off I went on my stroll. It’s always a great feeling of anticipation as you approach ‘the High Force’ on the thickly wooded pathway and can hear it, though not at first see it, getting closer and closer until eventually it reveals itself in all its glory in a gap amongst the trees. I waited for a group of teens larking around at the locked gate – one of whom had unsafely climbed over the neighbouring fence towards the fall. Having made her way back across the fence and onto the path, the group departed for home, leaving me to take a few photos and admire the view from the gate, quite contently.

It had been sunny for several days so the High Force  in these dry conditions wasn’t in full spate but the powerful flow was still more than enough to impress. On the way back along the path leading to the fall I passed a couple of young blokes heading in the direction of the force clutching a veritable picnic of alcoholic drinks who were clearly intending to venture beyond the locked gate and have the after hours waterfall all to themselves for the rest of the evening. I hope they remembered to pay their parking fee.

Having paid £3 which covers a maximum of 3 hours I decided to get my money’s worth so acting on the advice of my recently found friendly band of car park advisers I tried out the walk heading downstream to take in Low Force on the Tees and the Summerhill Force at Gibson’s cave which is along the nearby Bowlees Beck. Within less than an hour I’d managed to fit in High Force and these other two falls (I’m a brisk walker) and I must say all the waterfalls are stupendous.

Low Force is every bit as good as the comparable Aysgarth Falls down in  Wensleydale – if not better – and is found in two close-by groups of falls that can be enjoyed from the neighbouring fields or from the wonderfully wobbly single-file pedestrian suspension bridge that crosses the Tees here. Gibson’s Cave and the Summerhill Force are wonderful too – reached along the beautiful wooded dene of the Bowlees Beck from Bowlees and even on this relatively dry day the sight of that lovely waterfall trickling over the cave is a pretty and picturesque sight to behold.

Sadly, all these sights and sounds on this pleasant summer’s evening were more than a little overshadowed by the distinctly unpleasant and unexpected possibility of a £100 parking fine.

Nine days passed and I’d quite forgotten about my visit to the ‘forces’ when I received a midday Monday letter of shall I say ‘high enforcement’ from a Liverpool-based company with the rather intimidating name of Civil Enforcement Ltd. Their letter, issued on and presumably also posted on a Friday*,  was received  with the following demand: “Amount due within 28 days: £100″ and “Reduced amount due if paid within 14 days: £60″.  In fact the 14 days was now 11 and a half days notice due to the delay in receiving the letter.

Now although £60 still seems to me like a proverbial ‘day light robbery’, in the circumstances it’s much less to pay and much more palatable than paying £100. It was very tempting to pay this, caving in to a bit of ‘tactical’ bullying you might say. However, I feel I have been unlucky and not properly warned of the fine rather than dishonest, so I decided to stick to my guns and hold out for what I think is right.  Anyway, I’ve appealed, and if I fail in this appeal I will then have the option of using the independent ‘Parking on Private Land Appeals (POPLA)’ service. If your appeal with POPLA is still unsuccessful you must then pay the full £100, so it’s a risk – which of course the parking enforcers must presumably know only too well.

As a penance for my unwitting error I have offered to pay £7 (in addition to the £3 already paid) as I think that £10 is a reasonable sum for an honest mistake. It’s also a very decent sum for the car park considering the time I was there – whereas £60 is not. We’ll see what they say. Just don’t hold your breath.

I just think that this is all a bit of a sting that can make money out of the unwitting public for a lapse of ten minutes? That’s certainly not enough time to do anything useful or see any of the sites or reach the waterfall, but more than enough to catch one or two chatty or temporarily distracted people like me unawares.

All that it would take, in my view, to avoid this would be a prominent sign at the entrance to the car park saying that you must pay within ten minutes of entering or receive a fine – it’s the one thing that any visitor would certainly want to know above anything else. This could be done very easily to make absolutely sure that people are aware of the possible fine. The car park could also make it clearer about accessibility to the fall after 4.30pm as it was clarifying this ambiguity that cost me the time more than anything else.  What makes me cross is it’s not like I didn’t pay at all or do anything dishonest, I just wanted to confirm that I was going to be able to see what I had come to see before I paid the car park money and committed to stay. It is after all ‘The High Force Car Park’.

I’ve asked Civil Enforcement Ltd, the company which collects car parking revenue on behalf of the landowners to consider my appeal. I’ve also asked if they would provide me with some details of how much they receive in revenue from fines at this particular car park.  If they respond to this particular request of information, I’ll let you know what they say.

Raby Castle
Raby Castle. High Force  is on the lands of the Raby estate. © David Simpson 2018

Don’t let this put you off visiting High Force and its nearby waterfalls though. There’s still parking at the Bowlees Visitor Centre – where there’s a suggested parking donation. The walk from Bowlees to Summerhill and all the other waterfalls including High Force is very pleasing. If you do decide to park at the High Force Car Park, however, which is certainly more convenient for that particular waterfall then just make sure you pay within ten minutes of arrival or you might just end up feeling the force of a very hefty fine.

High Force Visitor information:

High Force is situated on the lands of the Raby estate: Raby Castle

Visit the High Force website at: Highforcewaterfall.co.uk

Opening Times: High Force is open daily 10am-5pm (4pm winter).

Last admission: Half an hour before closing.

Car parking: £3 for 3 hours or £6 for 6 hours

Pay within 10 minutes of arriving

Admission to falls: Adults: 16+ £1.50, Children 5-15: 50p.

Parking at the site is managed by  Civil Enforcement Limited

 

UPDATE: My appeal was rejected by Civil Enforcement Ltd, however they did give me a further 14 days to pay at the reduced rate of £60 and I decided to pay that, reluctantly.

Raby Estate had only introduced the new parking system in May (2018) though I was unaware of this at the time. According to a story in The Northern Echo in response to my experience and that of others, Raby Estate have now extended the period of grace for parking payment at the High Force Car Park. Unfortunately this didn’t make any difference to me, because – as I understand it – the period of grace had not come into force at that time.

I would strongly suggest that Raby Estate ask for an improvement in the signage at the car park to ensure that people are aware of the risk of payment delays as soon as they enter the car park. Even if there is a period of grace, discovering there’s a fine after a 10 minute period has elapsed could be stressful to elderly visitors or those on low income.

I’d also suggest they consider finding a new company to manage their parking when the opportunity arises as I think the company’s lack of leniency does not necessarily work in the best interests of their client, unless of course Raby Estate only consider its visitors a means of making money and nothing more. I know I am not the only one to have been caught by this charge and I would suggest that it could be potentially damaging to an important element of Teesdale’s tourism industry.

Finally, I’d like to add that despite my experience I should say that High Force, Raby Castle and Teesdale itself are absolute gems that all deserve to be better known. My intention in creating this website was to highlight the wonderful heritage of the North East region, its history, landscape and places to visit, but occasionally, reluctantly, you sometimes have to draw attention to negative things that could be much improved.